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Paul Hogan's knive-tossing, hand-slapping Outback legend skipped the whole of the 90's so his 2001 comeback came as something of a big surprise. Unfortunately, audiences had of course moved on and the critics didn't hesitate in drowning the film. Indeed, you don't have to be an expert to realise that this belated third caper isn't exactly accomplished film-making; there's an uninvolving and considerably underdeveloped plot whilst the comedy itself (consistently spot-on in the original) is pretty much hit-and-miss here.

Still, if its clean, fun, enjoyable entertainment you're looking for, Dundee in LA serves the purpose well and is satisfying for the family or younger ones. The character himself is still interesting and enjoyable to watch as he once again returns to the USA, this time acting detective when he suspects a shady movie company of smuggling. Not by no means a classic but harmless and pleasant entertainment nonetheless.

Whilst not as smooth, slick or satisfying as the box-office storming original, Paul Hogan's sequel is still crowd-pleasing entertainment and for those who felt the first film could have done with a tweak in the plotting department, Hogan seems to have moved up a gear here. The plot is in fact reverse to the original with Aussie Mick Dundee running into trouble when his journalist girlfriend Sue (Linda Koslowski) is kidnapped by an evil drugs baron. "I need to be someone where I can see them coming", the hero exclaims and that can only mean one thing - a return to the bush! Indeed, the second half of the film in Australia is notably more successful and inventive. Hogan's screenplay again features a bunch of memorable and exciting moments, whilst the delightful Peter Best score is also retained.

Paul Hogan's original tailor-made 'fish out of water' flick became a massive hit in 1986 and still remains a warm, amusing and irresistibly enjoyable. In terms of plot, its simpler than simple - American reporter Linda Kozlowski is sent to Australia to investigate the legendary 'Crocodile' Dundee (Hogan) and ends up bringing the charming rogue back to the Big Apple. It's a winner in every sense from Hogan's wonderfully laid-back performance to his own screenplay, featuring an array of classic quips and moments. Peter Best's excellent musical score also deserves applause in helping to ensure that this film remains great, exciting and still novel entertainment almost two decades on.