A Esposa

Methodically paced but an intense and complicated drama, where Glenn Close is just mesmerizing on screen. As other reviewers have noted, it's highly disappointing she did not win the Best Actress Oscar.

Jonathan Pryce and Christian Slater are also excellent in their roles, and Annie Starke (Close's real life daughter) stood out in her supporting role as the young Close character. Most able direction by Swedish director Bjorn L. Runge and superb writing of the screenplay by Jane Anderson, adapted from the novel of Meg Wolitzer.

This is an exceptionally compelling critique of patriarchal society, and plays out like one of the great feminist tracts. The couple's surname is Castleman (the man of the castle). The acting is sensational from everyone, especially the two leads. I don't think Jonathan Pryce is getting enough credit for his performance: in some ways he has the harder role as the supreme manipulator. And the beautiful Glenn Close gives a heartbreaking Oscar-worthy portrayal of dutiful simmering repression and inequality. Without wanting to give too much away, there is a twist which could've seemed far-fetched were it not so well-handled. A clever, emotionally draining watch that'll stay with you long afterwards. 10/10.

I thought The Wife (2017) was good however not great. The ensemble cast for the most part give fine performances. Glenn Close's performance as Joan Castleman is outstanding with a finely balanced display of emotions from a woman who has been cast in the shadow of her husband's greatness. However, Jonathan Price as the celebrated author Joseph Castleman is not as convincing and lacks the skill and power of an actor like Close. One wonders whether other actors (such as Sean Connery) might have been better suited to the task. The Castleman's son, David (Ben Irons), adds to the tensions within the family however more could have been made of this to expose the brutal behaviour of his father, Joseph. Christian Slater has a great time playing the sleazy would be biographer, Nathaniel Bone. Some of the cinematography is spectacular, especially the aerial shots of Stockholm and in particular the long and swooping camera shot of Glenn Close's face in the last moments of the movie in the hotel room. This movie is worth seeing for Close's performance alone. The storyline of a decades' long charade unraveling is captivating.

Glenn Close makes this movie to what it is: a superb drama. I really think this movie could have been just avarage, without her acting. Her powerful performance lifts this in a way that draws you into the action, and that you really remember the film afterwards too. I have always liked her, but I have never really understood how truly good she is, before I saw this. See it, if you want to see what good acting is all about, and you won't regret it.

I didn't like this movie, but I don't think I was meant to. It is thought provoking and very well acted by a wonderful cast. There are inconsistencies in the plot which I will not outline but they did detract. Still, it had impact and left me thinking long after the end. If we make free decisions to support and remain with a cad and a narcissist do we deserve pity for the unhappiness which results?