AVALIAÇÃO DA IMDb
6,4/10
9,4 mil
SUA AVALIAÇÃO
Uma fisioterapeuta desesperadamente romântica conhece um jovem e bonito príncipe Rajput que é o oposto dela e está noivo de outra pessoa.Uma fisioterapeuta desesperadamente romântica conhece um jovem e bonito príncipe Rajput que é o oposto dela e está noivo de outra pessoa.Uma fisioterapeuta desesperadamente romântica conhece um jovem e bonito príncipe Rajput que é o oposto dela e está noivo de outra pessoa.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias e 13 indicações no total
Ratna Pathak Shah
- Nirmala Devi Rathore (Vikram's Mother)
- (as Ratna Pathak)
Kirron Kher
- Manju (Milli's Mother)
- (as Kiron Kher)
Avaliações em destaque
Khubsoorat!!!!! If you are looking for a pleasant 2 hours - this 1 is for you. Plot Review: Its a simple movie portraying what happens when the heroine a happy go lucky Doctor who is completely alien to discipline and formalities sets foot in a orthodox royal family where we have the hero. Acting: Sonam Kapoor is brilliant and Fawad Khan has the royal looks & complements Kapoor, Kiron Kher is a character as usual with a good supporting cast led by ratna pathak.
Pros: Its the Grandeur,photography and soft background music that makes this movie a 2 hour totally pleasant journey. Cons: Lack of intensity, but then its a mandatory ingredient & hence cant really be considered a con.
Pros: Its the Grandeur,photography and soft background music that makes this movie a 2 hour totally pleasant journey. Cons: Lack of intensity, but then its a mandatory ingredient & hence cant really be considered a con.
Many would agree to the fact that this was one particular film which everyone was expecting to be a pretty bad remake of the famous Hrishikesh Mukherjee-Rekha classic having the same title (with different spellings) released in 1980.
But surprisingly that is not the case since the film is not at all a straight remake of the 80s path breaking film from any angle. And the major argument behind this declaration is that Hrishi Da's script was actually about a young energetic girl entering into the house of her newly-wed elder sister and dealing with her strict mother-in-law running the house with her own self-dictated discipline. Whereas the present 2014 official version is about a physiotherapy doctor visiting her client's royal mansion in Rajasthan, looked after by a strict mother and her young son, instead of her old disabled husband.
So where the original was about the in-laws and the new big family where an elder sister has been married in, the latter is about a completely stranger family and that too of only 4 members, without any traditional values to be taken care of other than the professional ethics of a doctor. And anyone living in India can easily understand that how difficult and different a script becomes when you are talking about the elder sister's in-laws confronted by the younger sister visiting the house for a few days in comparison of a doctor staying in her patient's mansion taking it as a professional assignment.
Hence clearing all doubts, Hrishi Da's unforgettable gem KHUBSOORAT stays untouched excelling in its own distinctive theme and Shashank Ghosh's current venture just revolves around the same basic plot but doesn't copy any of the original film sequences as it is, despite being an official version.
Moving over the remake status, the film begins interestingly with the elegant Fawad Khan and the hyper and ever-smiling (overdoing it) Sonam Kapoor as the (too) young physiotherapy doctor. It keeps moving at a good pace with an all likable feel before the interval and has only two avoidable, filmy sequences to put you off in its initial half. The first one is the below average and cheap song sequence of "Engine Ki Seeti" and the other is a ridiculous kidnapping scene which contributes just nothing. Still the overall enjoyable mood and few light comic moments manage to keep you engrossed and one forgets these pretty weak, silly insertions as it moves further.
Post interval the only factor which goes against the movie is that even if you haven't seen the original, you still exactly know what's going to happen next. But again this demerit of an all predictable progression gets smartly covered by two fine performances by Fawad Khan and Aamir Raza Hussain superbly along with few immensely likable, innovative songs composed well. Also the film gets a great support from its final 20 minutes which do have a killer scene between Fawad and Kirron Kher. And therefore what you take back home while moving out of the theater is a smile with 'no complaints' kind of feel despite having watched an all predictable film right from the word go.
