AVALIAÇÃO DA IMDb
6,3/10
36 mil
SUA AVALIAÇÃO
Dois meninos de dez anos de idade encontram uma viatura de polícia abandonada em um campo e quando saem dirigindo, parece que vão se matar a qualquer momento. Mas as coisas pioram quando o x... Ler tudoDois meninos de dez anos de idade encontram uma viatura de polícia abandonada em um campo e quando saem dirigindo, parece que vão se matar a qualquer momento. Mas as coisas pioram quando o xerife da cidade vai procurar o carro.Dois meninos de dez anos de idade encontram uma viatura de polícia abandonada em um campo e quando saem dirigindo, parece que vão se matar a qualquer momento. Mas as coisas pioram quando o xerife da cidade vai procurar o carro.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 4 indicações no total
Kyra Sedgwick
- Dispatch
- (narração)
Bluebell the Dog
- Self
- (as Bluebell)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
When two boys take an abandoned cop car for a joyride, a sheriff, played by Kevin Bacon, desperately attempts to get his car back by any means necessary. Jon Watts directed this indie thriller which is just now getting a wider release after receiving positive buzz at Sundance. Cop Car is a fun, intriguing ride that left me wishing there was more gas in this tank.
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
Cop Car has a simple premise that is executed very effectively. The story is interesting and raises fascinating questions early on. Once you begin connecting some of the dots, Cop Car turns into a more stereotypical thriller. However, the director Jon Watts has very unique visual style which distances Cop Car from the rest of the pack. There's beautiful cinematography and great suspense throughout the film. I'm very interested to see how Watts does with the upcoming Spider-Man movie.
James Freedson-Jackson and Hays Wellford play the two boys who steal the cop car. The two kids are fine; they aren't great, but they aren't 'Episode I Anakin Skywalker' bad. The best part about these two kids is they act exactly how 10-year-olds would act while on this joyride. They play with guns found in the car and roll each other up with police tape. Seeing the kids' innocent mindsets juxtaposed with the sheriff's dark actions make for an interesting dynamic.
Speaking of the sheriff, Kevin Bacon is great in Cop Car. Bacon and his disgusting mustache take the story in dark directions in his attempt to get his car back. His presence adds the star power that the film deserves.
While the story is dark, there are some subtle moments of comedy sprinkled here and there. The dark comedy works well in breaking up the suspense just long enough for you to catch your breath.
Cop Car ends rather abruptly, which some might find uneasy. While I can appreciate the creative decision to end where it did and not have a 'Hollywood ending,' there were just too many questions left unanswered for my taste. This is one of the few movies I wish were longer than its current 90 minute runtime.
Cop Car is a very solid edition to the thriller genre due in large part to Bacon's performance, and Watts' direction. While slightly too ambiguous, there is enough suspense and intrigue to warrant a ride for yourself.
If you liked this review, check out more of my reviews over at www.watsonmoviereviews.com
While many films use the device of a "real time" narrative for effect (ie, where the viewer is given the sense that he/she is a participant in real time in the story) very few films run the device for the full length.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
For example, the Bourne films went into real time when the main character was on screen, but otherwise maintained a traditional narrative. Examples of standout real-time films would include Tom Cruise (amazing) in COLLATERAL; Dennis Weaver in DUEL; and the Canadian sci-fi epic, CUBE.
So now that you know first-rate films CAN potentially be made using the technique, the writer/director of this film (to be kind) did not set his sights quite that high.
Overall, it is not a bad film, it is incredibly engaging given how little is actually going on. However, while all films require a suspension of disbelief, the overall problem with COP CAR is that the two lead characters, boys of about ten years of age, are written as the dumbest children ever to appear in a feature film.
Seriously. In an age where even the Disney channel attributes 'tude, street cred, smarts and fast moves to 7 year olds (ask your child if you don't believe me) these two characters as written are so far removed from coherent thought that the audience starts to wonder if they escaped from "special class." To use the term "pig stupid" for these kids effectively slanders the pig.
Bacon is excellent. Would like to see more of him in features.
