Wonderland

The script needed to be handed to another team to tighten it. Some lines need development and emphasis, others need to trail away. There's an epilogue after the credits which ties up a loose end, but we didn't need it because we weren't interested. Indeed, it is a distraction.

The acting, direction and production is faultless. Korea's film & television industry is superb.

The theme of this (slightly futuristic) film is novel... can AI creations be independent beings?

As such, Wonderland, is very moving. Once the viewer works out who's who. And who's not who.

I enthusiastically recommend this piece. It's tri-lingual (English, Korean and Chinese) in case you get a bit confused with language.

Watch it.

It's thought provoking, cerebral, but have a box of tissues close by.

I understand the frustration by some reviewers, but I wonder if they're a little harsh. This movie made me think of Black Mirror, which gets rave reviews for its futuristic dystopian themes. However this movie, which in my opinion holds the same genre, is getting beaten up for not being "complete". I think that open-endedness is part of its creativity. If you follow k dramas, you'll know the stellar cast in this film, even the smaller roles. I thought the emotions portrayed were almost heart wrenching at times. I do believe you need to be into this type of artistic genre to enjoy and appreciate it, but if you like Black Mirror, I think you should give it a chance!

Using AI to comfort those who lost or losing their loved ones seems to be a good intentionand a great idea. However, it does not mean that there are no challenges when it is really taking place.

Bai Li's story brings out a question about how a person who still denies about the death of loved ones can be comforted. Yet, a person who is fully aware the death of the loved ones, struggles between wanting to provide the comfort and at the same time wanting the other person to face the reality.

Tae-joo's virtual existence does not only bring comfort to Jeong-in, "he" also makes her relying on him. It makes it hard for Jeong-in to know what she really wants when she is challenged to make a choice.

Above the moral issues that provoke me as a viewer, I like how the director presented the stories. Some may find the movie confusing as there are changing scenes and changing characters. I like how Bai Li' reflection in the mirror to depict reality verses virtual. It's a very clever way to bring out an idea.

Overall, it is a movie that is not for "easy-watching". It is probably better to watch a few times to appreciate the theme.

An interesting movie that shows the capabilities of a futuristic AI and how intrincated could be with the people in the mourning of future generations. It never explain the "how" that happened, it only shows the circumstances of each individual who choose to take the services. It is a movie about boundaries, and the limits of what's real and what's not.

At the end is all about what we feel, how we face the reality and how easy or hard could be the company with someone who we love. How we can shape the memories of someone the way we wanted and how those memories of someone we idealized could be different from the real person.

With the reality and impact of AI on the horizon, the premise of this thought-provoking movie is what if a technology business could create a convincing, life-based avatar of a loved one who's died or is in a vegetative state. The business model requires you to maintain their 'life' by subscription and to pay for things they 'need' or 'want' as you interact with them. This postpones mourning for the living but creates ripples in their lives that leaves the pain of their losses fresh.

It asks what would you pay to have one more conversation with your mother or father, or hide a mother's death from young child, or watch your dead child grow up on your cell phone through an app? What if you cannot afford the service in perpetuity? What if someone lost to you comes back to life a different person than the avatar you've come to love?

Very thought provking premise, the actors were almost less important though Park Bo-Geum is always compelling.