AVALIAÇÃO DA IMDb
8,4/10
9,8 mil
SUA AVALIAÇÃO
Um jornalista se propõe a desvendar a verdade por trás de um incidente, através da perspectiva de diferentes pessoas, desvendando como elas e suas vidas estão interligadas a ele.Um jornalista se propõe a desvendar a verdade por trás de um incidente, através da perspectiva de diferentes pessoas, desvendando como elas e suas vidas estão interligadas a ele.Um jornalista se propõe a desvendar a verdade por trás de um incidente, através da perspectiva de diferentes pessoas, desvendando como elas e suas vidas estão interligadas a ele.
- Prêmios
- 4 vitórias e 10 indicações no total
Kishore Kumar G.
- Munna
- (as Kishore)
Dinesh Mangaluru
- Shankar Poojary
- (as Dinesh Mangalore)
Avaliações em destaque
10Srujana
Chapter 1: As the title says, its "Ulidavaru Kandante". This crime comedy thriller depends on how you see and understand the movie. It's always difficult to direct a movie with non-linear storyline and intertwined plots. But, Rakshit Shetty has done a stunning job with his first venture as a Director! I can sense the influence of Quentin Tarantino, Guy Ritchie and Christopher Nolan on him. It's a really good thing that Rakshit is influenced by such great directors. Chapter 2: Film connects by intersecting story lines(perspectives) of different characters. So, be very attentive in the cinema hall else you'll miss a part of it and you might miss something which has a connection to a different scene.The CGI use in few scenes reminded me of Sin City. Little reference of pop culture is well captured and it plays an important role in the movie. Actually, it was quite brilliant. The best part of the movie is its regional flavour(Mangaluru and TuLu). Chapter 3: Songs and Background score by Ajaneesh Loknath is amazing! Background score is as important as the dialogues in the movie because it sets the mood to the movie. It can give nice contrast to the movie and it is absolutely mind-blowing in this movie. BG score has a strong impact on few characters and it's incredible. Using TuLu words in few dialogues and songs is a really good thing since it exposes the regional aura to the rest of Karnataka. Few directors and music directors in KFI should learn a bit from this movie. Chapter 4: Rakshit is all over the movie and his character is really diabolical(li'l harsh but yes he is). He's the "Al Pacino" of Kannada Film Industry now! Shetre, super neevu! Achyuta Kumar, Sheetal, Kishore, Tara and the entire cast has done a great job. The kid "Democracy" is just fantastic and his dialogue delivery was spectacular! I think that kid has a great future. Final Chapter: To everyone who think the movie is slow, that is because the movie grows with every single scene and that is how it should be. It is definitely not slow. I think the movie meets all the expectations which a good movie should have. People should definitely watch this movie in theaters instead of crying that there are no good movies made in Kannada. Yes, I'm talking about you haters! Specially, few people(kannadigas in my friends list) who'll watch all other language movies in theaters except Kannada movies which they'll download from the internet after the digital print is released. Get your lazy arse up and watch the movie in the theater when its still running! Personally, I feel this movie should appear in the top 250 IMDb movies list. And, its a perfect ten(10/10)! #UlidavaruKandante
Ulidavaru Kandanthe
It is a Bold, intuitive , innovative and extraordinarily simple yet extremely effective machinery which transformed the way a story is told.
It is non linear way of narration , equally justifying each charterer and showing their depth, We all are heroes in our own life and we cannot walk away from our story.... and our story is always the way we want it to be..... often we chose to ignore the facts for the fairy tale, for it comforts us in despair and gives a hope....
This is capitalized in this story telling, where each narrator feels that his perspective is the truth. Even a small material will cause a large shadow when its rightly placed at the right time.A butterfly effect of events which will cause an avalanche of catastrophes...
Plot is very simple, but strongly supported by astonishing script and mesmerizing acting. Last but not the least kudos to the debut directer /writer Rakshit Shetty to pulling an incredible master piece.
