Um menino é mantido preso em um quarto com sua mãe desde seu nascimento, por isso sua visão do mundo é muito reduzida.Um menino é mantido preso em um quarto com sua mãe desde seu nascimento, por isso sua visão do mundo é muito reduzida.Um menino é mantido preso em um quarto com sua mãe desde seu nascimento, por isso sua visão do mundo é muito reduzida.
- Ganhou 1 Oscar
- 108 vitórias e 143 indicações no total
Resumo
Avaliações em destaque
If you already know some of the whys because of the trailer or reading the story, don't be afraid though. The movie moves forward and it does not stay stagnant at all. That is true regarding the story, but the characters have some other issues to solve. Talking about solving, you won't get all the answers for this, but this is a pretty good and strong depiction psychologically speaking of what persons go through, without getting into their heads. Great acting and drama make this a great movie ... if you like the genre that is of course.
What could have easily have been told in a lurid, gratuitous way (being inspired by the true-life case of Josef Fritzl) is instead told in a careful and restrained way. There is even an innocence in 'Room', due to its very fascinating decision to tell it from the viewpoint of a five year old, in this case Jack, one that comes off very movingly and gives a sense that there is a little ray of hope in a seemingly hopeless situation. The source material, equally brilliant, is to be thanked here, its author Emily Donoghue adapts it to screen here and none of its power is lost.
Really appreciated the careful and restrained approach to the storytelling in 'Room', and for me and many others it was something different considering the subject. It does though affect some of the pacing in the middle act, where a little of the tension seen in especially the first part is lost a little.
For my tastes too, though it probably did fit the film's younger and more innocent viewpoint it's told from, the music score does lay it on too thick with the treacle.
However, loved how the story was told and its approach. What 'Room' also strongly benefitted from being told this way was that the mother and son relationship was able to shine through and really resonate, which it may not have done as effectively with a heavier tone. And shine through it does, with great charm and poignancy. Also appreciated that none of the characters were painted too black and white, even Old Nick.
Production values are effectively claustrophobic and the nocturnal parts chillingly nightmarish. 'Room' is beautifully directed by someone who understood how claustrophobic thrillers worked, how mother and son bonds do in dire situations do and the ability to combine both to ensure a powerful experience. A directing job that's both unsettling and empathetic. Similarly 'Room' is written with effortless skill and deft thoughtfulness.
Can't find anything to fault the performances. The superb one of Brie Larson, that was a very worthy Oscar (Golden Globe and Bafta too) win in her category, is an obvious starting point, but one mustn't overlook the beyond-his-years turn of young Jacob Tremblay, one of the best child acting performances in recent years, and William H Macy and Joan Allen both giving some of their best work in years. Sean Bridgers also gives much more to what could have been a standard cliché role.
Overall, great powerful film but the somewhat fascinatingly unconventional (for the genre) way the story was told won't work for some. 9/10 Bethany Cox
"Room" is a sensitive and delicate film with a dramatic and realistic story of woman and child abuse and the effects in the aftermath. The screenplay is very well written increasing tension without the use of cheap means such as graphic violence, sex and gore but only subtle dialogues. Brie Larson and Jacob Tremblay have awesome performances, showing also fantastic chemistry, and with magnificent supporting cast including names such as Joan Allen and William H. Macy. In the end, "Room" is an unforgettable and unique film that touches the viewer's heart. My vote is eight.
Title (Brazil): "O Quarto de Jack" ("The Room of Jack")
Você sabia?
- CuriosidadesBrie Larson isolated herself in her home for a month, without access to a phone or the internet, while following a strict diet. She undertook this experience to understand better what Ma and Jack were going through. Larson has explained that, as an introvert who enjoys staying at home, she initially thought her month of isolation would feel like a vacation. However, during the last week, she became very depressed and found herself crying all day.
- Erros de gravaçãoAs Jack is lying face-up, his head at the tailgate of the truck, he beholds the naked sky for the first time. The world is passing by - from top to bottom of the screen. This is exactly the opposite of how he would see it from his established perspective.
- Citações
Jack: I've been in the world 37 hours. I've seen pancakes, and a stairs, and birds, and windows, and hundreds of cars. And clouds, and police, and doctors, and grandma and grandpa. But Ma says they don't live together in the hammock house anymore. Grandma lives there with her friend Leo now. And Grandpa lives far away. I've seen persons with different faces, and bigness, and smells, talking all together. The world's like all TV planets on at the same time, so I don't know which way to look and listen. There's doors and... more doors. And behind all the doors, there's another inside, and another outside. And things happen, happen, HAPPENING. It never stops. Plus, the world's always changing brightness, and hotness. And there's invisible germs floating everywhere. When I was small, I only knew small things. But now I'm five, I know EVERYTHING!
- Cenas durante ou pós-créditosIn the "Special Thanks to" part of the credit, there's the name of Jack White, the guitarist and vocalist of the band The White Stripes, a poster of which can be seen in a scene in Joy's bedroom.
- Trilhas sonorasBag Fight
Written by Klaus Badelt and Andrew Raiher
Performed by Klaus Badelt, Daniel Rojas, and Andrew Raiher
Published by KB Publishing and A Olympus Pictures
Courtesy of Wunderhorn Music, Inc.
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 13.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 14.677.654
- Fim de semana de estreia nos EUA e Canadá
- US$ 118.298
- 18 de out. de 2015
- Faturamento bruto mundial
- US$ 35.402.766
- Tempo de duração
- 1 h 58 min(118 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
- 2.39 : 1