Speaking specifically this is not a Sonam Kapoor film like the original was a Rekhamovie all the way. The new age version is more of a collective effort with some very important contributions coming from Fawad Khan, Aamir Raza Hussain, Kiron Kher and above all the intelligent, innovative background score which keeps the energy flowing. Few enjoyable sequences and entertaining dialogues offered at regular intervals lift up the film repeatedly and the two songs, "Naina" and "Jo Main Aisa Jaanti" (by Sneha) build up the mood in a beautiful manner. Plus whenever Sonam's ringtone says "Maa Ka Phone Aaya" it does make you laugh effortlessly. And here I am not talking about any of those commercial, deliberate tracks wrongly promoted on the channels instead of the other well-made songs in its soundtrack.
In the performance section, Sonam leads from the front as per the script but not as per the impact on the viewers. No doubt she is much better, bright and energetic from all her previous films, still her act largely remains dependent upon the supporting cast till the climax unlike the original. Also she strangely vanishes from the screen for a good amount of time towards the end, though everyone keeps talking about her as the center of attraction. Fawad Khan in his debut movie excels in the same way as he does in his serials. The boy certainly has a special controlled charm in his stylized performance that helps the film big time including the comedy sequences, especially in the climax. Ratna Pathak Shah suffers due to a confusingly written character and is no-where close to her mother doing the same role in the Hrishi da classic. Aamir Raza Hussain adds a lot to the overall impact of the film despite being limited to a wheel chair throughout. Kirron Kher, playing the Punjabi mother once again seems to be a bit loud at the beginning and I personally didn't like Sonam calling her by name with a "Tu- Tadaak" kind of approach in the film's opening moments. However the balancing scene in the end explained the importance of that particular approach quite entertainingly and I got my answer from the writers. Further capturing the outdoors and the big mansions as a part of the script, the DOP does its job skillfully and so does the supporting cast in a reasonable manner as required.
Summing up, this first presentation of Disney does have a routine, predictable script having few major drops too. However its young and lively feel, accompanied by some crisp editing, good performances and an innovative background score cover up its minuses well and result in a fairly enjoyable, clean family entertainer respectfully living up to the reputation earned by its title.
But surprisingly that is not the case since the film is not at all a straight remake of the 80s path breaking film from any angle. And the major argument behind this declaration is that Hrishi Da's script was actually about a young energetic girl entering into the house of her newly-wed elder sister and dealing with her strict mother-in-law running the house with her own self-dictated discipline. Whereas the present 2014 official version is about a physiotherapy doctor visiting her client's royal mansion in Rajasthan, looked after by a strict mother and her young son, instead of her old disabled husband.
So where the original was about the in-laws and the new big family where an elder sister has been married in, the latter is about a completely stranger family and that too of only 4 members, without any traditional values to be taken care of other than the professional ethics of a doctor. And anyone living in India can easily understand that how difficult and different a script becomes when you are talking about the elder sister's in-laws confronted by the younger sister visiting the house for a few days in comparison of a doctor staying in her patient's mansion taking it as a professional assignment.
Hence clearing all doubts, Hrishi Da's unforgettable gem KHUBSOORAT stays untouched excelling in its own distinctive theme and Shashank Ghosh's current venture just revolves around the same basic plot but doesn't copy any of the original film sequences as it is, despite being an official version.
Moving over the remake status, the film begins interestingly with the elegant Fawad Khan and the hyper and ever-smiling (overdoing it) Sonam Kapoor as the (too) young physiotherapy doctor. It keeps moving at a good pace with an all likable feel before the interval and has only two avoidable, filmy sequences to put you off in its initial half. The first one is the below average and cheap song sequence of "Engine Ki Seeti" and the other is a ridiculous kidnapping scene which contributes just nothing. Still the overall enjoyable mood and few light comic moments manage to keep you engrossed and one forgets these pretty weak, silly insertions as it moves further.
Post interval the only factor which goes against the movie is that even if you haven't seen the original, you still exactly know what's going to happen next. But again this demerit of an all predictable progression gets smartly covered by two fine performances by Fawad Khan and Aamir Raza Hussain superbly along with few immensely likable, innovative songs composed well. Also the film gets a great support from its final 20 minutes which do have a killer scene between Fawad and Kirron Kher. And therefore what you take back home while moving out of the theater is a smile with 'no complaints' kind of feel despite having watched an all predictable film right from the word go.