That said, this cinema is like summer rain which makes you feel like you are in paradise, the entire movie holds your undivided attention and the music is brilliantly fixed on to the script its very hard to see it as a separate entity.
Movies seems to be inspired by few Hollywood flicks which is not a bad thing when its so elegantly executed.
It is a Bold, intuitive , innovative and extraordinarily simple yet extremely effective machinery which transformed the way a story is told.
It is non linear way of narration , equally justifying each charterer and showing their depth, We all are heroes in our own life and we cannot walk away from our story.... and our story is always the way we want it to be..... often we chose to ignore the facts for the fairy tale, for it comforts us in despair and gives a hope....
This is capitalized in this story telling, where each narrator feels that his perspective is the truth. Even a small material will cause a large shadow when its rightly placed at the right time.A butterfly effect of events which will cause an avalanche of catastrophes...
Plot is very simple, but strongly supported by astonishing script and mesmerizing acting. Last but not the least kudos to the debut directer /writer Rakshit Shetty to pulling an incredible master piece.
That said, this cinema is like summer rain which makes you feel like you are in paradise, the entire movie holds your undivided attention and the music is brilliantly fixed on to the script its very hard to see it as a separate entity.
Movies seems to be inspired by few Hollywood flicks which is not a bad thing when its so elegantly executed.
10yaduanna
This movie just sets the bar for the rest to come. Looking at the trailer I was looking forward to a good movie but this turned out to be a masterpiece. Honestly, you have to be familiar with movies like Pulp Fiction, Inception, Donnie Darko, Requiem for a Dream etc to show liking towards it, as this is not a typical Indian Cinema. Anyway, if you thought 'LUCIA' was cool, Just wait till you watch this!!.
Anyway, coming back to the movie. The story is plain and simple, it revolves around the death of a character and a reporter investigating it, writing down the perspectives of the others involved in the incident. What takes the cake though, is the direction, screenplay, acting and the background score. Simply Flawless!! Didn't expect that sort of direction from a debutant director.Simply amazing!!!. The film is divided into 6 chapters, each from a different point of view, revolving around the same time frame. The movie adds its own style and at the same time preserving the authenticity of the native regions. In ending is left to your interpretation.
Anyway, coming back to the movie. The story is plain and simple, it revolves around the death of a character and a reporter investigating it, writing down the perspectives of the others involved in the incident. What takes the cake though, is the direction, screenplay, acting and the background score. Simply Flawless!! Didn't expect that sort of direction from a debutant director.Simply amazing!!!. The film is divided into 6 chapters, each from a different point of view, revolving around the same time frame. The movie adds its own style and at the same time preserving the authenticity of the native regions. In ending is left to your interpretation.
Will Ulidavaru Kandante..As seen by the rest succeed in offering new perspective in cinema ? The answer is probably "Yes".
In the past we did have scripts and films based from coastal-region but this is probably the first one to have captured attention from the rest of the places in the state and obviously the coast. The trailer and music both went viral getting accolades and now it is time for the full feature to be seen by the rest.
I have to admit that Rakshit Shetty's debut directorial venture transported me to Dakshina Kannada landscapes sitting right in center of Bangalore. The atmosphere lasted for over more than two hours. Rakshit has chosen a script which is well woven starting with the right note to capture your attention right from the first frame. Unlike prominent Kannada Cinema "Ulidavaru Kandante" gives more prominence to the characters. This is out and out a character driven script. There is a story to be told and the story is narrated quite interestingly. Multiple view points have been used in films for decades, its success or failure depends on the art and facility with which it can aid the story being told. Rakshit has grandly succeed in his efforts. In the past we have witnessed "Yuva", "Memento," "Hero," "Irreversible", "Amores Perros" that use various perceptions of facts. What these films all have in common is that the visual device used does not get in the way of the story but enhances it. "Ulidavaru Kandante" too falls in this league.
