Efes beyahasei enosh

The Israel Defense Forces have a certain reputation both inside of Israel and outside of it. With certain exemptions, nearly every Israeli must do a mandatory two year minimum of training and the IDF is considered one of the best armies in the world. In Zero Motivation writer-director Talya Lavie quickly dispels with any romantic or political notions of what serving in the army is like and focuses her attentions on a group of teens serving out their time in a podunk base in the middle of the desert where her heroines are assigned the most menial and redundant administrative tasks.

The movie focuses on two best friends; Zohar (played by Israeli star Dava Ivgy) who has an attitude problem and a chip on her shoulder, and Daffi (Nelly Tagar) a childish brat who dreams of finishing out her duty in Tel Aviv where she can go shopping and play on the beach in her downtime. Instead the two friends make life miserable for everyone around them, focusing their attentions on hitting record highs in minesweeper instead of completing the simple office busy work they're supposed to be doing.

The film is organized in a triptych so that each half hour is its own individual section and tells one specific story but the stories build and feed in to each other. Also despite some dark story lines which include a suicide and an attempted rape the movie is absolutely hilarious. It always keeps the heroines at the forefront of the action and their callous attitudes and general unpleasantness towards their colleagues, and eventually each other, keeps things interesting and life.

A great watch.

So when I saw the movie's summary about a group of women being pencil pushers in the Israeli army, I was expecting something far different.

My perception (which I got from movies) of the Israeli army is that every one who comes out of it seems to be real bad ass. This movie contradicts that, completely.

The movie tells three different stories about different types of women in the army. A story of a woman who wants to be in command, a woman looking for a nice job in a nice place, and a woman who can't wait for her service to end.

What I enjoyed most was how the filmmakers were able to construct characters who you can connect with. I can't put my finger on how it was done but I came out of this caring for the out come of all of them. Maybe it was a combination of the writing and the acting, or how the movie was edited to focus on the main characters and tell their stories. Whatever it was, it truly worked.

Not knowing much about military service in Israel, I will assume the picture is displaying the emotion of what it's like to do it. From trying to play the male dominated game to just trying to get by.

Overall, I was very impressed by it.

In Talya Lavie's film there is a scene where a male soldier tells female conscripts about his recruit training. It was really bad, like the holocaust, he narrates. Why? Because the officers were like the Nazis, he goes on. I'm not a Jew, so if I told you the rest of this holocaust joke, it would be absolutely tasteless. I can't do that. But funny it is, when told by a Jew in Israeli Defense Forces uniform to other soldiers. The humour in this film relies on unlikely and sudden contradictions such as this, which is pretty much the definition of a farce. Some reviewers here have obviously not recognized this genre and have not expected the unexpected which this film delivers in plentiful doses. If you ask a cinema lover about Jewish humour, she or he probably first thinks of Woody Allen telling a joke about God, and why not - but he's told so many of them we're surely ready for some new perspectives. Joseph Cedar's Footnote was a refreshing dark comedy from Israel and Lavie's Zero Motivation is a fine showcase for classical Jewish humour in a fresh setting, the all-female personnel files office of a desert military base. One reviewer thought that the soldier girls are bitching and lack solidarity - to me it seems they are mostly just being argumentative pretty much as a Jew is expected and brought up to be. Another non-Israeli reviewer was shocked by the suicide of a young woman sneaking into the base dressed as a soldier. This is sensitive, of course, but one has to remember the tragicomic context. The biggest fear in the Israeli base is surely an attack by a suicide bomber. Then an outsider penetrates the base using a fake ID - and kills herself but for purely romantic reasons. The Palestinians are present in the film only in hints such as this. The film is based on Talya Lavie's own experiences in the IDF. She must have been bored. But the audience of the film is not. I'm not in the target audience: I'm a 60-year old Nordic male conscience objector and as said not Jewish. Yet I enjoyed the whole thing and think I got most of the jokes right. Could be re-written into an effective theatrical farce.

I was ready for some comedy and the Israeli movie "Zero Motivation" way exceed my expectation. In addition to a great script, with a well- organized and tightly structured plot, it is filled with black comedy, feminism, friendship, and work ethics wrapped with a little nudity and horror, all done with a limited budget. The acting are very good too.

The movie was divided into three parts which are linked together by two central characters, Daffi (Nelly Tagar) and Zohar (Dana Ivgy), both young female soldiers working in the administration department of a military base in the middle of the dessert. They are among a group of equally demotivated female colleagues supervised by ambitious but frustrated Captain Rama (Shani Klein), the only female officer in the management team.

The film starts with good friends Daffi and Zohar reluctantly return to base after a short break. Daffi, a clerical worker in charge of paper and the shredder, is tired of being stuck in the dessert and wants to be transferred to Tel Aviv. She seeks help from Zohar who is responsible for mail and trusts her in mailing letters for her transfer. Comedy erupts when a new comer Tehila (Yonit Tobi) enters the camp and Daffi treats her as her replacement until something tragic happens.

In the second part, Zohar is obsessed about losing her virginity but she exercises her independent thinking and receives help from a fellow colleague who asserts the female ego.

It is the third part that ties all the loose ends from part one and two and we see more comedy, irony and creative action. Then everything ends in a reasonable and interesting wrap up.

I would not divulge too much plot as it will spoil the fun. But I can guarantee that it is packed with jokes and laughter while making you think about the absurdity and blessing in life, while pondering on gender roles.

Perhaps the only short coming is the military setting which is hard for most international audience to identify with. But the issues of office management, friendship and courtship are universal across industry and culture. Most importantly, the voice of female power is strong. Highly recommended.

It is interesting that every army looks alike. When I served in the Yugoslav Army back in 1987/88 I felt exactly the same as some of these girls. Stupidity of the Army is dumbfounding. This film portrays that well. I guess armies have to exist to protect the societies from the various enemies, and with Ukraine-Russia conflict it is obvious that well organized armies are good deterrent from the attack by the foreign enemy.

Females can be good soldiers even better then males sometimes. This film portrays this well. It also shows us insides of the Israeli Defense Force. Interesting creation is that Israel. A state to protect Jews from the outside enemies. I hate to admit it but there is a reason for Israel to exist, because so many crazies want to hurt Jews. Crazy!!! All the Jews I know are good people. They could be more open to the outside friendlies of other religions, but since what happened to them during WWII it is understandable why they are that way. Once bitten by a snake you are afraid of a snail! Plus they are surrounded by the Arabs. What a dumber!

I recommend that you watch this sweet film.