O Domo de Vidro

First up , it was great to see Ville Virtanen back on the scene , albeit in a minor cameo . To know he was in it ( and is a renowned director himself ) was promising from the outset . If you can handle several red herrings on course to its conclusion , then this is for you . It does borrow heavily from The Killing , but in a different way . You'd need to watch it all to get that one I'm afraid. There is also a serious nod to the Hannibal Lecter franchise , which is no bad thing . My only criticism of the show ( and it's not unique to this show but all of the Scandi Noir offerings , inclusive of the American efforts ) are the continuous drone shots of the countryside . We know the area is stunning , but it's boring now and merely "meats out" the running time.

Many have rushed to criticize the show for being slow and boring. The narrative takes place in a small Swedish town, and many of the cliches of this type of tale-such as tragic family secrets and an evil enterprise destroying the environment-were unavoidable, as in previous top-rated Scandi-noir dramas such as "Katla" and "Trapped". However, this is one of the rare examples where the tiny circle of people playing the roles of suspects and victims served a legitimate goal, which was not to answer the whodunit but to reveal the true relationships between these characters and the real causes of the tragic events. So congratulations to peers who correctly identified the bad person, but this was neither statistically difficult in a pool of a few suspects nor the primary goal of this show.

Giving even a little detail on who, when and where would reveal everything so I will not provide any detail about it since ultimately everything finally seems to play a strong function in the real plot which is not what first seems and which gradually unveils in amazing manner in each of the six episodes.

People also thought the filming seemed emotionless. The Swedish accent makes it difficult for the main characters to experience the feelings they unleash, hence this criticism has only logical grounds-especially for English language viewers. Not only were the laconic dialogues and the characters tense, but I also believe that each part should be closely watched to ensure that what is truly happening is followed. The finest thing about this program is how skillfully it created one of the best character developments of a wicked mind. The story is told under close proximity to a scientific criminologist with the best twists on a warped psyche.

Once more, I want nothing to be spoiled; but, before and after the secrets come to light, pay close attention to the acting of every character to realize how great it is particularly for the three main characters of the show.

I thought the series was quite good! I was completely off the mark for the ending, so it was a fun surprise for me. It started off a little slow, but I was invested by episode 2. Nordic noir also has a certain vibe to it, so you need to be okay with a slow pace at times since it contributes to the atmosphere. It's a very specific mood that you see in many series like this.

Like the other positive reviewers note, I don't think the acting was bad at all. Being less emotive when you're playing a specific type of character in certain plot/setting has its place and this show is one of them. In everyday life, people aren't overly expressive and in my option, the acting felt very natural. To me Leyla's character was intentionally masking emotions. Sometimes people who have suffered significant trauma cope by numbing themselves out. She was self-medicating so she clearly still had unresolved issues.

I hate to be snarky, but one of the reviewers stated that a lot of questions were left unanswered and there were some plot holes, but had they actually watched the entire show instead of a select few episodes, they would have found that many of their questions would have been answered. I believe I only had one question I was left with at the end, but I may just have missed something.

It's not Bosch folks! Set in a small Swedish town, an expert on child abductions returns in the midst of a crisis. The lead star might seem cool considering her subject matter but we soon find out why and this is Sweden so no over the top emotional scenes like one might expect in a typical American drama. It was slowly paced but not boring at all. All the way to the end I never identified who the killer was. I understand a season 2 might happen, can't wait!

Once more, I want nothing to be spoiled; but, before and after the secrets come to light, pay close attention to the acting of every character to realize how great it is particularly for the three main characters of the show.

I've watched every Scandi mystery or suspense that exists to American viewers, so I was excited for something new. This one didn't quite hit the mark for me, though. Part of my problem was that I had it figured out pretty early. I watched to the end mostly because it was made well and the acting was good for the most part. I'm one of those who would watch a show about a bug crossing the road if it was well made, and especially if it was Scandinavian. The main character, Lejla, however, I found a bit stiff and emotionless in her portrayal of a woman who was once traumatised by abduction and kidnapping. I am sure some will find the ending clever and surprising, but I thought it was extremely far fetched. The serial killer theme has gotten more and more absurd as these shows keep being made. Therefore, I rate this one as a six because it just didn't rise above that in its believability and interest for me.