Speaking specifically this is not a Sonam Kapoor film like the original was a Rekhamovie all the way. The new age version is more of a collective effort with some very important contributions coming from Fawad Khan, Aamir Raza Hussain, Kiron Kher and above all the intelligent, innovative background score which keeps the energy flowing. Few enjoyable sequences and entertaining dialogues offered at regular intervals lift up the film repeatedly and the two songs, "Naina" and "Jo Main Aisa Jaanti" (by Sneha) build up the mood in a beautiful manner. Plus whenever Sonam's ringtone says "Maa Ka Phone Aaya" it does make you laugh effortlessly. And here I am not talking about any of those commercial, deliberate tracks wrongly promoted on the channels instead of the other well-made songs in its soundtrack.
In the performance section, Sonam leads from the front as per the script but not as per the impact on the viewers. No doubt she is much better, bright and energetic from all her previous films, still her act largely remains dependent upon the supporting cast till the climax unlike the original. Also she strangely vanishes from the screen for a good amount of time towards the end, though everyone keeps talking about her as the center of attraction. Fawad Khan in his debut movie excels in the same way as he does in his serials. The boy certainly has a special controlled charm in his stylized performance that helps the film big time including the comedy sequences, especially in the climax. Ratna Pathak Shah suffers due to a confusingly written character and is no-where close to her mother doing the same role in the Hrishi da classic. Aamir Raza Hussain adds a lot to the overall impact of the film despite being limited to a wheel chair throughout. Kirron Kher, playing the Punjabi mother once again seems to be a bit loud at the beginning and I personally didn't like Sonam calling her by name with a "Tu- Tadaak" kind of approach in the film's opening moments. However the balancing scene in the end explained the importance of that particular approach quite entertainingly and I got my answer from the writers. Further capturing the outdoors and the big mansions as a part of the script, the DOP does its job skillfully and so does the supporting cast in a reasonable manner as required.
Summing up, this first presentation of Disney does have a routine, predictable script having few major drops too. However its young and lively feel, accompanied by some crisp editing, good performances and an innovative background score cover up its minuses well and result in a fairly enjoyable, clean family entertainer respectfully living up to the reputation earned by its title.
This is a fun, innocent, lighthearted movie, with a soft, kind soul at it's heart. Don't come across this kind much at all these days. It's a very relevant theme. Dialogues, production design are superb. Sonam Kapoor does full justice to the role. No overacting here. Her character grows with the movie and you realize the kindness of her character as the movie flows. Fawad Khan is adorable and did a great job. Special mention to Kirron Kher! Impeccable comic timing! Ratna Pathak Shah is superb! The entire supporting cast did a great job. Songs are nice. Can watch this time and again! :)
Sonam/Fawad's Khoobsurat will stole your heart because of its good acting, fresh and quirky dialogues, and a nice gorgeous set...
Mili Chakroborty, enters into a royal family, controlled by a strict disciplined Maharani(Ratna Pathak Shah), to treat her grieving husband in wheel chair. Though According to her the young Prince is Khadus(Fawad Khan), but how she gelled up and become a part of this over disciplined Family, is Khoobsorat all about...
Good Points: 1) Acting- Sonam as Mili is a treat to watch, Simple, bubbly, carefree Sonam, maturing as an actor and was quite convincing. She looked gorgeous in every costume, Her Portrayal was so simple, that you will fall in love with Mili...And the way she delivered Dialouges were utterly Cute.. Kiron Kher as Manju is a typical punjabi lady who never thinks twice before using any damn word..Her comic timing was perfect and she was the life of the entire movie. She carried the role so perfectly as if it was made for her, wonderful actress she is. her conversation with Mili will tickle you again and again. A Desirable mom... Ratna Pathak Shah, as usual a perfect choice for a Sophisticated, well dressed , discipline freak, Strict Maharani...Her expression, her way of Saying 'ANTIQUE' is so perfect, She was a perfect contrast for Kiron Kher.. Fawad Khan, Handsome, perfect expression, Subtle acting are some words that will describe the actor from over the border..He was perfect as a prince...who tried to control her lust/love for Mili throughout the movie in a Strict and Sophisticated way...ha ha ..funny...his mute conversations with Mili were one of those many funny parts... Aditi Hayderi, Pretty as hell..
2)Dialouges: The charm of the entire movie were dialouges...they were perfect, full of one liner punches, ticklish and fresh...they will keep you involved throughout the movie
3) Background: one of the best Set I have seen in recent time movies...it was remarkable and mesmerizing..
