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Adicionar um enredo no seu idiomaA girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra, she meets Humpty Sharma, a carefree Delhiite, and falls in love wi... Ler tudoA girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra, she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.A girl from Ambala, Kavya Pratap Singh, is about to be married. When she visits Delhi to shop for her 'dhai lakh ka Ghagra, she meets Humpty Sharma, a carefree Delhiite, and falls in love with him.
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- 5 vitórias e 14 indicações no total
Avaliações em destaque
"Dilwale Dulhania Le Jayenge" is not only a movie for a lot of us, but it is an experience which I have re-visited God knows how many times, that I have lost count
.
"Humpty Sharma Ki Dulhania" is a tribute to the cult classic "DDLJ", and Shahshank Khaitan who debuts as a director with this movie tries to replicate the Raj & Simran magic with Humty & Kavya the two principle characters of this movie. But unfortunately the magic just does not happen.
Story & Screenplay written by Shahshank tries to replicate a lot of sequences from "DDLJ", like the cool father of Humpty Sharma (Varun Dhawan) or the quintessential strict typical Punjabi dad of Ambala girl Kavya Pratap Singh (Alia Bhatt). Kavya's Father Mr Singh (Ashutosh Rana) fixes her marriage to his childhood friend's son Angad (Sidharth Shukla). Kavya meets Humpty in Delhi, when she visits Delhi for her trousseau shopping or should I say lehenga and invariably falls in love with ever so imperfect Humpty Sharma. Humpty lands at her wedding celebrations in Ambala and confesses his love for Kavya to his father, well after which it is predictable and this is where the movie falters, there is nothing new. It has some moments especially the sequences with Humpty and his friends Shonty and Poplu or sequences when Kavya is pulling Humpty's leg. But it clearly misses the real core of the story, it is the love angle. There are no sequences which really help to develop the chemistry of the lead pair.
It is the dialogues written by Shahshank himself which lifts the screenplay. The dialogues are funny, witty and catchy. The lingo is typical Delhi as per the setting.
The performance of the lead pair Varun and Alia is crackling, especially Alia's, she is getting better with each movie. Varun as Humpty fits the bill and portrays his character well. Alia as Kavya overshadows all with her typical Punjabi girl act. Ashutosh Rana as Kavya's father is good. But it is Humpty friends Shonty played by Gaurav Pandey and Poplu played by Sahil Vaidya who add the zing to the narration; both the actors have done a brilliant job. Sidharth Shukla is introduced in this movie but he has very less scope and as his character is not developed well, nevertheless his good boy act is pleasant but there is no histrionics which is displayed by the débutant.
Music which is the highlight of all Dharma Production movies, unfortunately is average in this movie, excluding the peppy "Saturday Saturday" and the romantic "Samjhavan" rendered beautifully by Arijit Singh and Shreya Ghoshal and music by Sharib-Toshi ,are two of the best tracks, rest fails to impress.
The production design by Parichit Paralkar is realistic and it is complimented well with Neha Parti's cinematography which is true to the setting and narration of the movie.
Shashank Khaitan's direction shows a spark but it is the weak story & screenplay which fails him. Overall "Humpty Sharma Ki Dulhania" is an average fair and worth one watch. So if you have nothing to do go for this movie.....
"Humpty Sharma Ki Dulhania" is a tribute to the cult classic "DDLJ", and Shahshank Khaitan who debuts as a director with this movie tries to replicate the Raj & Simran magic with Humty & Kavya the two principle characters of this movie. But unfortunately the magic just does not happen.
Story & Screenplay written by Shahshank tries to replicate a lot of sequences from "DDLJ", like the cool father of Humpty Sharma (Varun Dhawan) or the quintessential strict typical Punjabi dad of Ambala girl Kavya Pratap Singh (Alia Bhatt). Kavya's Father Mr Singh (Ashutosh Rana) fixes her marriage to his childhood friend's son Angad (Sidharth Shukla). Kavya meets Humpty in Delhi, when she visits Delhi for her trousseau shopping or should I say lehenga and invariably falls in love with ever so imperfect Humpty Sharma. Humpty lands at her wedding celebrations in Ambala and confesses his love for Kavya to his father, well after which it is predictable and this is where the movie falters, there is nothing new. It has some moments especially the sequences with Humpty and his friends Shonty and Poplu or sequences when Kavya is pulling Humpty's leg. But it clearly misses the real core of the story, it is the love angle. There are no sequences which really help to develop the chemistry of the lead pair.
