Taylor Tomlinson: Have It All

Of the two blond Taylors who've become super popular in the last few years within their respective fields, I'll take Tomlinson over Swift any day.

Have It All is not quite as good as her previous two specials, and so I think there might have been a little disappointment for me as a result. Quarter-Life Crisis was great, and then Look At You felt like one of the funniest and most insightful/balanced I'd ever heard.

Have It All is still strong. Most of the jokes landed and Tomlinson's honesty and introspection are still compelling to listen to, and probably would be even if there weren't any jokes. Parts of this still hit hard and there was something of an emotional rollercoaster to be had, what with laughing one minute and then feeling despondent the next when she gets very real.

I just don't think the ride was as consistent or thrilling as previous specials, but it still felt like high-quality stuff and I'm still keen to listen to/watch whatever she puts out next.

I enjoyed Taylor Tomlinson's two previous Netflix comedy specials, 'Quarter-Life Crisis' and 'Look at you'. The content is very personal, relatable and funny and her delivery is great. The only negatives were an occasional clumsiness, especially when ad libbing, and a degree of repetitiveness.

Based on these two specials I was looking forward to this one. It's okay, for the most part, but feels like a retread of the previous two, like essentially the same perspectives and material rehashed. The same old things come up - boyfriends, married friends, her parents - none with a new slant.

The clumsiness in the ad lib parts is magnified here as she has an audience participation segment and her responses to their suggestions do feel forced and are more about insulting the suggestee than being funny.

Her delivery is still great and its this timing and animation that sustain the show.

Overall, funny enough but disappointing in that it feels like nothing new.

Taylor is very talented, quick witted comedian (commedienne?) and she have proven this already in her last two Netflix specials where she briliantly crafted her stories with impecable delivery.

This one, not so much. Recycled, reused jokes, repackaged to assemble the special at any cost, shows forced performance from the very begining. It was a compilation of her previous jokes with few new/old ones and that's about it.

It looks like new comedians cannot last more than two specials, (Iliza Shlesinger, taking about you).

So what now? Taylor will be used and abused for that abomination of After Midnight, until she crashes and hopefuly comes back to stand up with new and fresh material. Or, maybe not. We'll see.

Huge talent and natural comedy genius is going to waste in real time. At least it was good while it lasted.

This special had me reeling. From cringe first parental 'sex talk' memories to crazy religious upbringing stories, these jokes hit way too close to home. Her crowd work was excellent as well, flowed right thru the jokes and just kept going. Like honestly some of the best crowd work jokes I've ever seen. You can tell she's been perfecting her craft. That's it - killer special, will definitely watch again, and now I want to go back and rewatch her old specials. Taylor killed it and made my boring Tuesday night a laugh riot! Check it out, she is awesome! Thirty six more words required blah blah blah.

The last special was to 80% great. When Taylor was talking psychology, pharmaceuticals, dead parents etc. It was fun, insightful and very good comedy at the same time. The other 20% was typical mainstream girl stand-up i.e. Relationship, male organs and dating and I found it very boring.

So I said in my review on that special just that, but did she listen? No. Instead she here does the complete opposite; takes the 20% that did not really work and is boring run of the mill girl stand-up and do a full hour of it. Why Taylor? Why?

Taylor Tomlinson is a comedic genius and is so funny, so insightful and can make a sponge laugh but for some reason she is dragging herself into the same corner as all other female comedians end up in. A lot of sex, a lot of phalluses, dating and all the rest. It is like female comedians think they cannot get the audience to listen unless they talk about orgasms. Why?

Talk politics, talk world affairs, make fun of dwarfs, or do anything but this. Taylor can do it for sure, and probably better than anyone else, sad that she does not.

With that said, and me pretending she will read this and listen to my insane ramblings, this is still good. Although she is overusing the tropes and cliches she does it very well and she is still funny, but not as great as this could have been.

Worth a watch, but 5/10 is all I am giving it.

A final advice from me to Taylor: take a break. Travel the world, come to Europe and visit Spain and I will buy you a few beers. Just get out of the comedy business for a while and start writing the insightful hilarious jokes about things that are more fun to listen to. You are on your way to becoming one of the biggest stars of all time, don't get stuck in the female cliches and instead do what you do best.