All Things Must Pass: The Rise and Fall of Tower Records

I live in a major east coast city and we never had a Tower Records but I was certainly aware of it and always visited when in NYC, or Los Angeles. It really did have its own sort of ambiance and each franchise was different. For me Tower Records was at its peak during the vinyl period.

Colin Hanks does an outstanding job of showing the progression of Tower Records from initially a Sacramento pharmacy selling 45's to an international record giant and the vision of Russ Solomon and his team of loyalists . Russ is portrayed as an all around good guy who enjoyed nurturing employees to find their strength and grow with the company. I loved the interviews with the employees and recording artists who loved the place. Unfortunately digital music and the death of the CD killed the stores . But Russ was not bitter and had a great attitude. Glad this was filmed before he died so we could get his perspective. An excellently paced documentary.

A loving look at an old store and its impact with lots of warm thoughts and good thoughts. Might not be much for people who didn't live it, but for anyone that remembers that era it's going to be worth seeing. Will definitely make you miss record stores and long to go to Japan.

Just saw this today at Ground Zero, Sacramento's 75 year old Tower Theater that had right next door, Tower Drugs where the founder, Russ Solomon, started what became a world-wide musical empire.

I was not surprised at the influence Tower had on the recording industry, particularly after they opened up their Sunset Blvd store in Los Angeles. Didn't realize though that many big recording stars such as Bruce Springsteen and Elton John shopped there.

It's a fascinating look not only at the rise and fall of Tower Records, but the recording industry's changes over the years.

You'll even see how the Beach Boys changed their sales focus.

If Tower Records was in your life, and chances are if you are over 30 it was, this is a must-see.

Kudos to Colin Hanks, who spent seven years on this project.

Unlikeable men fall into a CANNOT LOSE business (baby boomer, rock buying generation) and milk the customer dry for decades. Despite making millions, and eventually billions, this is not enough for these offensive parasites. These supposed "businessmen" (actually simple-minded drunkards and coke heads), fail to see digital coming and greedily refuse to offer their goods at reasonable prices. Now that these people are exposed for the lowlife scum that they are, they can only weep at the loss of their jobs (and at the loss of a fellow drunk, a gentleman who hilariously, literally wears a lampshade on his head. What a cutup! This, and the David Crosby / walrus-mustachioed Cletus are these people's idea of interesting people.

Despite each working for decades, adding up to centuries worth of experience, in a music-related field, it is notable that music - remember music? - is never a discussion point for these selfish greed heads, only the good times they enjoyed and the incredible profit they were making, both at the customer's expense.

Tower Records was a good store in spite of these people. Everyone loves music, all you needed to do was sell it to them at a reasonable price. See the Beatles' Apple Records for a similar example of what happens when you put burnt-out hippies in charge of your business. It's a shame alright, shameful actions.

I recall being excited to visit the Tower Records store in LA in the mid 1990s on my first visit to the west coast of the USA. When I returned a decade later to their San Francisco store, it somehow felt less exciting, the store looked a little too ordinary and it seems they were having a fire sale on. A few months later Tower Records had gone bust.

Colin Hanks documentary examines the growth of this record chain from its early years from founder's Russ Solomon's dad's drug store where he had a section which sold records.

Russ took over the business in the 1960s, starting in the west coast and moving to the east coast and then internationally to Japan.

As is the case, these heady years of the counterculture was a supposedly drug and drink fuelled hazy party for the staff (it always seem to be the case with maverick start ups.) Live hard and party hard was the motto. The staff I saw in the 1990s seemed to be mainly bored teenagers on minimum wage.

At the turn of the millennium Tower Records was valued at $1 billion. Their seemed to be no end to its success and they were determined to sell albums, preferably CDs.

The impact of online shopping was a body blow. The Apple Store allowed you to buy singles you wanted for 99 cents. Tower Records wanted you to buy the whole album for an ever increasing price and their online servers was on AOL.

Even worse the young IT savvy consumer could now get music for free from Napster and other torrent sites. Combined with the company's debt laden expansion, choppy waters awaited them.

The documentary interviews key staff from the early days as well as the man himself Russ Soloman who comes across as a charismatic maverick. We also get to hear from musicians such as Dave Grohl, Elton John and Bruce Springsteen about their joy in visiting the Tower Record stores, browsing, talking to aficionados. Elton admits he spent a fortune in their shops.

The documentary was a bit messy, in fact a little overlong. We see a former executive being fired by a new management team and how Russ took him out for a meal after a Christmas party which bought him to tears. I wanted to know why he was fired, why he could not get another job, what happened after he went for a meal with Russ and then the same executive turns up later on when the attention shifts to the company's declining fortunes.

In fact seeing some of the staff being interviewed I was impressed how they managed to become so big, it seemed to be more by serendipity than design.