It is the dialogues written by Shahshank himself which lifts the screenplay. The dialogues are funny, witty and catchy. The lingo is typical Delhi as per the setting.
The performance of the lead pair Varun and Alia is crackling, especially Alia's, she is getting better with each movie. Varun as Humpty fits the bill and portrays his character well. Alia as Kavya overshadows all with her typical Punjabi girl act. Ashutosh Rana as Kavya's father is good. But it is Humpty friends Shonty played by Gaurav Pandey and Poplu played by Sahil Vaidya who add the zing to the narration; both the actors have done a brilliant job. Sidharth Shukla is introduced in this movie but he has very less scope and as his character is not developed well, nevertheless his good boy act is pleasant but there is no histrionics which is displayed by the débutant.
Music which is the highlight of all Dharma Production movies, unfortunately is average in this movie, excluding the peppy "Saturday Saturday" and the romantic "Samjhavan" rendered beautifully by Arijit Singh and Shreya Ghoshal and music by Sharib-Toshi ,are two of the best tracks, rest fails to impress.
The production design by Parichit Paralkar is realistic and it is complimented well with Neha Parti's cinematography which is true to the setting and narration of the movie.
Shashank Khaitan's direction shows a spark but it is the weak story & screenplay which fails him. Overall "Humpty Sharma Ki Dulhania" is an average fair and worth one watch. So if you have nothing to do go for this movie.....
Humpty Sharma Ki Dulhania has a "Dilwale Dulhania Le Jayenge" (DDLJ) Hangover. Well no this isn't the Bradley Cooper infused - "Now I am gonna enjoy this for the next two hours" kind of Hangover. But rather the kind that causes headaches and makes you hate yourself for throwing up - not just your money, but also time, that you could have surely spent elsewhere.
The story goes like this - wait - there was a story? Well yes there was one you see! Someone watched DDLJ. Convinced Karan Johar that now is the time to milk DDLJ, and irrespective of the daring "Neil and Nikki" vanishing off without a trace, Karan actually agreed to fund this! The film, to give credit where its due, has totally done away with logic - thus saving us some more pain in trying to link the sequences happening purposelessly in scene after scene. Sample this - a drunk girl decides to stay back with 3 drunk men she hardly knows in a commercial establishment, claiming that its late at night and risky outside. Now that's what I call logic empowerment! Wait! There is more! Amateurs shoot videos of lovers having sex, blackmail them for money (after all, one is an unhappily married MILF and the other young enough to be her son), and actually end up committing the perfect crime! If that isn't innovation at its best, I don't know what is!
Wait - wondering where DDLJ comes into play? Here it goes - This film you see is essentially about the heroine - Alia Bhatt falling for a random stranger even after having her marriage fixed with someone she regularly interacts with on Skype. Of course all men she Skypes with look hot, can you blame her for not being sure about this one? And yes, she needs to buy a Designer Ghagra, and save a dear friend from getting blackmailed, and earn some fast money, and evaluate some exam papers, and be a good Samaritan to a man who always dreamed of buying a car, and look fresh, and dance at weddings, and pout, and effortlessly say some dialogs that were surely written with least effort, and basically do a lot of unnecessary running around in between.
Still wondering how it is inspired by DDLJ? Don't worry! There is of course an interval, post which the hero - Varun Dhawan tries winning the heroine DDLJ style even as a 'gabru jawaan' - Siddharth Shukla - the only character who actually stays in character and has a semblance of logic - plays a spoilsport by being perfect in every way possible.
The only thing that works for the film is possibly the song "Saturday Saturday" - which has the power of actually eclipsing the impact of the William Pharrell Song "Happy", for the moment it comes on screen, you realize that the film is at last over and believe me! Nothing will make you happier!
P.S: There is a scene in the film where Varun breaks down inconsolably upon reading a message on his phone; and the audience breaks down in an attempt at controlling their laughter. I am not sure whether Varun had managed to glimpse the fate of this film while shooting that scene. 3 out of 10 stars from me, for the technicians who added the required sheen, for the song 'Samjhawan' and for Siddharth Shukla who did not let go of an opportunity of showcasing his skills. But I so wish Alia had chosen better...
The story goes like this - wait - there was a story? Well yes there was one you see! Someone watched DDLJ. Convinced Karan Johar that now is the time to milk DDLJ, and irrespective of the daring "Neil and Nikki" vanishing off without a trace, Karan actually agreed to fund this! The film, to give credit where its due, has totally done away with logic - thus saving us some more pain in trying to link the sequences happening purposelessly in scene after scene. Sample this - a drunk girl decides to stay back with 3 drunk men she hardly knows in a commercial establishment, claiming that its late at night and risky outside. Now that's what I call logic empowerment! Wait! There is more! Amateurs shoot videos of lovers having sex, blackmail them for money (after all, one is an unhappily married MILF and the other young enough to be her son), and actually end up committing the perfect crime! If that isn't innovation at its best, I don't know what is!
