Departamento Q: O Ausente

For a decade a so, the term "Scandinavian crime" has been a sign of quality in the film world, and I have tried to watch them as much as possible - luckily it is no Bollywood... The film in question is the second one in line (after Kvinden i buret) where the detective duet Carl Mørck and Assad have to solve a felony happening over 20 years back, enabling to take a glance at the world of "Danish rich and spoiled". The tension is nicely there (although somewhat less than in the first film), and, in addition to as-usual fine performances by Nikolaj Lie Kaas and Fares Fares as the leading characters, one can follow the talents of Pilou Asbæk and David Dencik who are also versatile character actors (plus Søren Pilmark in a small role).

So, unless you are fond of constant chases, explosions, shootings, etc., this film (with captious title) is a pleasant example of a crime thriller with mystery elements, where human attitudes and relations play the biggest part, and deducing is the main factor in solving crimes.

Good murder mystery noir from Denmark showing at NYC's IFC Center for just one week, and a picture that deserves more exposure than that. It is a tense detective story of a 'cold case', a double murder 20 years old taken up by Danish Detectives Morck and Assad. I am a great fan of top shelf detective films, and film noir in particular, and this one is surprisingly well done.

Nutshell; a brother and sister were murdered 20 years previous and the crimes were unsolved. Their father, a retired cop, approaches Morck and pleads with him to renew the case. Morck dusts him off, saying he is too busy. The father then turns up as a suicide, which leads Morck to regret his cavalier treatment of the father and decides to investigate. His subsequent investigation takes a sordid turn and becomes darker as the story unfolds.

There are three movies in the Det. Morck series, and I wish I could have stayed for all three. It is remarkably well done and bears all the hallmarks of Hollywood noir films. Morck is a no-nonsense detective who smokes and is hard-drinking and with a clear-headed assistant who tries to be a counter balance. Morck is moody and obsessive and will break the rules in the name of truth and justice, and the chemistry between the two is a tribute to their acting and to the screenplay. The movie scene needs more of this type of grown up fare as many of us have tired of the usual sequel to a dull film and of animated cartoon movies for 6 year olds. While Indies like this are produced perhaps there is still hope for a foundering art form.

Saw this recently on a rented DVD. This is the follow up to the Keeper of lost causes. In this film, both Nikolaj n Fares need to solve another case because some time has passed since the success of their first case and their reputation is going down. A bereaved ex-cop appeals to Nicolaj to solve the murder of his two children. The ex cop kills himself after being refused. Feeling guilty, our two cops begin looking into the case, with all leads initially pointing towards an elite boarding school. Their search for the truth takes them in some unexpected places n a bandaged nose. Nicolaj after being attacked, gets a bandaged nose, a nod to Jack Nicholson's character from Chinatown. The plot may not be new or there may not be enuff mystery but the movie was captivating to hold your interest till the end. It's much more darker, obscene and gruesome than its predecessor. Its more of a crime tale n less of a mystery. Found it to be a lil disappointing because its not in the same league as its predecessor specially when it comes to suspense n tension. This film has lots flashbacks like the first one. Nonetheless it got saved by strong performances by all. Fares gave a very good performance n Nikolaj too gave a nice performance. A decent police procedural crime tale.

Straight off the bat, one of thing that I love about this film, is that it's as much of a stand alone movie as the sequel to The Keeper of Lost Causes / Mercy. The two films are connected but they're about two completely separate cases on which only the investigating team remains. It's kind of like what a TV-Show like Sherlock, for example, if Sherlock was a graphic dark thriller.

Much like the first one, Detective Mørck & Assad are the heart of the movie. It's an odd pairing but they're somehow captivating, they keep you focused in the movie despite the less than original plot on this one. You probably already figured out what it's all about by reading the premise but the story works and It has to do with the investigating team. You get attached to them - more so if you've seen the first film - and you want to see this case through.

The sequel to The Keeper of Lost Causes / Mercy is a good film, with a predictable story, but it's intriguing, attention-grabbing, and so uninhibited that this classical, run of the mill, thriller feels very fresh. @wornoutspines

Seeking redemption or solace or anything remotely plain and silent after having done something horrible, is not easy. It even gets worse when the police digs up that past. Which is what happens here and our two main protagonists from the first novel (and especially the movie) are back on duty again.

I haven't read the novels, but I did watch the first movie, which I can highly recommend. This isn't a bad affair either, but I can see people being a bit disappointed after that massive first movie. Still this is not only decent, but a very good crime movie, with twists flying your way every now and then. New leads, chases and guessing who did what and what could happen next. If you let yourself enjoy that ride, you'll be having a good movie experience - just not at the exact same level as the first one delivered