Adicionar um enredo no seu idiomaPursued by her stepmother for eternal beauty, Snow White flees into a terrifying forest and aligns with seven bloodthirsty dwarves - cold-blooded assassins with a knack for brutal killings. ... Ler tudoPursued by her stepmother for eternal beauty, Snow White flees into a terrifying forest and aligns with seven bloodthirsty dwarves - cold-blooded assassins with a knack for brutal killings. Her spirit is tested in this grim fairy tale.Pursued by her stepmother for eternal beauty, Snow White flees into a terrifying forest and aligns with seven bloodthirsty dwarves - cold-blooded assassins with a knack for brutal killings. Her spirit is tested in this grim fairy tale.
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10KJ-6183
The Death of Snow White has the makings of a cult classic, in my opinion. It is wonderfully done and keeps to the spirit of Brothers Grimm. Something I find totally boss! The set design is magnificent, especially when you learn they built thier own castle for the film. Sanae Loutsis is perfect for the role of Snow White, giving off a vibe of gentleness and kindness. It is also really nice to see the Dwarfs being played by Dwarfs. Speaking of the Dwarfs, the character development was phenomenal! They are lovable, funny and yet you don't want to mess with them and the actors who play the dwarves do a great job of bringing them to life and really making each of them stand out in a way that makes them all your favorite.
Jason Brooks's 2025 film, The Death of Snow White, offers a stark and compelling reimagining of the classic fairy tale, anchored by a captivating performance from Sanae Loutsis as the titular character. This is not the saccharine sweetness of childhood stories, but a more mature and psychologically nuanced exploration of beauty, envy, and survival. Loutsis imbues Snow White with a quiet strength and a palpable vulnerability, portraying her not as a passive victim but as a young woman acutely aware of the danger she faces and determined to navigate the treacherous landscape of her stepmother's obsession.
The film's atmosphere is a departure from traditional portrayals, opting for a visually striking palette of muted tones and shadowy forests, creating a sense of unease and foreboding. Brooks's deliberate pacing allows the tension to build gradually, emphasizing the isolation and the ever-present threat looming over Snow White. The reimagining of the seven dwarves as a more grounded community of individuals adds a layer of realism to the narrative, making Snow White's refuge feel less like a whimsical escape and more like a desperate alliance forged in the face of danger. This grounded approach allows Loutsis to showcase the character's resilience and her ability to connect with those who offer her sanctuary.
Chelsea Edmundson delivers a chilling and multifaceted portrayal of the Evil Queen. She avoids caricature, instead delving into the character's insecurities and the corrosive nature of her envy. Edmundson's performance reveals the pain and desperation driving the Queen's obsession with maintaining her beauty and power, making her a more complex and unsettling antagonist. The dynamic between Loutsis and Edmundson is the film's dramatic core, a silent battle of wills fueled by fear and resentment. Their scenes together crackle with tension, highlighting the dangerous power imbalance and Snow White's precarious position.
Ultimately, The Death of Snow White offers a fresh and compelling perspective on a timeless tale, elevated by Sanae Loutsis's nuanced and captivating portrayal of Snow White. Jason Brooks crafts a visually arresting and emotionally resonant film that explores the darker undercurrents of the classic story. While it may deviate from the familiar sweetness, its mature themes, strong performances - particularly from Loutsis - and atmospheric setting make it a thought-provoking and engaging cinematic experience, revealing a new and compelling facet to the enduring legend of Snow White.
The film's atmosphere is a departure from traditional portrayals, opting for a visually striking palette of muted tones and shadowy forests, creating a sense of unease and foreboding. Brooks's deliberate pacing allows the tension to build gradually, emphasizing the isolation and the ever-present threat looming over Snow White. The reimagining of the seven dwarves as a more grounded community of individuals adds a layer of realism to the narrative, making Snow White's refuge feel less like a whimsical escape and more like a desperate alliance forged in the face of danger. This grounded approach allows Loutsis to showcase the character's resilience and her ability to connect with those who offer her sanctuary.
Chelsea Edmundson delivers a chilling and multifaceted portrayal of the Evil Queen. She avoids caricature, instead delving into the character's insecurities and the corrosive nature of her envy. Edmundson's performance reveals the pain and desperation driving the Queen's obsession with maintaining her beauty and power, making her a more complex and unsettling antagonist. The dynamic between Loutsis and Edmundson is the film's dramatic core, a silent battle of wills fueled by fear and resentment. Their scenes together crackle with tension, highlighting the dangerous power imbalance and Snow White's precarious position.
Ultimately, The Death of Snow White offers a fresh and compelling perspective on a timeless tale, elevated by Sanae Loutsis's nuanced and captivating portrayal of Snow White. Jason Brooks crafts a visually arresting and emotionally resonant film that explores the darker undercurrents of the classic story. While it may deviate from the familiar sweetness, its mature themes, strong performances - particularly from Loutsis - and atmospheric setting make it a thought-provoking and engaging cinematic experience, revealing a new and compelling facet to the enduring legend of Snow White.
Snow White has been in the press a lot lately from the Disney remake in live action. This is not to be confused with that movie. You might as it is showing in cineplexes at the same time. This is a movie written by a director with high ambitions. Unfortunately those ambitions were too high and missed the mark. The acting, special effects, and low B-Grade quality often took me out of the film. I could tell at times that you could see they were putting themselves out there and trying. Hence the 3 stars. It is rewarding to the filmmakers that in these moments I was reminded of this. There certainly was the chance for potential here but the tired take of Snow White combined with low production quality couldn't make that possible. I would like to point out that I observed true potential in some actors that paired with a better script and director could really shine. Tristan Nokes and Meredith Binder stood out at times. However, the film's titular lead Sanae Loutsis could not hold the film up. I have not seen other films she has acted in but maybe there is something to see in her elsewhere, perhaps. I would love to elaborate more on this film but the poison from that apple is hitting and I'll be dead soon. For the casual movie goer I'd recommend skipping this one.
Full transparency, I was the Director of Photography and Producer on this film but I have had the pleasure of watching it go from an idea between friends to now a theatrical release. I've watched it with audiences and every time, I am hearing the same feedback: It's just fun.
Truth is, it was a BLAST to be on set also. From shooting at a real castle, to all of the special effects, to watching real little people actors in their element do their own stunts. So many people gave so much for this movie to exist and I'm so glad it does.
Special shout out to the Loutsis family for spearheading all of this and making it a reality.
Truth is, it was a BLAST to be on set also. From shooting at a real castle, to all of the special effects, to watching real little people actors in their element do their own stunts. So many people gave so much for this movie to exist and I'm so glad it does.
Special shout out to the Loutsis family for spearheading all of this and making it a reality.
The 2025 film by Jason Brooks, The Death of Snow White, is nonstop thrills and blood spills with a villan to die for!!! It has everything one could desire!!... Trusty steeds, savage dwarves, salty jesting, lovely maidens, lovely lads, pus laden hags, a dark enchanted forest, the darkest of witchcraft, ultimate chivalry, the deepest of loyalty, unfathomable loss, the purest innocence illumnated in beauty against eternal evil driven to covet and devour living souls and a magic mirror so very sinful and enticing you can not help but be arroused!! This fast paced frivolity is drenched in bloody entrails with a dusting of dark and sultry bites throughout to titillate your coccyx while it is still attached...!
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- CuriosidadesThey built their own castle for the movie.
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Detalhes
Bilheteria
- Orçamento
- US$ 1.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 79.237
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.907
- 4 de mai. de 2025
- Faturamento bruto mundial
- US$ 79.237
- Tempo de duração1 hora 50 minutos
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