Céu Azul

It is always a pleasure to watch giants in some film which is driven not by effects , explosions and rap-style language but by old-fashioned story and , simply , eye-popping acting , and two main actors , Mr T. Jones and , specially , Mme J. Lange deliver this in full . This smaller , cheaper film deals with the relationships between the military personnel and their spouses , where J. Lange portrays perfectly a lascivious southern belle with too grand illusions of an acting career, who with her sexual escapades becomes a sort of house-hold name in all the bases her husband is sent to , she being slightly neurotic , while tensions and constant arguments between the two are a norm , and their two beautiful daughters watch this in silence , being even more mature then their own mother . It is interesting to see Jones 's character always forgiving his wife , loving her completely , never hitting her , or calling her names .And when the viewer is almost certain that a typical and clichéd climax is inevitable , i.e. a fight between the couple with him stabbing his wife , the film takes a completely different turn , where Lange's character shows her southern true mettle and love for her husband, who becomes a victim of higher national interests . Briefly , a school of great , traditional acting ,light years away from today's self-proclaimed thespians with artificially rounded lips or feminine neurotic outbursts for no reasons , being on the same level as small children demanding a candy .

wow! Jessica Lange is so good in this movie it is embarrassing! She owns the screen in every one of her scenes. Tommy Lee Jones to his credit- lets her be the star of the movie. Though the plot is a little implausible- just like David sent off Bathsheba's husband to certain death- to seduce her- the army didn't reckon with the power of a strong and slightly crazy woman. The teenagers in the film add to its poignancy. On the surface the Marshall family seems dysfunctional- but actually- with love they function very well.

"Blue Sky" might've made for a great night of television had it premiered on HBO or Showtime as a cable-film. With somewhat reduced expectations coupled with the intimacy of watching the movie on the small screen, one might be inclined to forgive the film for its lack of scope. Set in Alabama in the mid-1950s, Jessica Lange plays an Army engineer's wife and the mother of two young girls who is tired of being dragged from one military base to the next. She harbors a dangerous, possibly manic-depressive side, and makes life difficult for everybody--leaving a trail of gossip and bad blood behind her. Tommy Lee Jones is her patient, loving husband, and Powers Boothe is Jones' newest Commanding Officer who sees only Lange's sexy externals and desires her. All three performances are very good (with Lange winning the Best Actress Oscar, possibly due to a slow year for women in film); however, the picture takes a wrong turn in its third act and finishes limply. Wolfish Boothe becomes a deceitful villain (as if being a cheating husband wasn't enough!), while Lange's volatile Carly is sent out on a limb to save her husband from the clutches of the ignorant, power-hungry government. Had the script stayed true to the character conflicts (which would have matched the film's modest budget), this may have been an effective little soaper. Unfortunately, too many ambitious ideas are cranked out in the picture's squashy final stages, the result being a dramatic film which is dramatically unfulfilling. **1/2 from ****

1994 was a year of weak female performances, but Jessica Lange's Oscar-winning turn in "Blue Sky" is a real sight to behold. She stars as the alcoholic wife of a well-to-do military nuclear engineer (Tommy Lee Jones). Jones knows of a cover-up by the military to keep nuclear testing in Nevada a secret in the early-1960s. This testing has no visual effect on anything in the environment (thus the name "Blue Sky"). Needless to say this is an intriguing film that is somewhat based on true testing which took place in sparsely populated areas of Nevada, Arizona, and New Mexico in the late-1950s and early-1960s. However, this film almost never saw the light of day. It was produced in 1991, but sat in an Orion Pictures vault for over three years. The film was finally released to generate revenue for the soon to be disbanded Orion. No one was ever clear on why the film was not initially released in 1991. Many speculate that director Tony Richardson's AIDS-related death may have had something to do with the studio's reluctance to release the film. This is just speculation, there is no proof of that. Its inability to get released is a bit of a mystery though. I mean a film with Jessica Lange and Tommy Lee Jones should have no trouble being released in my mind. Anyhow, this is Jessica Lange's greatest role. Tommy Lee Jones and Powers Boothe also give great supporting turns. 4 out of 5 stars.

The film is about the relationship of husband and wife, their troubles and how they cope with it. It also had a side plot about underground nuclear testing, which I don't think was that powerful or had that much of an impact for it to carry though as the finale, which also seem to be wrapped up uneventfully.

But the main story is their troubled relationship, and how through good, bad and worse they get through it with each other's support. Jessica Lange's performance as an unstable woman was amazing, not over the top in which it would have been typically done, but was portrayed truely and its fine nuance conveyed the subtle change in her mental state.