Wait - wondering where DDLJ comes into play? Here it goes - This film you see is essentially about the heroine - Alia Bhatt falling for a random stranger even after having her marriage fixed with someone she regularly interacts with on Skype. Of course all men she Skypes with look hot, can you blame her for not being sure about this one? And yes, she needs to buy a Designer Ghagra, and save a dear friend from getting blackmailed, and earn some fast money, and evaluate some exam papers, and be a good Samaritan to a man who always dreamed of buying a car, and look fresh, and dance at weddings, and pout, and effortlessly say some dialogs that were surely written with least effort, and basically do a lot of unnecessary running around in between.
Still wondering how it is inspired by DDLJ? Don't worry! There is of course an interval, post which the hero - Varun Dhawan tries winning the heroine DDLJ style even as a 'gabru jawaan' - Siddharth Shukla - the only character who actually stays in character and has a semblance of logic - plays a spoilsport by being perfect in every way possible.
The only thing that works for the film is possibly the song "Saturday Saturday" - which has the power of actually eclipsing the impact of the William Pharrell Song "Happy", for the moment it comes on screen, you realize that the film is at last over and believe me! Nothing will make you happier!
P.S: There is a scene in the film where Varun breaks down inconsolably upon reading a message on his phone; and the audience breaks down in an attempt at controlling their laughter. I am not sure whether Varun had managed to glimpse the fate of this film while shooting that scene. 3 out of 10 stars from me, for the technicians who added the required sheen, for the song 'Samjhawan' and for Siddharth Shukla who did not let go of an opportunity of showcasing his skills. But I so wish Alia had chosen better...
This movie doesn't hide the fact that it's paying a tribute to one of the best bollywood romantic movie ever made. The problem is since the release of DDLJ in 1995, countless movies have done the same. The lack of originality in the movie is pretty evident from the get go. Alia's father is against love marriage because his elder daughter's love marriage didn't work out. Ironically the father, played wonderfully by Ashutosh Rana, himself married love of his life. So it's hard to understand why he'd completely flip on the idea that love can lead to a successful marriage.
Of course despite knowing her father's stance on love, she falls in one with Varun only a few weeks before her arranged marriage to a NRI. So begins Varun's effort to win over the father heart. If DDLJ was never released this movie probably wouldn't have looked so bad. Unfortunately when you know exactly how a movie is going to turn out, it takes away the joy of wonderment.
I love Varun. I think he'll fit in wonderfully playing characters that need a blend of humour and action. Alia despite not being my favourite amongst the rush of newcomers, has potential to play wide range of characters.
I think it's understandable that not all actors and actresses can find movies with unique storyline. This is especially difficult for newcomers who wants to do as many movies as they can to establish themselves in the industry but also wants to do good movies to establish their range and not be a typecast.
Unfortunately unless the producers and directors decide to make good movies, it's the newcomers who'll face the problem of lack of creativity.
Of course despite knowing her father's stance on love, she falls in one with Varun only a few weeks before her arranged marriage to a NRI. So begins Varun's effort to win over the father heart. If DDLJ was never released this movie probably wouldn't have looked so bad. Unfortunately when you know exactly how a movie is going to turn out, it takes away the joy of wonderment.
I love Varun. I think he'll fit in wonderfully playing characters that need a blend of humour and action. Alia despite not being my favourite amongst the rush of newcomers, has potential to play wide range of characters.
I think it's understandable that not all actors and actresses can find movies with unique storyline. This is especially difficult for newcomers who wants to do as many movies as they can to establish themselves in the industry but also wants to do good movies to establish their range and not be a typecast.
Unfortunately unless the producers and directors decide to make good movies, it's the newcomers who'll face the problem of lack of creativity.
While the film did pay modern homage to the classic DDLJ and have decent lead actors (Dhawan & Bhatt) with great chemistry, the film falls short for me with its unnecessary homophobic jokes and overload toxic masculinity. Director and writer Shashank Khaitan did manage to drop in that being gay is okay, but it shouldn't be there in the first place. It was tacky and reflects a poor writing. I don't understand why most Karan Johar's production have these kind of homophobic running gags (Student of the year, Dostana) with their brainless approach? He is gay himself and could did a better writing than being sleazy. The toxic masculinity also feels old if you watch it seven years from now, although I must say they balanced it with making fun of how Indian men are lazy in household duties compared to the NRI. The songs are fabulous and I really like Alia Bhatt's Kavya character: pretty badass and sassy.
