Uma aspirante a escritora durante o movimento dos direitos civis nos anos 60 nos Estados Unidos decide escrever um livro sobre as experiências das criadas negras que trabalhavam para as famí... Ler tudoUma aspirante a escritora durante o movimento dos direitos civis nos anos 60 nos Estados Unidos decide escrever um livro sobre as experiências das criadas negras que trabalhavam para as famílias brancas.Uma aspirante a escritora durante o movimento dos direitos civis nos anos 60 nos Estados Unidos decide escrever um livro sobre as experiências das criadas negras que trabalhavam para as famílias brancas.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 79 vitórias e 121 indicações no total
- Stuart Whitworth
- (as Chris Lowell)
- Yule Mae Davis
- (as Aunjanue Ellis)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Resumo
Avaliações em destaque
I could discuss the plot, but LOTS of other reviewers have discussed this. So instead, let's talk about what I liked and didn't like. I liked the acting. The problem, however, is that giving any of these actresses awards is tough as it's such an ensemble cast. I can truly understand why the Screen Actor's Guild chose to award ALL the cast a joint award. The direction was very nice and the movie was well filmed. The script was also very nice--and quite inspiring. My quibbles are VERY small---very, very small. I felt that a few characters were a bit one-dimensional (particularly the lead villainess). Also, the ending of the film seemed to drag out a bit and wrapping it up a bit sooner. It wasn't a bad ending--but tightening would have heightened the overall emotional impact.
So my advice for you is to see this film. While I still think "Hugo" is the best nominated film this year, I can see the merit in "The Help" winning and "The Artist" sure seems to have a lot of momentum. So, do yourself a favor and see all three--all three are terrific.
Director Tate Taylor keeps the race relations taut but not strident, as if we were living through the emerging civil rights movement slowly but inevitably aimed at equality, not "separate but equal." Skeeter (Emma Stone) graduates, returns to Jackson, Miss., and decides to write about the black help, whose "perspective' needs to be told. As more maids join in the writing of the manuscript, the more possible it is to counter the assassination of Medgar Evers and eventually that of Martin Luther King.
While we have grown used to the base scatological humor of the Hangovers, Change-UP, and other rom-coms, the fundament motif in The Help is as low-key as will ever be depicted in film. Not only is the idea of the bad guys "eating s—t" effective, it is funny and poignant.
A note about the performances—Bryce Dallas Howard as the conservative, prejudiced Hilly, is remarkably successful, making her a full-fledged actress and not just a famous director's daughter. Jessica Chastain as the ditzy but big-hearted Celia Foote cements her place as a great modern actress following her memorable role as the compliant wife in Tree of Life. Emma Stone no longer need rely on rom-coms, for she stars in The Help with a performance nuanced and underplayed, just the way I like it, albeit a bit too hip for the times.
Although the film tends toward the simplistic, e.g., there are no bad blacks and most whites are obtuse, Viola Davis as maid Aibileen Clark successfully carries the film displaying the ambivalent nature of slavery ready to burst out of its chains.
Now, first off, I must admit that I have only read a portion of the book, but I definitely do know a lot about it. After watching the trailer, I was intrigued, so of course, I visited the IMDb boards to learn more about it. At first glance, the casting caught my attention big-time. Emma Stone as 'Skeeter'? I bet most people were as shocked as I was to find out that she was cast as the main character -- but let me tell you what: the casting was superb! I could not have chosen a better cast than what was already chosen. There was amazing chemistry between both the antagonists and protagonists. I won't go into too much depth about the characters, but for me, Emma Stone, Jessica Chastain, Sissy Spacek, and Octavia Spencer were the shining stars of the movie.
Casting: 9.5/10 I know that there has been an on-going issue about this movie from a lot of people claiming that "the blacks had to be 'saved' by the whites" (pardon the language), or something along those lines. I have to agree that the trailer does give off that type of vibe -- Skeeter saving the colored-folks -- however, the movie tells and depicts otherwise - the colored-folks actually saved themselves. Minny and Aibileen, as well as the other colored-folks in the community, were the real "heroes" of the movie; they just needed someone to push them to their potential (Skeeter).
I can not remember the last time I saw a movie that inspired me, made me cry, made me laugh, and made me sad, angry, and hopeful, all at the same time -- this is what "The Help" strides and aims for, without making it "cheesy". Without a doubt in my mind, there are definitely Oscar-worthy performances in this movie. Not only does this movie depict just the colored-folks' side of the story, but it also equally shows the feelings of the white-folks, as well. So, you definitely get both sides of the story without it being more or less "mean" or "degrading" to any sides.
There are definitely a few awkward moments in the movie, but what movie doesn't have them? This movie started around 7:10 and ended around 9:20 -- about 2 hours and 10 minutes, give or take, if my calculations are correct. However, this movie only felt like it was an hour-long. It was so good that I didn't even know the two hours passed by until the theatre lights lid and the rolling credits began.
All in all, this is a DEFINITELY-MUST-SEE movie. I personally believe that it is one of the best movies of 2011. Go see it -- you will not regret it. If you have any questions, feel free to ask.
Movie rating: 9/10
The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –
This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.
However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.
Mesmerizing from start to finish – never once drags – just an easy easy easy 10
The cast is excellent with award worthy performances from Viola Davis, Emma Stone and Octavia Spencer - the main cast. The acting was amazing and there was great chemistry among the respectful classes of people in the film ( the whites and the blacks).
The script was well written and I love the balance of comedy and drama. There are some intense scenes however the comedy makes the movie more enjoyable rather than just a movie to make you feel sad all the way through. There was a perfects balance there and I loved that. The film also took you on a roller-coaster of emotions. Sometimes you were sad, extremely happy, angry or laughing. Its also one of those movies that can hold your interest from beginning to end.
With great performances, a brilliant script and a film so touching and inspiring, The Help is definitely a must-see!
Você sabia?
- CuriosidadesKathryn Stockett's book, on which this film is based, was rejected 60 times before it was eventually published.
- Erros de gravaçãoSkeeter uses liquid paper. In 1963, people used hard, round "typewriter erasers" and brushes to correct typing errors. Liquid paper was still being sold out of its inventor's house.
- Citações
Minny Jackson: Eat my shit.
Hilly Holbrook: What'd you say?
Minny Jackson: I said eat... my... shit.
Hilly Holbrook: Have you lost your mind?
Minny Jackson: No, ma'am, but you is about to. 'Cause you just did.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #19.196 (2011)
- Trilhas sonorasJackson
Written by Jerry Leiber and Billy Edd Wheeler
Performed by Johnny Cash and June Carter Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Licensing
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Historias cruzadas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 25.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 169.708.112
- Fim de semana de estreia nos EUA e Canadá
- US$ 26.044.590
- 14 de ago. de 2011
- Faturamento bruto mundial
- US$ 221.802.186
- Tempo de duração
- 2 h 26 min(146 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1