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On the face of it most saucy British sex films of the 1970s look pretty harmless today. Movies like 'Keep it Up Downstairs' (1976) and the legendary 'Come Play with Me' (1977) were released to UK cinemas with only the merest flashes of nudity and simulated sexual shenanigans mixed in with a barrow-load of silly jokes. However, in their export versions these naughty classics showed just about everything - the sort of hardcore sex scenes that would have made the British censor choke on his cornflakes!
In repressive Seventies Britain it was commonplace for the X-rated movie makers to produce 'two versions' of all their sex film productions. The American and Continental markets demanded much more explicit action in their sex movies, but one infamous British skin-flick went much, much further than all of its contemporaries.
Released in Britain in 1976, Derek Ford's 'Sex Express' ran for barely 50 minutes, but in its re-titled export version ('Diversions') the movie featured a further half hour of some of the most degrading, shocking and perverted sex scenes ever shot in the UK. Director Ford had previously dabbled in some pretty innocuous hardcore 'extras' for his movies 'Commuter Husbands' (1972) and 'Keep it Up Jack' (1973), but he went beyond the pale for his latest sleazy epic.
The story follows the extreme sexual fantasies of lissom beauty Heather Deeley. Miss Deeley, who had been working in the adult industry since her late teens, had already appeared in a few sex comedies, but 'Sex Express' gave her a first bite at a leading role and the movie proves what an excellent actress she was. Her cute-pie acting is as enthralling as her palpable sexual energy. She really is a force to be reckoned with and had she stuck around longer would have really given British legend Mary Millington a run for her money.
Sadly, Deeley disappeared completely from the film business in 1977 (further details are found in Simon Sheridan's excellent book 'Keeping the British End Up: Four Decades of Saucy Cinema', published in 2001) and never capitalised on her immense talents. Who knows where she is now?
The full version of 'Sex Express' shows just how far a British exploitation director was willing to go to crack the overseas market. Aside form the very explicit heterosexual and lesbian sex scenes, the movie is chock-a-block with horrifying overtones of violence. In one sequence (completely missing from the UK print) Deeley and her co-star Jacky Rigby are forced into nasty submission by a couple of gun-toting Nazis and in the film's most unpalatable scene Deeley plays a man-hating rape victim who castrates her Soho pick-up (the ever-reliable stud Timothy Blackstone) post-coitus, and then does unpleasant things with blood and his amputated member!
It's impossible to go into too much detail here on the IMDB, but needless to say if you get to see the complete unexpurgated version of 'Sex Express' you won't believe your eyes. Without doubt it is one of the most shockingly dirty movies ever shot. And its all the more surprising because it's British!
In repressive Seventies Britain it was commonplace for the X-rated movie makers to produce 'two versions' of all their sex film productions. The American and Continental markets demanded much more explicit action in their sex movies, but one infamous British skin-flick went much, much further than all of its contemporaries.
Released in Britain in 1976, Derek Ford's 'Sex Express' ran for barely 50 minutes, but in its re-titled export version ('Diversions') the movie featured a further half hour of some of the most degrading, shocking and perverted sex scenes ever shot in the UK. Director Ford had previously dabbled in some pretty innocuous hardcore 'extras' for his movies 'Commuter Husbands' (1972) and 'Keep it Up Jack' (1973), but he went beyond the pale for his latest sleazy epic.
The story follows the extreme sexual fantasies of lissom beauty Heather Deeley. Miss Deeley, who had been working in the adult industry since her late teens, had already appeared in a few sex comedies, but 'Sex Express' gave her a first bite at a leading role and the movie proves what an excellent actress she was. Her cute-pie acting is as enthralling as her palpable sexual energy. She really is a force to be reckoned with and had she stuck around longer would have really given British legend Mary Millington a run for her money.
Sadly, Deeley disappeared completely from the film business in 1977 (further details are found in Simon Sheridan's excellent book 'Keeping the British End Up: Four Decades of Saucy Cinema', published in 2001) and never capitalised on her immense talents. Who knows where she is now?
The full version of 'Sex Express' shows just how far a British exploitation director was willing to go to crack the overseas market. Aside form the very explicit heterosexual and lesbian sex scenes, the movie is chock-a-block with horrifying overtones of violence. In one sequence (completely missing from the UK print) Deeley and her co-star Jacky Rigby are forced into nasty submission by a couple of gun-toting Nazis and in the film's most unpalatable scene Deeley plays a man-hating rape victim who castrates her Soho pick-up (the ever-reliable stud Timothy Blackstone) post-coitus, and then does unpleasant things with blood and his amputated member!
It's impossible to go into too much detail here on the IMDB, but needless to say if you get to see the complete unexpurgated version of 'Sex Express' you won't believe your eyes. Without doubt it is one of the most shockingly dirty movies ever shot. And its all the more surprising because it's British!
