Black Work

When Jo's husband is murdered, ostensibly while undercover, she starts digging into whatever was going in her husband's life - because she obviously didn't know anything about him.

And I must say...

Whoever wrote this has a very low opinion of Yorkshire Police...

They're all either dirty, inept, or just plain thick as a bag of extra strength sludge. All the cops go down the pub on the first or second day of the murder investigation for lord's sake!

The only one doing anything in this show is Jo, who by doing what her colleagues in the police force should do, actually finds stuff out about her lying sod of a husband. All while every other cop on the force does nothing at all.

The main downfall of this show is that, besides Jo, every other character is just too stupid and annoying to be real. From the useless Superintendent to the violent DS that goes mad on a suspect in an interview, everyone is a collection of clichés with a large helping of stupidity thrown in for good measure.

Example. At one point the mother of the dead guy yells her daughter in law for "not caring who murdered her husband", then in almost the next scene she's in, she yells at Jo for investigating her husband's death and "not caring about the kids".

Actually, the mother in law is a terrible character and I found myself hoping she would die.

I also managed to guess the murderer from the moment they appeared, most by casting choice alone.

Otherwise, could have been great, but the writing is too poor to have it be any good.

The show kept my interest and I was able to connect with the characters... the biggest distraction for me was Sheridan Smith's haircut and her duck face expression at times... I know, superficial things.... but still were a distraction. Overall though, it was worth a watch.

Broadchurch set such a high standard that everything after it was difficult even to come close. This is OK, but more of an amateur show, and the direction is terrible. The "local" accents are a bit over the top and irritating. I like some of the actors when I saw them in other shows, but in this show, they all seem to have taken an amateur pill. The lead actress is OK but keeps overacting with her facial expressions, or perhaps it's the camera work that looks deficient. There is a scene in episode 2 where she and another detective is coming down an escalator and her facial expressions are very weird! She is supposed to be upset, but her face looks like she is laughing! Andrew Knott is particularly irritating, and his outbursts were terrible.

The writing is inferior, and the direction is lacking and low standard. Put all that with the dark atmosphere and continual bad weather scenes, and you have achieved the complete opposite of a Blue-Sky Drama. I feel you should be somewhere in the middle. Maybe we are all getting bored with this Nordic style dark real-life drama! The Girl with the Dragon Tattoo was such a breakthrough and brilliant. If you were to watch that movie and then watch Broadchurch, Line of Duty, Bodyguard, Luther then this.... You will have fallen off a cliff! If you want something to watch while you are ironing it will do, but don't hold your breath!

I am a fan of British suspense and crime thrillers. Catching up with offerings on Acorn network led me to this series. I am beginning to understand why PBS picks up on some things and leaves the rest.

There is no reason why this series should not have been better rated, except for Sheridan Smith's lead performance, which sucked the life out of it. The doll-faced musicals actress displays all the emotions from A to B, as one critic once said of a young Katherine Hepburn on Broadway. Her supporting players only make her inadequacy in the role more pronounced. Ms. Smith succeeded in making Douglas Henshall look hysterical by comparison. Geraldine James stood out, as always. And Matthew McNulty's enthusiastic performance as a smitten suitor crashes on Ms. Smith's wooden facade.

Another example of programming on Brit-export channels that makes me wonder whether they think we Americans don't know the difference between mediocre and quality productions.

Black Work begins with an undeniably compelling setup: a police officer is murdered, and his wife - also in the force - becomes entangled in the mystery surrounding his death. The emotional stakes are high, the premise has depth, and it all hints at a tense, character-driven crime thriller. But despite this potential, the series struggles to deliver.

Sheridan Smith takes the lead, but unfortunately, her performance leans more toward brooding than emotionally layered. There's a lot of pouting and staring into the middle distance, but not much range (perhaps let down by the writing and direction) . Her character is suspended from duty early on, which is accurate, yet she continues to dig into the case with surprising freedom - as if suspension means nothing more than a stern warning. The way she's able to push forward with her own amateur investigation, without facing any real barriers, stretches credibility.

A supporting actor, portraying a fellow officer, seems to have only one gear: rage. Every scene is delivered at maximum intensity, regardless of the context. Instead of building tension, it just becomes monotonous - like someone shouting at a wall for three episodes.

Visually, there's something oddly off-putting about the production. Every character seems overly made-up, particularly with blush - as if the entire cast just ran a 5K in full foundation. It becomes oddly noticeable and distracts from what should be gritty realism.

Black Work could have been a standout crime drama. The plot had meat on the bones, but wooden acting, unrealistic character behaviour, and strange stylistic choices undercut what could have been a taut and emotionally driven story.