Colheita Amarga

A common myth involving famine is that that it's entirely down to there not being enough food to go around an increasing human population . In other words there's too many people to survive on an essential resource , or "Malthusian catastrophe" to give it its technical term. What is being said is that there's too many people but there's often the innuendo that there's "too many (Insert black , brown or yellow here) people" here. The reality is that there's more than enough food in the world and the problems of food supply lie elsewhere, Don't believe me ? Ask yourself this:if there's more than 7 billion people in the world , more than it has ever been why is it that in the last few years only the Horn of Africa and North Korea have suffered famines ? You see my point ? It's nothing to do with resources and has everything to do with war in North East Africa and state policy in North Korea

BITTER HARVEST tells the story of one of the worst man made disasters in human history , that of the 1930s Soviet famine , most especially the Holodomor experience of the Ukrainians. Make no mistake because the famine was entirely man made where Josef Stalin rescinded Lenin's New Economic Policy ( Lenin and Trotsky's name change for capitalism )and executed or imprisoned everyone who knew anything about farming or engineering. A recipe for disaster in other words

The film itself is far from a disaster but constantly fails to make up its mind as to what it's trying to be. From the opening scene where the lead male and female are introduced as children you think that the film might be going one way only for it to go in a direction that it doesn't need to. It's a little bit love story , a little bit historical epic , a little bit action adventure etc but these segments never join up to a bigger picture , so much so it leads to an ultimately unsatisfying movie. It doesn't help that the goodies and baddies are painted in such broad stereotypical strokes

This is especially annoying where the casting is involved. Tamar Hassan is an actor I know from low budget British hooligan sub-genre films but is something of a revelation as Commissar Sergei but ends up being a rudimentary villain because that's what the screenplay demands and it is the fault of the screenplay . On the other end of the spectrum is up and coming Welsh actor Aneurin Bernard who plays Mykola a multi-layered Marxist and complex character but quickly disappears from the narrative. Things like this draw your attention to the fact that this is a well meaning film but should have been a great film as well as a well meaning one

The Holodomor killed more people than the Nazi Holocaust or the Young Turks murder of millions of their Christian citizens through the Armenian Genocide.

Bitter Harvest explores the history of this tragic event through the eyes of different villagers. A challenging movie with many well done vignettes, it anticipates the creation of more films about this event.

An important difference between the Holodomor versus the Young Turks murder of millions of Armenians citizens is that the Russians have the courage to admit the painful past, thus opening the door to healing. Perhaps this is one of the universal strengths of the Slavic Soul, to be able to look in the mirror of history and through the pain of introspection create great art.

Sadly, thus far, other than a handful of intellectuals, Turkish government remains trapped within the hell of self-deception denying the crimes committed by its forefathers. This ongoing dance of denial which some call "Erdonial" prevents progress and perhaps is one of the constraints against the creation of great art.

Bitter Harvest is a good film with a strong cast turning in strong performances. It will make a good supplement for history classes, and for those times when one is in the mood for lesser known truths that need to be remembered.

The Communists starved the Ukrainians under Stalin. The New York Times via Walter Duranty, covered up their crimes. Bitter Harvest is a fictional action- drama based on one man's story that lived through it. Now, finally a movie that is not about Hitler (national socialism) but about the real threat America faces from the left- International socialism ( communism) - still being covered up by the same lying media. Walter Duranty is best known for his stringent denial of the genocide of the Ukrainian people, known as Holodomor. Duranty refused to report on the man-made famine that killed up to twelve million people. Duranty also claimed other journalists who reported the truth of the USSR, such as Malcolm Muggeridge and Gareth Jones, were liars. Muggeridge went on to call Duranty "the greatest liar I have met in journalism." Some of Duranty's most well known lies and falsehoods about Holodomor are: "There is no famine or actual starvation nor is there likely to be." --New York Times, Nov. 15, 1931, page 1 "Any report of a famine in Russia is today an exaggeration or malignant propaganda." --New York Times, August 23, 1933 "Enemies and foreign critics can say what they please. Weaklings and despondents at home may groan under the burden, but the youth and strength of the Russian people is essentially at one with the Kremlin's program, believes it worthwhile and supports it, however hard be the sledding." --New York Times, December 9, 1932, page 6 "You can't make an omelet without breaking eggs." --New York Times, May 14, 1933, page 18 "There is no actual starvation or deaths from starvation but there is widespread mortality from diseases due to malnutrition." --New York Times, March 31, 1933, page 13 Duranty also admitted privately that the genocide was happening. Bruce S. Thornton wrote: Walter Duranty stands as perhaps the quintessential fellow-traveler, killing news reports of famine and writing that Ukrainians were "healthier and more cheerful" than he had expected, and that markets were overflowing with food—this at the height of Stalin's slaughter of the kulaks.

We looked forward to viewing this movie at the Ukrainian festival at our local theatre.

One big mistake though, didn't properly check the movie background - it is pretty much an English movie, not Ukrainian.

The main publicity focus in advance was on the Russian government induced famine in the Ukraine against the background of a love story.

In reality the movie tries to cover too many of the parallel social and political changes in the Soviet state of the 1920's and 30's, such that almost none would be clear to the average viewer. Including the internal power struggles within the communist regime.

This broad spectrum tips over in to the relationship between the two young lovers who appear almost wooden at times as they flit in and out of the narrative.

A serious and little known subject doesn't get its dues here regrettably. The film tries hard but lacks the focus and cultural nuances that may come from a locally made film.

1930's Ukraine. Genocide through starvation. It was never going to be a pleasant story. It's tough to make a film out of something so one sided and something so horrific. And at times its difficult to sit through. Yes it's violent but we don't see a lot of it up close. It's not gratuitous. It's already dire enough. Yet there's plenty to be depressed about.

The story itself is quite good. Following the journey of one character so we get an overview of what happened in varying parts of Ukraine during this time. And yet it's a stretch. Certain scenarios are just asking us to suspend belief a little too far. Our central figures should have been killed several times over. Knowing this is set within real events (though not of these characters) keeps us involved. But only just.

The problem is with the director. The early scenes are so over-lit it makes you feel like you're watching a Disney TV play. The clichés come thick and fast through the staging and unfortunately some of the dialog too. The direction is heavy handed, falling back on triteness such as blood dripping from a sword stuck in the ground and other lame symbolism.

It's all a bit overblown. The cinematography, the music. They wanted to make a real epic here but even at 100 minutes, it feels overlong and over-baked.

It's horrific to be certain and I wanted to care more but the central story just doesn't grab us the way it should. Terence Stamp adds an element of acting class. Shame that it can't be said for the rest of the cast. For example, Stalin is a caricature. Hours after seeing it, I'm already beginning to forget it. And that's not a bad thing.

An event this huge deserves so much more.