Assumindo a Direção

I went to see this movie tonight and it was entertaining. I can't say that about many movies these days.

I liked the premise of a woman taking driving lessons after her divorce, trying to regain some sense of independence and competence after that emotional blow.

Ben Kingsley, as her Sikh taxi driver teacher, was excellent in his part. He and his student develop a close friendship which is a joy to see.

A friend, who is also a Sikh, went with me, and she said that Kingsley's headdress was not wrapped properly. You'd have thought that the film would have received some input from the Sikh community on these details, but maybe not. Odd.

At any rate, it was charming, with enough laughs and story to sustain it to the end. It has something to teach both women and men.

I find this movie is surprisingly charming. It's a story we can relate to. Things happened in our everyday lives which might not be significant enough to draw attentions to. However, they touched a bit of our unintended emotions. It even took on lightly challenging subjects like racism, depression, rages and religions which all transpired smoothly into the storyline with some humors even.

The story of middle aged women divorcing from their long time husbands is not a fresh subject after all. Nevertheless, most people probably could even care less of it. However, the success of this movie is it used this overly done subject and given a new lease of life. In the beginning, I was not too sure to watch it. To my own surprise, I am glad that I gave it a shot when I finished it. Lives can serve you bitter dishes, how to turn them around it's entirely up to you. The middle aged romance is no longer involving carnal desires and emotional longing. It steers the directions to work out your own issues and hold up your end of responsibilities.

Patricia and Ben Kingsley did convincing performances for their roles. This movie reminded me of "Lost in Translations". I think they both share the subtleties of wordless emotions. We don't need thunderbolts and lighting to make memorable films. We need is slowly riveting awareness and self assured triumphs. Maybe I am old.

Darwan is a very busy man, holding down two jobs, one as a driving instructor, the other as a Taxi driver. One night he picks up Wendy and Ted, a very emotional argument ensues and he leaves her, explaining he doesn't love her anymore. Wendy's daughter Tasha tells her mum she needs to get her life sorted and to accept Ted's decision, and to start driving. After accidentally leaving a parcel in Darwans's taxi he returns in to Wendy, she asks for driving lessons.

Darwan has to put up with so much, the authorities questioning his being in the country, racial abuse from people. Being a devout Sikh his religion makes his life complete, nearly that is, until his wife to be turns up.

I am so glad I watched this film, it is so watchable, and truly enjoyable. It battles fears and overcoming them. It is very heartwarming in parts.

I needn't go too deeply into the performance of Ben Kingsley, fairly biased I know but whatever he does I love him in, he is an outstanding actor, he's great in this, but Patricia Clarkson is just so good, she puts so much into this movie, screen time between the two is magical.

Loved it 9/10 it's just a lovely movie.

Based on a short story by Katha Pollit, a columnist for the Nation magazine, Learning to Drive is a small movie with a big heart. While the film is risk averse and will not be mistaken for a timeless work of art, its story of two middle-aged people of vastly different backgrounds assisting each other in a time of crisis will leave you with a warm glow. Directed by Isabel Coixtet ("Another Me") with a screenplay by Sarah Kernochan ("Sommersby"), Wendy (Patricia Clarkson, "Maze Runners: The Scorch Trials") Learning to Drive is about a writer and book critic whose 21-year marriage to Ted (Jake Weber, "White House Down") has just ended in a toxic confrontation in a taxicab and has to move outside of her comfort zone to regain her self-confidence.

Deeply distraught by the separation, Wendy wants to get away from New York City to visit her daughter Tasha (Grace Gummer, "The Homesman"), a college student who is working on a farm in Vermont, but doesn't know how to drive. The driver of the taxi, Darwan Singh Tur (Ben Kingsley, "The Walk"), a former college professor in India and now a part-time driving instructor was the unwitting witness to the marital breakup was. After he returns an envelope that Wendy left in his cab, Wendy hires him to provide driving lessons and soon discovers that he is a calming influence who has a lot to teach her other than how to put on the brakes.

Wendy's devotion to the written word has restricted her willingness to challenge the outside world. Darwan leads her through her fears with patience and charm and encourages her to keep pursuing her goal even after she fails her driving test. During the lessons, however, he has to handle her road rage and lack of self-confidence as well as cope with his own incidents of racism coming from other motorists and pedestrians, one who refers to him as "Osama" and rips the turban from his head. Darwan is about to be married in a union arranged by his family according to Sikh tradition and tells Wendy that his family best knows his needs and that such a crucial decision should not be left to random choice.

When his bride Jasleen (Sarita Choudhury, "The Hunger Games: Mockingjay- Part 2") arrives from India, however, she is bewildered by her new environment, remains in the apartment, fearful of meeting people and her fears are confirmed when Darwan seems troubled over her lack of education. It is a time of transition for both of them and it will call upon all their resources of patience, tolerance, and understanding to see it through. Learning to Drive is marked by outstanding performances by Clarkson and Kingsley who bring a special understanding to their roles and put us in touch with the beauty of sharing who we are with others, even when it is uncomfortable to do so.

'Learning to drive' is a master class in writing; directing and of course the performance of two of the great character actors: Patricia Clarkson and Ben Kingsley. There is a nobility and dignity to the story that comes from a taut but compassionate screenplay; and the wonderful interplay between the two leads. Clarkson always makes such interesting choices in projects and this is no exception. Her 'Wendy' has a lot to process during the opening moments of the movie; and it is thanks to her exquisite timing and believability; that despite her cathartic scenes early on; perhaps because of them; the audience is with her and her scenario all the way! With the age old construct of an odd pairing; Kingsley's often Zen like 'Darwan' provides the calming influence and ultimately a reciprocity that gives this film its huge warmth and overall success.

In the role of Wendy's daughter is none other than the daughter of another cinematic delight - Meryl Streep: the uncannily voiced and mannered Grace Gummer. How daunting it must be for Grace and her sister Mamie, to hone a craft in screen acting with their legendary mother's presence in film culture. Grace displays her mother's exuberance and complexity with what is really only a couple of scenes here, but makes her mark. But the film, despite some other subplots and ancillary characters, rests with Clarkson and Kinglsey and they are just superb.

If the film feels tight and rhythmically organic; it is due to Martin Scorsese's long time editor Thelma Schoonmaker who brings Isabel Coixet's carefully directed piece together with ease and no fuss; giving it a smooth and perfect running time. This is no epic; no earth shattering movie; but a reflective and nuanced dance between characters from different worlds who collide in the nicest way possible and leave a significant imprint on one another. Not a new idea, but in the hands of these expert filmmakers; it is a joy to be in their audience for the hour and a half journey.