Dois Lados do Amor

Ned Benson both wrote and directed this little quiet film – an amalgamation of two separate films 'The Disappearance of Eleanor Rigby Her' and 'The Disappearance of Eleanor Rigby Him'. Each premiered in 2013 as two films at the Toronto Film Festival. After the premiere, although it received rave reviews, Ned Benson started cutting the movie again, as a one feature. The Disappearance of Eleanor Rigby: Them (2014) premiered at the Cannes Film Festival. All three movies received a theatrical release.

The story is elusive, dealing with internal issues as to why a happy marriage dissolves. Perhaps (and this is not said outright) the marriage crumbled with the death of their little boy (no details of when or how are given, just obtuse references), but what ever the reason, the summary sates a woman and man seemingly so in love finds their marriage is shaken to the core when life throws them a devastating curve. Now this New York couple must try to understand each other as they cope with loss and attempt to reclaim the life and love they once had.

The cast is loaded with stars – Eleanor Rigby is beautifully off center as played by Jessica Chastain and she is matched by her husband Conor played by James McAvoy. But the supporting cast (all in very small roles) offers Eleanor's parents portrayed by Isabelle Huppert (who has some of the best lines - 'I didn't know I could retrieve all the opportunities I threw away then.' - and William Hurt, Conor's father by Ciarán Hinds, Viola Davis as a snarky professor, Ryan Eggold as a would-be paramour for Eleanor, Jess Weixler as Eleanor's sister, and Nina Arianda as Conor's paramour, and more.

The story is fragile and perhaps too much so, as the line of relating the tale runs into alleyways of nothing too frequently. It is as though a very fine editor could have tightened this up and made it stronger. Certainly as far as a cast is concerned it is top drawer: it just drags around far too slowly to stay very interested. The DVD comes with a second disc for the 'Her' and 'Him' version, but after over two hours of 'Them', viewing that may merit watching on another evening. Very mixed feelings.

Greetings again from the darkness. It's tough and probably unfair to write about a film project when key pieces remain unseen. Writer/Director Ned Benson's brilliant first take on the story was released at Toronto Film Festival in two perspectives: "Him" and "Her". A massive re-edit produced "Them", this version released in theatres. As you might expect, knowledge that more exists ... and in probably a more effective story telling format ... renders us a bit frustrated with the blended version. Still, there is plenty here to warrant a look.

This viewer's frustration stems mostly from the long and winding road we travel understanding something tragic has caused the split between El (the titular Eleanor Rigby) and Conor. We are offered a brief glimpse of their happy times, but never get to know them as a happy couple. Instead, Conor is shown trying to re-assemble the pieces, while El tries to move on to a different puzzle altogether.

While the story unfolds in teeth-grinding fashion, it doesn't offset the powerful emotion and personal intensity brought to the screen by both James McAvoy (Conor) and Jessica Chastain (El). Mr. McAvoy has quietly evolved into one of the more interesting actors working, while Ms. Chastain proves herself to be among the best each time she crawls inside a role and makes it her own. We feel for each of them, before we even really know them at all.

Other superb work comes from a sterling supporting cast that includes screen vets William Hurt, Isabelle Huppert, Viola Davis and Ciaran Hinds; as well as Bill Hader, Jess Weixler and Nina Arianda. That's seven characters (plus the two leads) of which we yearn to learn more. Ms. Davis is especially effective in her all too brief appearance as a professor cutting El very little slack. And Mr. Hurt delivers a terrific monologue that strikes a chord.

So all of these wonderful pieces make for an spell-binding what-if that possibly gets answered in the dual-perspective version. The coldness and lack of understanding in the first 45 minutes can't offset the emotion and sadness that each character feels. Rumor has it that "Him" and "Her" will get their release this year, and if so, I'll be there in an attempt to complete both puzzles.

Apparently different versions exist. This IMDb site lists the running time as a little over two hours, but the version I saw was listed at well over three hours. It was very long, basically two movies back to back. Many of the scenes were shown twice, from the perspective of the two principals, with differences that were sometimes striking and sometimes very subtle. I found it fascinating, but I can imagine that some viewers will become impatient. (My bladder did -- don't go into this one with a large Coke.) I would like to see it again on video so I can go back and forth and compare versions of events, but I am worried that I'll end up renting a shorter version. The existence of different versions makes it a moving target -- it's difficult to review, and even more difficult for a prospective viewer to evaluate on the basis of published reviews, if you don't know which version the reviewer saw. They say the difference between a good haircut and a bad haircut is three days. Well, the difference between a good movie and a bad movie may be as little as three minutes, edited out or left in.