In the early 1980s transvestite actor/singer Divine toured England's gay clubs with his live act: basically singing along to Hi-NRG backing tracks, telling dirty jokes and answering questions from audiences who had never seen the like of him before on this side of the Atlantic. This is a short film documenting one such show, recorded at Manchester's legendary club The Hacienda in February 1983.
Divine, sweating profusely in a skin tight lycra dress (apparently 'rejected by the Queen'), performs a selection of his raunchiest numbers including 'Shoot Your Shot', 'Gang Bang' and the seminal 'Born to be Cheap', but try as he might the English audience here seem dazed and confused by his act, defiantly standing in front of the stage with their arms crossed and looking distinctly miserable.
'You filthy English people' Divine screams, trying to goad them into life, but the unresponsive audience just look embarrassed. Eighteen months later the reaction would have been somewhat different as by July 1984 Divine had crossed over into the mainstream in the UK with his top 20 dance track 'You Think You're a Man' and he was a bona fide star. However, in this film Divine has to put up with a complete lack of enthusiasm from the club-goers who heckle him with comments like 'What does sh*t taste like?' Divine replies with crude one-liners, but it's amazing that he just doesn't storm off stage.
Despite being crudely made and directed 'Divine: Live at the Hacienda' is actually quite funny in an awful kind of way. It proves beyond doubt that, in the face of adversity, Divine was a true professional.
Divine, sweating profusely in a skin tight lycra dress (apparently 'rejected by the Queen'), performs a selection of his raunchiest numbers including 'Shoot Your Shot', 'Gang Bang' and the seminal 'Born to be Cheap', but try as he might the English audience here seem dazed and confused by his act, defiantly standing in front of the stage with their arms crossed and looking distinctly miserable.
'You filthy English people' Divine screams, trying to goad them into life, but the unresponsive audience just look embarrassed. Eighteen months later the reaction would have been somewhat different as by July 1984 Divine had crossed over into the mainstream in the UK with his top 20 dance track 'You Think You're a Man' and he was a bona fide star. However, in this film Divine has to put up with a complete lack of enthusiasm from the club-goers who heckle him with comments like 'What does sh*t taste like?' Divine replies with crude one-liners, but it's amazing that he just doesn't storm off stage.
Despite being crudely made and directed 'Divine: Live at the Hacienda' is actually quite funny in an awful kind of way. It proves beyond doubt that, in the face of adversity, Divine was a true professional.
Several years before legendary British glamour actress Mary Millington finally hit the big time in 1977's 'Come Play with Me' she had appeared anonymously in a dozen or so 8mm 'stag' films shot both in London and on the Continent. Most of these mini-epic were directed by X-rated pioneer John Lindsay. Their first film together was the, now infamous, 'Miss Bohrloch' in 1970.
Mary plays the insatiable title character, a prostitute working out of an apartment in downtown Frankfurt. When two (unidentified) long haired hippies turn up for sex she entertains them both individually and simultaneously, going through her full repertoire of sexual acts. For such a short film - it runs for barely 15 minutes - 'Miss Bohrloch' is a highly charged erotic extravaganza, relentless in its portrayal of raw sexuality and untamed lust.
Extremely explicit for its day (the film's most talked about sequence involves Mary's bizarre trick with a ping-pong ball!), John Lindsay's award-winning direction is taut and unfussy, combining stark close-ups as well as the bare bones of a plot. The funny pay off at the end, when Mary makes her clients do her washing-up in lieu of payment, recalls to mind all the cheap jokes so prevalent in later British sex comedies of the seventies.
'Miss Bohrloch' is perhaps Mary Millington's rarest film and it remains a collector's item, only occasionally available in bootleg form. It's certainly hard to find, but once seen is never forgotten.
Mary plays the insatiable title character, a prostitute working out of an apartment in downtown Frankfurt. When two (unidentified) long haired hippies turn up for sex she entertains them both individually and simultaneously, going through her full repertoire of sexual acts. For such a short film - it runs for barely 15 minutes - 'Miss Bohrloch' is a highly charged erotic extravaganza, relentless in its portrayal of raw sexuality and untamed lust.
Extremely explicit for its day (the film's most talked about sequence involves Mary's bizarre trick with a ping-pong ball!), John Lindsay's award-winning direction is taut and unfussy, combining stark close-ups as well as the bare bones of a plot. The funny pay off at the end, when Mary makes her clients do her washing-up in lieu of payment, recalls to mind all the cheap jokes so prevalent in later British sex comedies of the seventies.
'Miss Bohrloch' is perhaps Mary Millington's rarest film and it remains a collector's item, only occasionally available in bootleg form. It's certainly hard to find, but once seen is never forgotten.