Boy 42
Entrou em abr. de 2000
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Selos2
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Avaliações1
Classificação de Boy 42
I can't believe how a perfect adaptation of one of Vonnegut's most personal works could be ignored with such intensity in this country.
Four actors from Armageddon, Bruce Willis included of course, have seen their way into the most underrated movie of the year. Do you think that was an accident? Of course not. It is from the success of movie blockbusters like Armageddon that movies like Breakfast of Champions are able to be made. And that's exactly what the movie is about.
Vonnegut's classic is among the few greatest satires of American Life I have ever known. I was a profound fan of the book, so I had high expectations for the film. Not only did the film match the qualitative relevance of the novel, I felt the movie surpassed its original intentions, fleshing out the characters and rounding out the story with a humanism often missing from Vonnegut's works.
What is success? Is it something you feel, or is it something perceived by others? What is a good movie? Can a good movie stand on its own, or does it have to be financially and critically acclaimed in our time?
Like many martyrs in history, the success of Breakfast of Champions is that it was made, and that it reaches the audience it wants to, however small.
I watch this film, and know in my heart that there is love behind every scene, and that even though it seems that the work goes on its own artistic tangents, the underlying unity of the film is sound and loyal. Everything in the film is for a reason.
Four actors from Armageddon, Bruce Willis included of course, have seen their way into the most underrated movie of the year. Do you think that was an accident? Of course not. It is from the success of movie blockbusters like Armageddon that movies like Breakfast of Champions are able to be made. And that's exactly what the movie is about.
Vonnegut's classic is among the few greatest satires of American Life I have ever known. I was a profound fan of the book, so I had high expectations for the film. Not only did the film match the qualitative relevance of the novel, I felt the movie surpassed its original intentions, fleshing out the characters and rounding out the story with a humanism often missing from Vonnegut's works.
What is success? Is it something you feel, or is it something perceived by others? What is a good movie? Can a good movie stand on its own, or does it have to be financially and critically acclaimed in our time?
Like many martyrs in history, the success of Breakfast of Champions is that it was made, and that it reaches the audience it wants to, however small.
I watch this film, and know in my heart that there is love behind every scene, and that even though it seems that the work goes on its own artistic tangents, the underlying unity of the film is sound and loyal. Everything in the film is for a reason.