I'm giving this movie 9 stars because of a single line of dialog that blew me away and changed my perception of a lot of experiences in my own life. You can't ask for more than that from a movie. It's a comment made by one of the minor characters (the waitress) -- almost a throwaway line, really -- about the effect that people have on each other in relationships. I don't even know if it is included in the shorter version of the movie.

The first time we see the couple (the first scene), they are so much in love. The scene is filled with fun, excitement, and such passionate love for each other; we are easily drawn into that magical moment of theirs. The next time we see these people, it's like their lives have taken a right about turn. Something terrible has occurred in their life, we don't know what exactly. The movie as well as the characters try their best to keep away from that topic (people who have read about the movie might know what has happened, I don't want to spoil it for others). Although the path has been tread before, Ned Benson has woven an intriguing exploration of a couple after a tragedy, and it's great for a debut feature.

When something terrible happens in our life, the two things we usually tend to do are: trying our best not to remember it. If we do remember, we try to find a close person around on whom we can shift all the blame and direct all our hatred. The best thing we can do is, accept the situation, and let time take over and do its trick.

The topic has been dealt with time and again, in movies as well as novels. With a little more depth, the characters might have been more intriguing. Nonetheless, I was still interested in their lives, and the beautiful one-on-one scenes in the second half were really engaging and emotional. These characters pour their hearts out, either to let it out (and lessen the burden on their mind) or to make the other person feel better. The one which really stands out is the one in which William Hurt (as Eleanor's father) shares an old traumatizing memory with her, involving her; the monologue transports us to the actual place of the event, and we can see the agony in his eyes.

The acting by the two leads, Chastain and McAvoy, is brilliant; it's the emotional backbone of the film. Their eyes have such sorrow; though we know so less about the situation, we are intrigued by what has happened. The sometimes-fun-sometimes-supportive characters played by actors like William Hurt, Isabelle Hupert (it was amazing to see this French talent as Eleanor's mother in this film), Viola Davis, Bill Hader, Jess Weixler and Ciarán Hinds are interesting; their presence makes the story more appealing. I wish the characters were developed a little more; I don't know if the Him-Her version has more depth or not, I'm yet to see it.

The ending might baffle or annoy some, but to me, it was different and delightful. It conveyed the message it intended to, and the background music by Son Lux was just perfect for it.

So yes, I watched all the three movies before making any judgement. I only did it because I saw some comments on the movie (Them) saying that it was messy and then someone saying that it was best to watch the three to better understand. I started with Him, followed to Her version and ended with Them for chronological reasons. Some people say that Her is a better version, but I decided to stick to time factor and follow the directors way.

So is it worth it? *Really trying not to say any spoilers so I don't ruin it for you* Him really gets the guy perspective of everything that is happening around and we see only his version of events, his feelings everything about him. By now we don't really know what's happening and it seems just like a story about a break up.

With Her we get the girls version and here is were we really comprehend the trigger point. I love how they explore differences between the moments that we seem them together. I think it's pretty amazing because every time we put two people talking about things from their past, even though they lived it together, each of them always seems to have differences in their memories, so it's quite amazing to see it (a first time for me) in a movie.

Them it's the putting together of these two people. I confess I was a bit disappointed with this last version. I expected a little more after the first two movies and certainly a putting together of the pieces. Even though it still manage to surprise us with small differences of what we already seen. I guess after the first two I got my expectations high, but maybe it was too much. I tried watching it as I hadn't seen the other two and it was surprising how, even it seemed confusing at the beginning without seeing Him and/or Her, in the middle we get to understand things without they being showed to us.

The end was not absolutely what I was expecting. Here too I was expecting more. But somehow it managed to still conquer me. I guess on this part the soundtrack really gives an amazing help.

So yes, it's worth watching the three otherwise there are some little pieces that connect us to the story that you will lose. My advice: watch Him and Her and later watch Them. The soundtrack connects very well with the dynamic of the movie. This is a "dramance" and it's about love and lost so you can't expect much action or fairy tale ending. It's real life pouring on! Jessica Chastain and James Mcavoy perform it very well and what we have here is original cinema. Hope I've been helpful without spoiling.