The film as such is presented in a chapter-wise manner where in each chapter allows you to explore each character visually. There is a reason why these characters exist in the space of the film. There are a few which could have been avoided. The actors have done a commendable job in giving life to the characters. Rakshit, Rishab, Kishore, Achyut in pivotal roles deserve appreciation. I know Achyut is not a native of Dakshina Kannada but the way he has presented himself just shows his strength and versatility. I recently watched few of his offbeat films and watching him in this role was a pleasure. Rakshit's "charisma", Rishab's "fear", Kishore's "feeling", Achyuta's feeling, fear and irritation with "Kaaki" will be remembered. The child actors also have pulled in splendid performance. Poojary, Tara, Sangita, Yagna and folks who have played Rakshit's accomplice have provided great support to the main characters. I believe this film will go down as one of the best acted films. The actors are so natural and casual it does not feel like they are really acting out on the screen.
Karm Chawla's cinematography, Ajaneesh's BG score, sync sound succeeds in providing the much necessary atmospheric experience. The coastal landscapes are brilliantly captured and presented. Having know these places personally it gives you a great feeling to watch them on big screen. The color scheming and VFX does need a special mention. Who would not want to try out the "Sin City" like shot? Wow! The BG score is haunting and goes well with the film. A couple of songs "Paper Paper" and "Gati" seems out of place as far as narrative is concerned. Probably this has more to do with commercial aspects. "Kanna Muchhe", "Kaakig Banna" match with the narrative. Especially the way they have brought in "Kaakig Banna" is simply brilliant. Hats off to Achyut making this a memorable song even though it is in the near end of the film. If you pay attention to the sound design and sound capture you might feel a lot of background noise being captured. Especially during the Tiger painting scene. There is a sudden drop in the sound levels at times. We are in an era where in sync sound is picking up gradually. Its at a very few instances where in the sound capture is kind of average but at a overall level it gives you a phenomenal experience in listening to the speech with the inner expressions. In a way "Ulidavaru Kandante" is technically brilliant film-making.
The film though entertaining and satisfactory comes with few negatives. The first being the run-time. The film starts of with a great pace but gets slow from the second chapter on-wards. If it was a bit tight it would have been more perfect than what it is now. Some audience are bound to get tired. Never mind you cant keep everyone happy. The other factor is the penetration of this film beyond Karnataka. This film is high on the tradition, dialect and lifestyle of the coastal region. It would be interesting to see how this could interest people from other states. Lucia had a great success in this aspect. I wonder if "Ulidavaru Kandante" can achieve this. We will have to wait and watch on how this is received and propagated.
Two things. Be calm and patient while watching this. It is not an edge of seat thriller. Give the film some time to get it on to you. Do not expect a "wow" climax. Just watch the perspectives and bring out your own
In the past we did have scripts and films based from coastal-region but this is probably the first one to have captured attention from the rest of the places in the state and obviously the coast. The trailer and music both went viral getting accolades and now it is time for the full feature to be seen by the rest.
I have to admit that Rakshit Shetty's debut directorial venture transported me to Dakshina Kannada landscapes sitting right in center of Bangalore. The atmosphere lasted for over more than two hours. Rakshit has chosen a script which is well woven starting with the right note to capture your attention right from the first frame. Unlike prominent Kannada Cinema "Ulidavaru Kandante" gives more prominence to the characters. This is out and out a character driven script. There is a story to be told and the story is narrated quite interestingly. Multiple view points have been used in films for decades, its success or failure depends on the art and facility with which it can aid the story being told. Rakshit has grandly succeed in his efforts. In the past we have witnessed "Yuva", "Memento," "Hero," "Irreversible", "Amores Perros" that use various perceptions of facts. What these films all have in common is that the visual device used does not get in the way of the story but enhances it. "Ulidavaru Kandante" too falls in this league.
