Em 1957, o ex-piloto Enzo Ferrari está em crise. A falência assombra a empresa que ele e a esposa, Laura, construíram, enquanto seu casamento está instável. Ele decide contrapor as perdas ap... Ler tudoEm 1957, o ex-piloto Enzo Ferrari está em crise. A falência assombra a empresa que ele e a esposa, Laura, construíram, enquanto seu casamento está instável. Ele decide contrapor as perdas apostando tudo na corrida Mille Miglia, na Itália.Em 1957, o ex-piloto Enzo Ferrari está em crise. A falência assombra a empresa que ele e a esposa, Laura, construíram, enquanto seu casamento está instável. Ele decide contrapor as perdas apostando tudo na corrida Mille Miglia, na Itália.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 7 vitórias e 42 indicações no total
- Cecilia Manzini
- (as Valentina Bellé)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Much of the film's shot with a floaty, aimless camera that frames things strangely in an attempt to look unique, or because of simple incompetence; the way it sometimes shakes and drifts or zooms in and out seemingly by accident. The fact some scenes abruptly end and other scenes just linger for what feels like forever. I hated the way this looked and felt. I have no idea what Mann's going for here, or if he's simply lost his touch as a filmmaker.
Actors look either confused or bored - sometimes both - for the entire film. I have no idea what I'm supposed to care about when it comes to Enzo Ferrari as a figure. Maybe Adam Driver captured his essence well, but if so, his essence is boring and I don't know why they made a film about him. There's no real pacing or engaging build in the narrative, actors mumble their lines, and the dialogue I could make out tended to sound weirdly uninspired. Penelope Cruz felt like she was done particularly dirty by the lackluster material she was given to work with. It just felt like one boring scene after one boring scene after another boring scene.
The final act is watchable and saves the film from being an outright failure. Ferrari has a stupidly high budget, but I think much of it went into capturing some of those fairly stunning race sequences. Everything else was so dull, lifeless, directionless, and shockingly amateur, though. It's a surprising mess of a film.
I have to admit that I was not disappointed by this movie but I expected something different than what I watched. I was expecting more information about Enzo Ferrari's story before becoming famous and not so much personal information. The interpretation of Adam Driver who played as Enzo Ferrari was remarkable and I am sure that if the plot was different then he would be even better. Another interpretation that has to be mentioned was Penélope Cruz's who played as Laura Ferrari and she was equally good. In conclusion, I have to say that "Ferrari" is a nice movie, a bit misleading but worth watching.
By the end, I didn't feel like I was much closer to Enzo Ferrari or his wife. I didn't come away with much more of an understanding or appreciation of the racing element. I didn't feel overly thrilled or engaged.
This all sounds a bit negative, but that's not to say there aren't positives to this film. Adam Driver and Penelope Cruz are really strong, even if they don't peel back the layers of the characters enough for me. However this is more of a criticism of the script than the performances. The racing scenes are well executed although could be a little more exciting and perhaps even shot a little better. Speaking of the direction, it is fine but I think there was potential to really get creative and design some thrilling set pieces. It probably didn't help that the pacing of this film was totally off, feeling much longer than it actually is, which reduced the impact of some of these scenes.
Overall I think this is a film of what could have been. There's an interesting story and an interesting man at the heart of all of this, but it just wasn't teased out enough.
Unfortunately this presentation is uninspired. I really don't agree with the casting choice of Adam Driver for Enzo Ferrari. The only thing the two men have in common is seemingly height. Driver exudes an energy that is not the neurotic Italian man that is the brains behind Ferrari. The essence of Ferrari and Italia doesn't come across in a meaningful way. Driver possesses the menace that is Ferrari, but not much else.
A fan of classic automobiles will surely enjoy the various display of now unattainable rides in the movie though.
It is very weird to make a movie about Enzo and only include a tiny piece of his life, there was a lot more to this man than one race and a love child. So much more in his life that would have made sense to make a movie about.
I really question sometimes movie studios and who makes the decisions on what to spend money on. In particular the car accident scenes are woeful, $96 mil and this is what they came up with? Pretty sure if you gave me that much I could make a better movie.
Você sabia?
- CuriosidadesBoth Ferrari and Maserati cars are painted red. Though confusing for the viewer, this is historically accurate. At the time the film is set, cars were coloured according to nationality. Italian cars were red, French ones Blue, German ones White and British ones dark green.
- Erros de gravaçãoThere are two occasions where characters watch live TV coverage of events, something that wouldn't happen in 1957 as such sporting events would be covered by newsreel not live TV.
In the first scene Enzo watches his cars racing live in a Grand Prix, and in the second his wife Laura watches live coverage of the post Mille Miglia press conference.
- Citações
Enzo Ferrari: How'd she handle?
Alfonso de Portago: Good.
Enzo Ferrari: This is not, "How was lunch?" "Good." I want to know brake wear. I want steering, suspension, gear ratios, final drive. If it's going to run in the Mille Miglia, it's got to be one hundred percent.
- ConexõesFeatured in All About: All About Ferrari (2023)
- Trilhas sonorasFebbre Della Jungla
Written by Howard Dietz, Walter Donaldson, and Giuseppe Gramitto Ricci
Performed by Orchestra Jazz Dino Olivieri
Principais escolhas
- How long is Ferrari?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 110.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.550.028
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.921.773
- 31 de dez. de 2023
- Faturamento bruto mundial
- US$ 43.601.123
- Tempo de duração
- 2 h 10 min(130 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1