Adicionar um enredo no seu idiomaWhen a real estate investor travels to Ireland to flip a cottage she purchased before Christmas, she is surprised to find the property is in need of substantial repairs. Fortunately the loca... Ler tudoWhen a real estate investor travels to Ireland to flip a cottage she purchased before Christmas, she is surprised to find the property is in need of substantial repairs. Fortunately the local Irishman who sold her the cottage agrees to help her find a new buyer, and a holiday rom... Ler tudoWhen a real estate investor travels to Ireland to flip a cottage she purchased before Christmas, she is surprised to find the property is in need of substantial repairs. Fortunately the local Irishman who sold her the cottage agrees to help her find a new buyer, and a holiday romance ensues.
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Here the romance between the "Yank" house flipper and the local real estate agent/preservationist is a gentle sort with little real drama, and even the early hint of the antithetical romance doesn't last long.
Just as a note, we have friends in the UK who own and live in a listed property, and the hoops they had to jump through to make upgrades to the building, which was only a Tudor farmhouse, was much more involved than depicted in this film. It really doesn't go far enough on that account. The major difference is here the approval comes from one man, when normally it would go before a council which would vote on the proposed changes.
There are quite a few moments of Rose getting to know her new neighbors. Everyone but Sean seems to be friendly and welcoming. Sean goes back and forth between being just downright mean and somewhat welcoming. But for a while, he is not just mean, he is a dictator acting in what appears to be revenge. What he is doing would be criminal except with him being local and Rose foreign, she could never get justice.
I do not understand why she spends time with Sean, flirts with him and even lets him touch her. His tyranny miraculously disappears somewhere before the mid point. And they start to build a relationship just like none of it happened. At this point the story starts exploring Rose's deeper feelings. At one point she expresses an idea that sounds a lot like young people living for themselves with no thought of children. But she expresses other thoughts as well, so it's hard to define Rose. Possibly Rose can't define Rose. Fear of feeling trapped seems to be deeply seated and drives much of her story from that point. Fiona Gubelmann does a good job showing Rose's struggle.
For me this was two movies. One made me very angry and I would like to forget it. The other was more enjoyable. Taken together, I won't watch this again.
Você sabia?
- CuriosidadesCar was driving on right side of the road in scene at beginning of movie when she first goes to Ireland. They drive on the left hand side of the road.
- ConexõesReferences Duro de Matar (1988)
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