Uma dançarina experiente precisa planejar seu futuro quando seu show é encerrado abruptamente após 30 anos de duração.Uma dançarina experiente precisa planejar seu futuro quando seu show é encerrado abruptamente após 30 anos de duração.Uma dançarina experiente precisa planejar seu futuro quando seu show é encerrado abruptamente após 30 anos de duração.
- Indicado para 1 prêmio BAFTA
- 7 vitórias e 26 indicações no total
Resumo
Reviewers say 'The Last Showgirl' delves into aging, identity, and career sacrifices in entertainment. Pamela Anderson's Shelly is lauded for authenticity. Jamie Lee Curtis and Dave Bautista's performances are acclaimed. Some find the plot predictable, while others value its raw portrayal. Cinematography and design evoke nostalgia and melancholy, enhancing emotional impact. It's a poignant character study, though not universally appealing.
Avaliações em destaque
Jamie Lee Curtis nailed it in one of her interviews. This is a movie about the degradation of women at the end of their lives. The use of the glamour of Las Vegas showgirls to show the slow decline with an eventual fall off a cliff edge - poverty, homelessness - when they are no longer young and sexy. Eddie gives us a view of how older women *are* sexy, but only when they are not being objectified.
The audience laughed quite often in poignant moments, and I suspect it was to cover their discomfort with the journey of the two older women.
The photography was often very close, and it created an intimacy, also showing the flaws of aging bodies that were at odds with the on-stage showgirls.
Some reviewers said the characters were superficial, but I think perhaps that's a lack of personal experience with the issues these women were facing. I enjoyed this movie. It's not tragic, but it is gently heartbreaking at times.
The audience laughed quite often in poignant moments, and I suspect it was to cover their discomfort with the journey of the two older women.
The photography was often very close, and it created an intimacy, also showing the flaws of aging bodies that were at odds with the on-stage showgirls.
Some reviewers said the characters were superficial, but I think perhaps that's a lack of personal experience with the issues these women were facing. I enjoyed this movie. It's not tragic, but it is gently heartbreaking at times.
The beauty of this film lies in its simplicity but that doesn't mean it lacks complexity.
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
There's a lot to admire about The Last Showgirl, first and foremost the performance of Pamela Anderson. It's a role that seems made for her and it's a role she plays to perfection. The supporting cast of Jamie Lee Curtis, Dave Bautista, and more are all spot on too.
The style of the film is also hugely pleasing and absorbing. Despite the unnecessarily heavy hand on the blurry camera focus, the cinematography is largely very impressive. The sets and costumes are all perfect and the score compliments everything to a tee.
My only real criticism is that the story has no real depth to it. It traces over some familiar tropes to do with family and ageing, none of which are particularly groundbreaking or explored with any great depth. The film whizzes by in a flash with many missed opportunities to dive into Anderson's character even more.
It would be fair to say this film favours style over substance, but when the style is pretty damn impressive, this isn't necessarily a bad thing. Although it lacks depth, it presents a solid portrait of an ageing star and the realities of living a life on the stage.
The style of the film is also hugely pleasing and absorbing. Despite the unnecessarily heavy hand on the blurry camera focus, the cinematography is largely very impressive. The sets and costumes are all perfect and the score compliments everything to a tee.
My only real criticism is that the story has no real depth to it. It traces over some familiar tropes to do with family and ageing, none of which are particularly groundbreaking or explored with any great depth. The film whizzes by in a flash with many missed opportunities to dive into Anderson's character even more.
It would be fair to say this film favours style over substance, but when the style is pretty damn impressive, this isn't necessarily a bad thing. Although it lacks depth, it presents a solid portrait of an ageing star and the realities of living a life on the stage.
THE LAST SHOWGIRL would probably make a great double bill with DEATH OF A SALESMAN, in that they both explore the consequences of having superficial values. Pamela Anderson stars as Shelley, a veteran Las Vegas performer in a "boobs-and-feathers show." She's been a showgirl in a revue called "Razzle Dazzle" for 30 years, but "Razzle Dazzle" is now dated and no longer sells tickets. What's she going to do now that the show is closing? She's a mediocre dancer and her youth is gone. She has no practical skills to make a living. All she has lived for is the "glamour of show business." Her "marriage" was a failure, she was a terrible mother, her friendships were superficial. There is not much plot, but it's a brilliant character study. Despite the lack of a real plot, director Gia Coppola has given it a level of intensity that kept me rapt with attention for the film's 90-minute length. In the role of a selfish woman with trashy values, Ms. Anderson is quite believable, as are the dazzling supporting cast, which includes Kiernan Shipka (as a child actress, she played Don Draper's daughter on MAD MEN) and Brenda Song as young showgirl co-workers, Dave Bautista as the show's stage manager (and a previous lover), Billie Lourd, as her recently estranged daughter, and especially Jamie Lee Curtis as a former showgirl who is now a beat-up-looking cocktail waitress. This, to me is the best ensemble cast of a movie of the entire year. Kudos to all! Cinematography, music, and art direction are excellent. This film is certainly worth seeing because it raises a lot of questions about American values. I'd recommend it.
This movie definitely makes you think about life and what you make of it!
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
Você sabia?
- CuriosidadesPamela Anderson's agent turned down the script without showing it to her. Anderson's son Brandon Thomas Lee came across the script by chance and got it to his mother. She read the script quickly and said she wanted to do the film. Soon after, Anderson fired her agent.
- ConexõesFeatured in The 7PM Project: Episode dated 10 December 2024 (2024)
- Trilhas sonorasBeautiful That Way
Written by Andrew Wyatt, Miley Cyrus, Lykke Li
Performed by Miley Cyrus
Music by Andrew Wyatt
Produced by Andrew Wyatt
Arranged by Andrew Wyatt
Orchestrator and conductor Matt Dunkley
Orchestra: Chamber Orchestra of London
Musicians contractor: Gareth Griffiths
Music preparation: Simon Whiteside
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 最後的歌舞女郎
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.800.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.799.804
- Fim de semana de estreia nos EUA e Canadá
- US$ 77.589
- 15 de dez. de 2024
- Faturamento bruto mundial
- US$ 6.881.997
- Tempo de duração1 hora 28 minutos
- Cor
- Proporção
- 2.39 : 1
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By what name was The Last Showgirl (2024) officially released in Canada in French?
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