A Enviada do Mal

Im glad I found this movie; unfortunately it had a limited release and there was not much buzz about it. So when I found it, I did not expect much. But I couldn't have been more wrong. Although there is not much originality, it was well done and made me uncomfortable!

The tone of the movie was dreadful and was beautifully supported by the score, the cinematography, and the acting. The pace of the movie was slow, but the payoff was excellent. No cheap jump scares, the right amount of gore, and a clever plot.

Horror fans should definitely give this movie a watch!

Directed by Oz Perkins, "The Blackcoat's Daughter" stands as a testament to atmospheric horror, deliberately avoiding the trappings of common tropes and clichés pervasive in the genre. Perkins crafts a deliberate pace and employs a restrained visual style to construct an eerie atmosphere that saturates every frame. The desolate, snow-covered setting further enhances the isolation, providing an unsettling backdrop for the unfolding events.

The film's title, "The Blackcoat's Daughter," takes on a symbolic weight as the narrative delves into profound themes of sin, guilt, and the sinister forces that clandestinely operate beneath the surface. Alternatively titled "February (source broken)," this moniker serves as a subtle clue, emphasizing that the film is a psychological puzzle inviting viewers to piece together cryptic elements. The reward lies in the satisfaction of those who appreciate ambiguity and open-ended conclusions.

The non-linear storytelling may prove disorienting for some, demanding patience and an appreciation for atmospheric horror. The deliberate ambiguity, while leaving certain questions unanswered, adds to the film's enigmatic allure.

What truly distinguishes "The Blackcoat's Daughter" is its audacious twist. Departing from the familiar narrative of victimhood, the film unveils a protagonist who willingly embraces the forces of darkness. Rejecting the conventional portrayal of the possessed as helpless victims, the narrative takes an unexpected turn as the central character's allegiance to the devil is revealed.

* TBD is an interesting film that is GUARANTEED to polarize horror lovers. It's a very simple narrative from a story standpoint, but what it lacks in narrative it's saved in spades by atmosphere and mystery. This is more of a psychological-thriller than a splatter-fest or hack-and-slash.

* So let's get the obvious out of the way, yes, it's a slow movie. It's a slow burn and I'd even say the climax is rather tame (not lame) in terms of gore/excitement/reward. Yes, it builds to a somewhat bloody climax but it's not balls to the wall crazy, so I'm afraid some will think the slow burn 70 minute build up isn't worth the wait.

* The movie is a classic case of style over substance. The gray color palette and dreary snow gives the movie its potent atmosphere. Throw in a great soundtrack/score (note: the music isn't like "It Follows" where you can listen to individual tracks). This movie's music perfect compliments specific scenes and builds some tension. It's a great addition even if it's not something I would go to Youtube and listen to compared to other horror soundtracks.

* This is a good slow burn horror movie, it's not perfect (mostly because the story is bare bones), but it's definitely watchable thanks to the three female leads. All of them are fantastic! So if you think you can handle a slow burn (with a more thought provoking climax opposed to a splatter fest) then this is something you should check out!

Blackcoat's daughter has been sitting on my watchlist for a little while now. I was intrigued by it's mystery and eeriness, but something told me this won't be as great as I think it will.

And that little voice was right. Blackcoat's daughter had a massive potential. Not just that, it was very close to reaching that potential by having all the right details and twists in the plot. I think it was the execution that made the whole thing flop.

When you're watching it and assuming you're a fan of horror, you know there's something good there, but there's also a lot of that "wait what?" filter over it.

It's like listening to an almost good joke at a family gathering from your cousin. You know there's something hilarious about it, but your cousin is probably telling the joke the wrong way. So everyone is kinda lost, smiling awkwardly, and not sure about what they just heard when the joke's over. Then someone googles the joke and everyone gets that "ooooooh, right, that's actually pretty funny' moment.

Same thing with this movie - it took me a Youtube explanation video to understand that the idea behind the movie was actually genious.

I love it when the viewer has to use their brain and untangle a plot. But there's a line, where if you make it too mysterious, the audience just loses the thread completely.

It's an ambitious movie, and early on the scenes underscore that the scenes will emphasize the unspoken, with long, uncomfortable pauses. Shot mostly at night, and in a nonlinear method, it's very confusing at first, and the ending doesn't provide the payoff you're hoping for. Some reviews here try to fill in the gaps the filmmaker left, and it's unfortunate that that's needed. There's talent on the screen, and it's been wasted. Near the end there's an attempt to explain the murky as Satanism, with the local priest doing an exorcism, which isn't the norm, but it's like so many films that sculpt a dark mystery without a clear path out. A bit dismaying in the end. The British call this Too Clever by Half, ie, failure.