Uma Salva de Palmas

I saw the first 3 episodes in one row. It's very beautiful how the series mixes comedy with drama. Mixing inner selves with reality has very novel solutions. It deals with a long period. And it suits it very well.

It can be slow for someone who trained in today's series but the slowness always pays off.

So I will continue to watch. And it's playing with the language. Very psychological. But always breaks it with humor you never know if it is real. It's a dream or just someone imagining it, or some inner voice.

I recommend it to people who like more artistic movies and series. It could have been a 3-hour movie.

Berkun Oya strikes back! A special tribute and masterpiece from 2024 to the plastic arts adventure of mankind! Needless to praise how details are attentively studied and executed: From light to objects, their positions, orientation!

Plasticity of script is strongly woven with improvise-like loaded syntax. All lead characters' phases and speech freedom is recognized. 'Flow' is felt by hearth. In my humble amateur (audience only) opinion, storytelling with absurdity is original and catching! End of 5th episode final is the zest of such climax! A frame by frame thoughtful execution mesmerized me as if an ecstatic joy is met! All five dimensions are devised with a chilling virtuosity! I am honored and lucky to track this teams' work!

Therefore a very strong continues round of applause for such an exceptional work! That is/was/will rarely visit digital platforms.

It describes the traumas experienced by the anxious-avoidant son of a codependent mother and an emotionally unavailable father.

The mother got married and had a kid in order not to be alone. Even though he is extremely unhappy, she cannot leave the marriage. She is too fond of his son. All of these facts make her codependent.

The mother cannot express her feelings to her husband because her husband is emotionally unavailable. That is probably why she created an identical partner in her mind with whom she can talk about her feelings easily making her feel relieved. The father's reaction to his son's song and bad skills in Math classes, etc. Also proves his emotional unavailability.

The boy develops an avoidant attachment style due to his parents' quarrels and the lack of a father-son relationship, and an anxious attachment style due to his mother's overly attached attitude towards him. His judgmental and patronizing attitude that led to his first breakup shows his avoidance side, his post-breakup regret and the fact that he fell apart in 8 hours after the breakup shows his anxious side. He exhibits a similar attitude in the encounter with his ex years later. Ultimately, he matures at a very early age as someone who can't belong anywhere.

I find it one of the greatest work in Turkish TV history. Although it is a dramatic story itself, they balanced it by adding absurd comedy elements. I laughed out loud from time to time, some scenes had cartoon-like characteristics.

I have never seen a TV-series like this before. Although I have been watching TV for more than 40 years, this is the first time I felt that I have to comment about a TV show.

Berkun Oya's writing is phenomenal. Sometimes, a diologue/monologue or a sentence makes you laugh first, then it makes you think, and question the life and the world. The language and symbols he uses are very poetic at times. Unfortunately, some part of that beauty will be lost in translation. In some scenes, I didn't know how to react such as when little Metin was reciting a poem of Einar Georg Einarsson after witnessing his parents fight.

Although the show's messages about parenthood, childhood, relationships, and existential questions are to some extent universal, the world Berkun Oya created speaks more directly to people who lived their childhood in the 1980s and 1990s or people who were parents in the same time period.

I am hoping that they don't make another season and lose the originality of the show at the expense of commercial success.

The world is a lie or the lie is itself (y)our 'world'. What more could Berkun Oya do to illustrate the 'fact'. In fact orange is the answer. Hence there is no question around.

Those who only dream during the day cannot wake up. Even if they wake up, they struggle very hard to defend their dreams.

Frankly, I always had a feeling of discomfort while watching it. Maybe the production's mind wanted it that way.

I think I'll watch it over and over again. After all, there is always a big story where the little story is too small.

Not to be missed for those who wish they could just sit back and watch something enjoyable. Super mind-blowing.

A must watch!