Tolkien

Tolkien: Not quite the romantic warrior professor but certainly all three of the preceding in part. Tolkien had a tough early life, falling into impecunity, his mother had to move with J.R.R. (Harry Gilby as the young Tolkien) and his brother from a rural idyll to the satanic mills and factories of Birmingham, an early model for Mordor no doubt. Then getting excessively MisLit, his mother (Laura Donnelly) dies and he is fostered by an elderly rich lady and along with his brother gets scholarships to an exclusive school. His family's benefactor, always working behind the scenes, is Father Morgan (Colm Meaney), benevelovent but steely in his determination when Tolkien's romance with Edith threatens his chances of getting an Oxford scholarship. Morgan may have been the inspiration for Gandalf.

At school Tolkien founds a Fellowship with other artistically minded students bur the Great War will wreak havoc on that brotherhood. The film cuts between Tolkien's earlier life and the trenches of the Somme. This is literally Hell, a real Mordor. The adult J.R.R .(Nicholas Hoult) is on a (perhaps allegorical) quest to the Front to find one of the Fellowship who is missing in action. He passes through mud holes full of bodies and fever stricken imagines that a german with a flamethrower is a dragon. The film suggests many inspirations for his books, Edith (Lily Collins) as an Elven Princess, his mother's reading tales of dragons when he was a boy, the War, his schooldays. A great influence on him was the philologist Professor Wright (Derek Jacobi) who won him over to the study of Old English and Gothic languages. Directed by Dome Karukoski from a screenplay by David Gleeson and Stephen Beresford, Tolkien is an engaging account of the earlier life of the scholar and author. 8/10

"A safe fairyland is untrue to all worlds." J.R.R. Tolkien

Although the name Tolkien conjures up thoughts of fantastical tales about hobbits, rings, and magic of the highest order, there's little magic and much reality in the new biography, Tolkien. Yet there is much romance, in fact a genial part of an otherwise difficult life.

In reality this story of J.R.R. Tolkien (Nicholas Hoult), up until he becomes well-known for his fantasies while he is bringing up four children and loving his "elfin" princess, Edith (Lily Collins), has a magic of its own. At the same time, it acknowledges the serious shortcomings of an impecunious genius struggling to be heard in the din of class restrictions and WWI.

Besides the delightful early courtship of Tolkien and Edith, the best romance in a long time as far as I am concerned, is the romance of his boy's club. It started before the four culturally gifted young men enter Oxford and Cambridge and goes through the war, which decimated their little intellectual "fellowship." The support they gave each other, the companionable joy, has rarely been so lovingly captured on film. Lamentably, the boys never develop fully as characters, perhaps because of time restrictions.

Satisfying is his discovery by rhetoric professor Wright (Derek Jacobi), who eventually acknowledges Tolkien's genius with language. For those skeptical about the importance of education, watch Tolkien come alive in Wright's hands.

Although these early years seem accurately reported, the joy of this film is in seeing the slow but inexorable growth from a small boy raptly listening to his mother's fantastical readings to a young man doodling heroic figures on horses and scratching out inchoate stories that will give birth to some of the most influential literature in the Western world.

"If you really want to know what Middle-earth is based on, it's my wonder and delight in the earth as it is, particularly the natural earth." Tolkien

Tolkien (3.5 out of 5 stars).

Tolkien is a beautifully done biographical drama film about a famous fantasy writer J.R.R. Tolkien who went on to write The Hobbit and The Lord of the Rings series. It touched the base when him and his brother lost their mother to some illness. J.R.R. then went to a school where he met a few other teenagers that he did not get along with. Until, eventually they become close friends. There bond grows stronger over the years and they inspire each other to make a difference. He meets Edith (Lily Collins) who he falls in love with. He gets separated when he is drafted into World War 1.

The plot is pretty decent for a biographical film about J.R.R. Tolkien. The movie was a bit slow in the second act with Tolkien and his fellowship friends talking about stories. It could have been better handled. The plot is inspirational. Tolkien and his friends no matter how often they fight with each other, they will always be brothers. Tolkien and Edith fall deeply in love until they go on different paths. Years later, they come across each other again.

Nicholas Hoult is great as Tolkien. Lily Collins was also good as Edith. The music score by Thomas Newman is beautifully done. The direction delivers the eerie tone during the World War 1 scenes. Tolkien suffering from an illness. And trying to find his friends. When they are attacked. He witnesses most of his man killed in combat. Which he feels like he is isolated and he starts seeing visions of dragons out of flamethrowers. Or the aftermath smoke from the explosions looking like a dark lord Sauron. Which he uses his experience to write a fantasy story. While his one focus theme is the journey that everyone goes too and the experiences they face.

Overall, Tolkien is a pretty fair film. The plot is a bit inspirational and emotional with the journey Tolkien experiences. Sadly, the film suffers from an uneven pace in the second act of the movie. The performances and music score is fantastic.

Tolkien recounts the defining people and moments of the author's life.

Since the Lord of the Rings and the Hobbit movies interest has increased in Tolkien himself. While this film is no adventure it is both funny and touching as the subject evolves like one of the characters in his stories. This is interesting and I did enjoy it.

I'd have preferred it if the timeline had stretched a little bit further and covered more of his life than it does. The flash-forwards were well done up to that point.

I liked, 'Get off the lawn!'

The story and the excellent cinematography alone make for agood film. For some reason they forced in elements that had the effect of pandering to the weak minded. The film would have been much improved if these elements were left out.

It's enough to see a fellowship develop in the prep school and the visual scenes of WWI without CG of dragon silhouettes and ghosts in gas clouds. We audience members can make connections on our own and guess at what inspired him. I doubt he was thinking about dragons while seeing an actual flamethrower used in warfare.

The real story was in the details and they were good.