The film as such is presented in a chapter-wise manner where in each chapter allows you to explore each character visually. There is a reason why these characters exist in the space of the film. There are a few which could have been avoided. The actors have done a commendable job in giving life to the characters. Rakshit, Rishab, Kishore, Achyut in pivotal roles deserve appreciation. I know Achyut is not a native of Dakshina Kannada but the way he has presented himself just shows his strength and versatility. I recently watched few of his offbeat films and watching him in this role was a pleasure. Rakshit's "charisma", Rishab's "fear", Kishore's "feeling", Achyuta's feeling, fear and irritation with "Kaaki" will be remembered. The child actors also have pulled in splendid performance. Poojary, Tara, Sangita, Yagna and folks who have played Rakshit's accomplice have provided great support to the main characters. I believe this film will go down as one of the best acted films. The actors are so natural and casual it does not feel like they are really acting out on the screen.
Karm Chawla's cinematography, Ajaneesh's BG score, sync sound succeeds in providing the much necessary atmospheric experience. The coastal landscapes are brilliantly captured and presented. Having know these places personally it gives you a great feeling to watch them on big screen. The color scheming and VFX does need a special mention. Who would not want to try out the "Sin City" like shot? Wow! The BG score is haunting and goes well with the film. A couple of songs "Paper Paper" and "Gati" seems out of place as far as narrative is concerned. Probably this has more to do with commercial aspects. "Kanna Muchhe", "Kaakig Banna" match with the narrative. Especially the way they have brought in "Kaakig Banna" is simply brilliant. Hats off to Achyut making this a memorable song even though it is in the near end of the film. If you pay attention to the sound design and sound capture you might feel a lot of background noise being captured. Especially during the Tiger painting scene. There is a sudden drop in the sound levels at times. We are in an era where in sync sound is picking up gradually. Its at a very few instances where in the sound capture is kind of average but at a overall level it gives you a phenomenal experience in listening to the speech with the inner expressions. In a way "Ulidavaru Kandante" is technically brilliant film-making.
The film though entertaining and satisfactory comes with few negatives. The first being the run-time. The film starts of with a great pace but gets slow from the second chapter on-wards. If it was a bit tight it would have been more perfect than what it is now. Some audience are bound to get tired. Never mind you cant keep everyone happy. The other factor is the penetration of this film beyond Karnataka. This film is high on the tradition, dialect and lifestyle of the coastal region. It would be interesting to see how this could interest people from other states. Lucia had a great success in this aspect. I wonder if "Ulidavaru Kandante" can achieve this. We will have to wait and watch on how this is received and propagated.
Two things. Be calm and patient while watching this. It is not an edge of seat thriller. Give the film some time to get it on to you. Do not expect a "wow" climax. Just watch the perspectives and bring out your own
Ulidavaru kandante is very good effort from the Kannada film industry. I must say this movie has captured raw emotions very well in several situations. And i hope movies like these are well received by the Audience and eventually making sure that these kind of experiments continue and do well. This movie also brings the other variations of the kannada language in Karnataka which is awesomely portrayed!
The movie gives more importance to art in itself rather than conventional movies(in any regional language in general) which gives importance to commercial elements.
Lastly , I felt the second half could have been bit faster to improve the entertainment quotient. That said, it doesn't mean its boring. Its just that the movie gives more importance to script!
Overall a great movie! Must watch for people who prefer 'class' than 'mass' movies :D
The movie gives more importance to art in itself rather than conventional movies(in any regional language in general) which gives importance to commercial elements.
Lastly , I felt the second half could have been bit faster to improve the entertainment quotient. That said, it doesn't mean its boring. Its just that the movie gives more importance to script!
Overall a great movie! Must watch for people who prefer 'class' than 'mass' movies :D
Você sabia?
- CuriosidadesSych sound technique was used to record the dialogs of the actors, so the actors did not dub their dialogs separately.
- Erros de gravaçãoDuring the Gatiya Ilidu song, the masked man touches Sharada's hand and she drops the fishes into the basket. But in the next shot, a fish appears in her hand magically.
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Ulidavaru Kandanthe?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- As Seen by the Rest
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- ₹ 21.000.000 (estimativa)
- Tempo de duração2 horas 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Ulidavaru Kandanthe (2014) officially released in Canada in French?
Responda