Roubo sem Saída

The premise of this revolves around a big cash heist committed by a gang of 4 guys with information provided by an information broker. Whilst looking like it goes off smoothly things subsequently don't go to plan. The story set-up seems solid, if nothing new. However, soon the movie revolves around being stuck in one physical location (one large indoor space) which makes it a bit boring. To compound this the movie then begins a flashback narrative on each character (more than one for each character), moving back to the present time and back again. This jars quickly as nearly 40-50% of the movie must in the end be composed of these flashbacks and it takes your focus and interest off the main story. It does redeem itself a bit at the end but I found that this mechanic was a fail for me and makes the movie a lesser product as a result.

The story behind the movie. First film from director and writer, Brian Klemesrud, he was actually still working on the details of the script when he was to meet Gil Bellows about another movie being made, Mushroom Man. Unknown to Brian Gil had seen a copy of his draft for Dead Draw and he wanted Brian to make the movie and he would play the role of Harrison. Brian was still thinking it over when Gil contacted him and told him he needed to start shooting it in three months. They ended up shooting the movie in a total of 18 days after getting the money to fund it.

The movie is about the heist of 25 million dollars from a bank, where specific safety deposit boxes are selected. Harrison (Gil Bellows) is their leader and it is his 19th heist and he said it would be his last one. Everything is well planned and executed and their getaway appears to be flawless then things go awry.

Loyalties will be tested and secrets exposed, as they realize someone set them up and they seek an escape from an apparent trap. Time ticks away as they try to find out who the rat is while they seek an escape.

It does have some surprises and might be predictable to some people but I do think it was entertaining and not bad for a first film where the director was rushed into it.

To me, this is a well produced play with good lighting, cinema photography, sets, costume, interesting camera angles, all kinds of things that kept me visually engaged and directed the kind of mood to feel. It felt very real. Acting top notch, real people reacting and talking to other real people. One reviewer too exception, said the music is appalling, that one wanted to get away from it. I think it was perfect, because I never noticed it. Not once. I was watching life, in real time, and life does not, thankfully, have underscoring. There are several critical comments about the flashbacks. I found that interesting, because this film isn't about a bank heist. The bank heist is only the story line. The premise of the film, what the film shows us, is the characters, their inner struggles, their choices, and their relationships to each other and to life. This is a character driven script, to me, and I appreciate it. A lot. I especially like the sparsity of dialogue. We're allowed to be part of the conversations, to figure out what the character meant, rather than being fed what he/she means to say. What isn't said aloud is often much more meaningful than what is colored by our editing gray cells. It was not a surprise to me who the rat was, but it could be to others. I think it's something I can just do. I got "Sixth Sense" at the end of the first scene. Agatha Christie always tells us outright who did it early on in her mysteries. Even so, it's enjoyable to keep reading or watching to see what other little gems the writer has for us. If you pay attention, really tune into these characters, there's a lot of good writing here. As well as the aforementioned production qualities. A winner to me.

On the surface, the premise of bank robbers falling out with each other as time pressure builds is not particularly original. Yet Dead Drop manages to bring something fresh to the genre. Well plotted and filmed, the pacing is excellent as flashbacks filling in the characters and tense action in the present time intersperse and blend well with each other. Dead Drop is well acted, each character believable and understandable. The music is appalling, so bad it must be deliberate; discordant, miserable, something to get away from, just like the participants and situation. Most of the scenes are extremely well shot and there is a lot of tension in some the scenes that are held for that extra moment. While nothing truly remarkable, Dead Drop is better than most and well worth the effort to see.

This is a movie about a gang of thieves is put together to rip off a drug cartel who keep their money in safe deposit boxes in a nondescript bank in the Midwest, and of course "things go wrong". I hope it's not a spoiler to say it's basically a non-Tarantino version of Reservoir Dogs.

It's well acted, and they do keep you guessing, but like most neo-noir movies, you can't think too hard about the characters' actions and motivations, or you'll realize they're doing a lot of things that don't make sense.

I wouldn't have paid money to see this at the theater, but it was a decent way to pass an hour and a half on a plane.