HUPTY SHARMA KI DULHANIA is a typical Dharma Productions movie. Fat Indian weddings, mehenga designer lehengas, meaningless interrupting songs and a lot, A LOT, of melodrama.
Eight minutes into the film and we have seen a boy selling question papers for kisses from girls and the female lead convincing her Dad to buy a lehenga on a dining table from which her divorced sister gets up and leaves because she chose a wrong man for herself. The guy who goes around flirting and kissing girls becomes emotional at a tragic DDLJ scene and feels guilty on a traditional lecture given by the female lead.The whole group and the father of the boy start making contributions for a completely strange girl.The love that was in the form of a bud until late, without any further development shows an intense bed scene. I mean, how can we not have a bed scene, it has been one full hour!
The minor amount of logic they were making in the first half goes on decreasing exponentially in the second hour. The climax is unbelievably stupid. There is no spoiler in this film, we have seen it all in Dilwaale Dulhaniya Le Jayenge, Kuch Kuch Hota Hai and all such Blockbusters.
Varun Dhawan famous for his flawed imitation of loud actors like Govinda was heavily annoying in the few starting scenes. Alia Bhatt who had been a surprise packet in the last two movies was strictly average in this flick. The supporting cast, however, is pretty strong.
Music is below average. Direction and cinematography needed much more attention. Editor must be fired quickly.
The movie, however illogical and irritating it may be at times, does have it spots of tickles. Despite brutally filled with clichés, the movie has its cheerful moments. The chemistry between the lead pair is warm(if not sizzling).
You may give this movie a miss but you wouldn't be wasting your time much if you have nothing else to do. A generous five-and-a-half-out-of- ten for the rare freshness.
Eight minutes into the film and we have seen a boy selling question papers for kisses from girls and the female lead convincing her Dad to buy a lehenga on a dining table from which her divorced sister gets up and leaves because she chose a wrong man for herself. The guy who goes around flirting and kissing girls becomes emotional at a tragic DDLJ scene and feels guilty on a traditional lecture given by the female lead.The whole group and the father of the boy start making contributions for a completely strange girl.The love that was in the form of a bud until late, without any further development shows an intense bed scene. I mean, how can we not have a bed scene, it has been one full hour!
The minor amount of logic they were making in the first half goes on decreasing exponentially in the second hour. The climax is unbelievably stupid. There is no spoiler in this film, we have seen it all in Dilwaale Dulhaniya Le Jayenge, Kuch Kuch Hota Hai and all such Blockbusters.
Varun Dhawan famous for his flawed imitation of loud actors like Govinda was heavily annoying in the few starting scenes. Alia Bhatt who had been a surprise packet in the last two movies was strictly average in this flick. The supporting cast, however, is pretty strong.
Music is below average. Direction and cinematography needed much more attention. Editor must be fired quickly.
The movie, however illogical and irritating it may be at times, does have it spots of tickles. Despite brutally filled with clichés, the movie has its cheerful moments. The chemistry between the lead pair is warm(if not sizzling).
You may give this movie a miss but you wouldn't be wasting your time much if you have nothing else to do. A generous five-and-a-half-out-of- ten for the rare freshness.
Você sabia?
- CuriosidadesThe film was a tribute to DDLJ set in modern times.
- Erros de gravaçãoIn the beginning it is mentioned that Alia is from Ambala and at end the Ambala city junction was also shown but vehicle registration number is shown as PB but Ambala is in Haryana so the registration number should start from HR.
- Citações
Kavya Pratap Singh: I wish I could exchange my designer groom for a local boy.
- ConexõesFeatures Dilwale Dulhania Le Jayenge (1995)
- Trilhas sonorasSaturday Saturday
Lyircs by: Indeep Bakshi, Badshah, Kumaar
Music by: Shaarib Sabri, Toshi Sabri, Badshah and The Titans
Performed by Indeep Bakshi, Badshah, Akriti Kakar
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- How long is Humpty Sharma Ki Dulhania?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 380.011
- Fim de semana de estreia nos EUA e Canadá
- US$ 380.011
- 13 de jul. de 2014
- Faturamento bruto mundial
- US$ 13.669.988
- Tempo de duração2 horas 13 minutos
- Cor
- Proporção
- 2.35 : 1
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