4) Music: each and every Score are good and perfect for every situation...engine ki seeti and maa ka phone are funny and fab..
5) Costumes: Oh my my... Pretty Pretty Pretty..
Bad Points: The story was predictable and was loosing its pace in the second half for around 15-16 minutes...
U can seriously Go and watch it and will come out laughing....
Mili Chakroborty, enters into a royal family, controlled by a strict disciplined Maharani(Ratna Pathak Shah), to treat her grieving husband in wheel chair. Though According to her the young Prince is Khadus(Fawad Khan), but how she gelled up and become a part of this over disciplined Family, is Khoobsorat all about...
Good Points: 1) Acting- Sonam as Mili is a treat to watch, Simple, bubbly, carefree Sonam, maturing as an actor and was quite convincing. She looked gorgeous in every costume, Her Portrayal was so simple, that you will fall in love with Mili...And the way she delivered Dialouges were utterly Cute.. Kiron Kher as Manju is a typical punjabi lady who never thinks twice before using any damn word..Her comic timing was perfect and she was the life of the entire movie. She carried the role so perfectly as if it was made for her, wonderful actress she is. her conversation with Mili will tickle you again and again. A Desirable mom... Ratna Pathak Shah, as usual a perfect choice for a Sophisticated, well dressed , discipline freak, Strict Maharani...Her expression, her way of Saying 'ANTIQUE' is so perfect, She was a perfect contrast for Kiron Kher.. Fawad Khan, Handsome, perfect expression, Subtle acting are some words that will describe the actor from over the border..He was perfect as a prince...who tried to control her lust/love for Mili throughout the movie in a Strict and Sophisticated way...ha ha ..funny...his mute conversations with Mili were one of those many funny parts... Aditi Hayderi, Pretty as hell..
2)Dialouges: The charm of the entire movie were dialouges...they were perfect, full of one liner punches, ticklish and fresh...they will keep you involved throughout the movie
3) Background: one of the best Set I have seen in recent time movies...it was remarkable and mesmerizing..
4) Music: each and every Score are good and perfect for every situation...engine ki seeti and maa ka phone are funny and fab..
5) Costumes: Oh my my... Pretty Pretty Pretty..
Bad Points: The story was predictable and was loosing its pace in the second half for around 15-16 minutes...
U can seriously Go and watch it and will come out laughing....
Khoobsurat is one of Sonam Kapoor's best performances. It is about a happy-go-lucky physiotherapist who comes to a royal family's house to treat the family patriarch. How she treats her patient and interacts with the family is the rest of the story. Sonam Kapoor plays the bubbly Dr. Milli Chakravarty with ease. Her mannerisms and actions are absolutely hilarious and make this film a treat to watch. Today she is known more as a fashionista than as an actress. I believe this film will start to make everyone see her as a leading lady. Fawad Khan, who is a well known actor in Pakistani Cinema and Television, is great in his debut. He seems confident and he compliments Sonam Kapoor very well. His performance as the disciplined Vikram Rathore is something to watch out for. Ratna Pathak and Kirron Kher are great in their supporting roles and do not go unnoticed in the film. Overall this film is funny, romantic and makes a great date night movie. This film was not talked about as much as other films such as Haider and Queen, but I believe it should be because I think it is one of the top 10 movies of 2014. Catch it whenever you can and you will enjoy the film.
Você sabia?
- CuriosidadesThe movie marks the Bollywood debut of Pakistani actor Fawad Khan.
- Erros de gravaçãoIn the beginning, Vikram and Kiara decide on a September wedding date, but it inexplicably changes to December when the king announces it to Mili soon after Mili and Vikram have kissed.
- ConexõesFeatured in Naa Peru Surya, Naa Illu India (2018)
- Trilhas sonorasEngine Ki Seeti
Music by Sneha Khanwalkar
Lyrics by Ikram Rajasthani
Performed by Sunidhi Chauhan, Resmi Sateesh
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Khoobsurat?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Khoobsurat
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 710.508
- Fim de semana de estreia nos EUA e Canadá
- US$ 345.085
- 21 de set. de 2014
- Faturamento bruto mundial
- US$ 1.375.623
- Tempo de duração2 horas 10 minutos
- Cor
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Khoobsurat: A Doutora Apaixonada (2014) officially released in Canada in English?
Responda