I must confess - i chose to watch this movie purely because of Kevin Bacon. He chooses his characters very carefully so i knew this film is going to be good at some point. 😉
The story is about two boys who steel a cop car and a cop (not good one) who tries to retrieve it back. The story simple, only three characters to concentrate on - and very real. Yes, real, because children these days can be that stupid, and cops these days can be that "of the line". What i liked about this film is that it's not over crowded with unnecessary story lines, characters - it has only whats needed. And in a short time they can tell a lot that way. Beautiful nature, as it is, small town's life without any "glamour". And good acting - kids acted very naturally, Kevin Bacon of course was very good as always. I admire his talent to "get into" character he is playing.
I enjoyed this film - don't know why, but at some point it reminded me of "Perfect world" with Kevin Costner, just with less action 😀
The story is about two boys who steel a cop car and a cop (not good one) who tries to retrieve it back. The story simple, only three characters to concentrate on - and very real. Yes, real, because children these days can be that stupid, and cops these days can be that "of the line". What i liked about this film is that it's not over crowded with unnecessary story lines, characters - it has only whats needed. And in a short time they can tell a lot that way. Beautiful nature, as it is, small town's life without any "glamour". And good acting - kids acted very naturally, Kevin Bacon of course was very good as always. I admire his talent to "get into" character he is playing.
I enjoyed this film - don't know why, but at some point it reminded me of "Perfect world" with Kevin Costner, just with less action 😀
I guess you would have to describe Cop Car as a high concept movie, i.e. a film whose story can succinctly be described in one sentence. This is essentially about a couple of kids who steal a cop car belonging to a sheriff who it soon transpires is a very bad man. Do not let the simplicity of the set-up put you off though, as this is a lean film with a lot of good things about it. Firstly, we have the two young boys who are a great central pairing; they really act like genuine kids and are very sympathetic and humorous throughout. Secondly, we have Kevin Bacon giving yet another good performance as the bad cop. Thirdly, this is well-paced and builds quite a bit of tension as events escalate to an ending that is a little surprising. Fourthly, it's a rather well photographed and scored affair, with the sparse Colorado plains scenery shot nicely in widescreen.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
This is a very good example of a film that keeps things simple while never forgetting to entertain and surprise. It's well acted, photographed and directed. It has well-handled suspense and characters you actually care about. Can't say fairer than that really.
I really wasn't sure what kind of movie this was going to be, it had a very lighthearted vibe for a while to a point where I was thinking it was going to be a very clean and tidy movie. Then came in darker elements to create what I felt was a more "full" movie.
The acting wasn't terrible. Most of the roles didn't call for great acting and the child actors were as good as you can get these days. And yeah the kids can be pretty damn stupid but that's how kids are. I have kids of my own and I felt the script for the kids was spot on. Kids have wonky ass concerns and realizations. They learn things differently and accidentally. They get dumb ideas and fail to execute good ideas. That is how children roll.
The movie kept me guessing as to where it was going to end up because when kids are so heavily involved in movies writers and directors have a tendency to weaken the movie. This movie told an adult story through children and that's not easy to do so props.
7/10
@JarlJarlBinks
The acting wasn't terrible. Most of the roles didn't call for great acting and the child actors were as good as you can get these days. And yeah the kids can be pretty damn stupid but that's how kids are. I have kids of my own and I felt the script for the kids was spot on. Kids have wonky ass concerns and realizations. They learn things differently and accidentally. They get dumb ideas and fail to execute good ideas. That is how children roll.
The movie kept me guessing as to where it was going to end up because when kids are so heavily involved in movies writers and directors have a tendency to weaken the movie. This movie told an adult story through children and that's not easy to do so props.
7/10
@JarlJarlBinks
Você sabia?
- CuriosidadesKyra Sedgwick, Kevin Bacon's wife, is the voice of the dispatcher.
- Erros de gravaçãoAfter Kretzer is shot he reaches up to the rear driver's side window, covering it in blood. A few minutes later as the boys are trying to escape from the back seat we see the rear driver's side window, with no blood to be found.
- Citações
Sheriff Kretzer: You don't... Steal... A Fucking... COP CAR!
- Trilhas sonorasCop Car Theme
(uncredited)
Written by Phil Mossman
Performed by Phil Mossman
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Cop Car?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 134.552
- Fim de semana de estreia nos EUA e Canadá
- US$ 26.146
- 9 de ago. de 2015
- Faturamento bruto mundial
- US$ 143.658
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 2.39 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente