Labirinto de Mentiras

Holocaust stories from Schindler's List (1993) to Son of Saul (2015) penetrate our emotional defences by dragging us right into the horror zone. In Labyrinth of Lies (2014) we are spared this entirely because the horror is of a different kind. The focus is on a nation in denial, desperate to block the collective memories of the generation responsible and prevent the following one from ever knowing. The historical timeframe depicted is critical to grasping the power of this story. Set in 1958 Germany, thirteen years after the war, the economy is booming but the nation's older generation struggle with guilt and anger while the young have not even heard of Auschwitz. Produced in Germany, this film is an illuminating piece of the historical puzzle and part of a nation's prolonged self-atonement.

The storyline is linear and uncomplicated. A journalist recognises a former Nazi commander of Auschwitz now working as a schoolteacher, but he cannot elicit any interest from public prosecutors. He befriends young lawyer Johann Radmann who processes parking fines but is desperate to take on serious cases. Despite ridicule from colleagues he is made lead investigator and gradually learns about the secret killing factories of Auschwitz. The labyrinth he encounters is one of silence and lies, as large numbers of public servants and others in positions of power were former members of the Nazi Party and many were morally complicit in Hitler's Final Solution. Along the way, he becomes the obsessive hunter as the investigation keeps getting bigger until it is all- consuming. A romantic sub-story is awkwardly woven into the plot both to humanise Radmann and show the destructive impact that the investigation has on his life. The filming and sets convey the period with authenticity, and the directing is tight although the script is heavy. It takes almost the entire film to expose the full-scale truth, and the results of the investigations are dealt with swiftly as a cinematic necessity.

No doubt some people watch Holocaust films for entertainment, but many more do so searching for understanding of this extraordinary period of history. Labyrinth of Lies is important because it fills the gap between war's end in 1945 and the world's slow awakening to what happened at Auschwitz. In particular, it explains how the truth was kept from young Germans oblivious to what their parents did in the war and shows powerful hands on the blanket of silence. Like Spotlight (2015), the story starts by looking at the tip of an iceberg that grew until it overwhelmed a nation and it maintains an engaging thriller quality to the end.

For years I've been watching films from the "Allies" point of view and I never thought of the German point of view or I just assumed German people knew of the atrocities committed by their fellow men.

Its amazing and heartbreaking to know that Germans actually didn't know or chose to not believe what the Nazis were doing to the Jews during WWII.

We were made to believe also that all the Nazis were living in hiding after WWII, when some of them were actually living in relative comfort and free from scrutiny, among some of the people they tortured.

Labyrinth of Lies is the film that gives us a look of how the Germans were actually living in denial for years after the war and how some of the Nazis that committed war crimes were living their normal lives as if nothing had happened.

Very interesting film and very easy to understand if you know the history.

"Labyrinth of Lies" (2014 release from Germany; original title "Im Labyrinth des Schweigens" or "In the Labyrinth of Silence" 122 min.) brings the story of the events leading up to the so-called Frankfurt Auschwitz trials in 1963. As the movie opens, we are told it is "Frankfurt-am-Main, 1958", and we get to know a young prosecutor named Johann Radmann, who is just starting his career, doing traffic violations. But soon he gets (and seizes) the opportunity to look into the case of a Waffen SS soldier who was a commander at Auschwitz and is now teaching in grade school as if nothing ever happened. Radmann soon finds that there is widespread resistance to his efforts to prosecute ex-Nazis. At this point, we are 15 minutes into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is an important reminder that the sentiment in Germany wasn't always what it is nowadays and has been for decades. It appears that after WW II, the entire country went about its business as if nothing had happened, and collectively tries to whitewash Auschwitz from memory. But as Radmann points out, "to remain silent is to poison our country's democracy". So he speaks up. It is an incredible story. Kudos to the movie's producers for bringing us this important historical reminder. Besides the important moral and historical aspects, the movie does a great job portraying what daily life in the late 50s and early 60s was in West Germany. Check out the great looking cars! "Labyrinth of Lies" was Germany's submission for this year's Best Foreign Language Movie Oscar nominations, which should give you an idea how well the movie was viewed in its home country (the fact that it didn't get the Oscar nomination doesn't diminish the merits of the movie).

"Labyrinth of Lies" was released over a year ago. I have no idea why it is just now finding its way into US theaters, but better late than never. The movie showed up this weekend at my local art-house theater here in Cincinnati, I figure this won't stick around for long. The Sunday matinée screening where I saw this at was surprisingly well attended, I am happy to report. If you are in the mood for a top-notch quality foreign movie that has a very important lesson and reminder, I urge you to check out "Labyrinth of Lies", be it in the theater, on Amazon Instant Video or eventually on DVD/Blu-ray. "Labyrinth of Lies" is HIGHLY RECOMMENDED!

It's 1958 Frankfurt, West Germany. Johann Radmann is a young by-the-books prosecutor toiling in traffic court and believing his father to be anti-Nazi. Reporter Thomas Gnielka brings the case of Charles Schulz, a teacher suspected of being a Nazi guard in Auschwitz. Nobody cares about what happened there and actively ignores the collective Nazi past. He starts a relationship with Marlene Wondrak. Gnielka introduces him to camp survivor Simon Kirsch. Radmann starts digging into the past and building a case against many. His main obsession is camp doctor Josef Mengele who experimented on the prisoners.

The history is very compelling. However, the story lacks danger or intensity. It needs some additional drama. There is some professional and personal drama but none of it is that intense. The production and acting is first rate. It is a very compelling watch although there are no big surprises.

Based on the true story of a young Public Prosecutor from Frankfurt named Johann Radmann (Alexander Fehling – 'Inglorious Basterds'). He encounters a survivor of Auschwitz and a journalist who want to bring the perpetrators of the atrocities that took place there to trial. The problem is that Germany seems to not want to rake over the coals of the past and there are former Nazi's everywhere who just don't care.

What follows are the travails he and his friends go through in order to do something, try to build a case and wake the German people from their wilful apathy towards the war. We also have his personal life and that of those around him and who are swept up in the investigation.

This is an extremely well made film, the story is completely gripping and I loved the period detail too. It does not sugar coat what took place but is also not horrific in terms of the graphic abuse that sadly occurred, especially at the hands of Mengele and co. It is very moving in places and features some truly excellent performances especially Fehling and his love interest Friedrike Becht ('Hannah Arendt')who plays Marlene – it is in German with very good subtitles and runs for 123 minutes and is one that is very easy to recommend indeed.