Piglets acompanha um grupo de seis recrutas muito diferentes em uma faculdade de treinamento policial fictícia e a equipe encarregada de treiná-los. A emissora britânica ITV encomendou essa ... Ler tudoPiglets acompanha um grupo de seis recrutas muito diferentes em uma faculdade de treinamento policial fictícia e a equipe encarregada de treiná-los. A emissora britânica ITV encomendou essa comédia para seu serviço de streaming.Piglets acompanha um grupo de seis recrutas muito diferentes em uma faculdade de treinamento policial fictícia e a equipe encarregada de treiná-los. A emissora britânica ITV encomendou essa comédia para seu serviço de streaming.
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Just awful. It's trying to be like Police Academy but has completely failed. Casting rubbish, script/writing rubbish, acting rubbish. The two training "superintendents" are superintendents one moment (crown on their epaulettes) then in the next scene they've been immediately promoted to Chief Superintendents (crown and pip on epaulettes), then back to superintendents again.
They tick all the equality and diversity boxes. ITV must be so desperate to commission this @#&* Whoever commissioned this tripe to be aired needs a good holiday or the sacked.
I certainly won't be watching any follow up series, life is precious and I wouldn't waste any of it watching this.
They tick all the equality and diversity boxes. ITV must be so desperate to commission this @#&* Whoever commissioned this tripe to be aired needs a good holiday or the sacked.
I certainly won't be watching any follow up series, life is precious and I wouldn't waste any of it watching this.
Itv isn't known for a lot of good comedy. It's not all Man About The House, Rising Damp, Only When I Laugh and this goes to show that Changing Ends is a modern exception (Viscous and The Job Lot were very good a few short years ago).
Quality actors like an unrecognisable Sarah Parish, Colin McFarlane and the usual Mark Heap are wasted here while Ricky Champ who played an inmate in a psychiatric hospital in Suspect on Channel 4 this week finds himself in another institution - an unfunny itv comedy.
Characters can take time to develop but, having bingewatched the first (and hopefully, only) series, I am no closer to liking the sexually-repressed characters that can't even supply their own catchphrase to look forward to with each episode.
Perhaps fewer characters might have given more laughs but an unfunny opening titles sequence with an unforgettable theme doesn't hold out for a good show ahead. The Thin Blue Line this isn't.
Many unfunny comedies use eye candy to hide from a poor script. Katherine Kelly in last year's equally bad Ruby Speaking springs to mind and Callie Cooke offers much the same here (Scorpio legs!) but Greeta is probably the most realistic of the recruits but she isn't funny either.
A lot of talented wasted by a group of fifth former writers it seems.
Quality actors like an unrecognisable Sarah Parish, Colin McFarlane and the usual Mark Heap are wasted here while Ricky Champ who played an inmate in a psychiatric hospital in Suspect on Channel 4 this week finds himself in another institution - an unfunny itv comedy.
Characters can take time to develop but, having bingewatched the first (and hopefully, only) series, I am no closer to liking the sexually-repressed characters that can't even supply their own catchphrase to look forward to with each episode.
Perhaps fewer characters might have given more laughs but an unfunny opening titles sequence with an unforgettable theme doesn't hold out for a good show ahead. The Thin Blue Line this isn't.
Many unfunny comedies use eye candy to hide from a poor script. Katherine Kelly in last year's equally bad Ruby Speaking springs to mind and Callie Cooke offers much the same here (Scorpio legs!) but Greeta is probably the most realistic of the recruits but she isn't funny either.
A lot of talented wasted by a group of fifth former writers it seems.
About as funny as watching concrete dry, paint drying, wheat growing, sun rising, moon falling, rain falling, dog walking, nails growing...you get the idea.
Like something out of a politically correct Carry on film, only worse and more boring. Someone has made an attempt at an American sitcom, without the canned laughter (perhaps it should have been added).
Why o why, do people get paid to create this drivel.
Why is that a public service gets insulted with this calamity, and then we wonder why recruitment is an issue. Perhaps the losers that created this should actually join, contribute, gain real life experience and then, maybe then might they produce something amusing.
I understand McDonalds are recruiting, so your 'talents' may be best employed there. ITV what were you thinking, the cast of Crossroads would turn in their graves!
Like something out of a politically correct Carry on film, only worse and more boring. Someone has made an attempt at an American sitcom, without the canned laughter (perhaps it should have been added).
Why o why, do people get paid to create this drivel.
Why is that a public service gets insulted with this calamity, and then we wonder why recruitment is an issue. Perhaps the losers that created this should actually join, contribute, gain real life experience and then, maybe then might they produce something amusing.
I understand McDonalds are recruiting, so your 'talents' may be best employed there. ITV what were you thinking, the cast of Crossroads would turn in their graves!
Well this one is really really scraping the barrel that a world champion barrel scraper had scraped till they couldn't scrape no more. Every single joke falls flat and misses the mark so much it's painful. It jammed full of unlikeable characters that for the most part you can't relate to them.
They throw every stereotype at you, filling the show with too many characters to give a decent story arc or much to do. The problem we have with some of modern sitcoms these days is the writer are to afraid to write something funny in case it offends someone. It's time for sitcoms to be funny once more.
To give you an idea of how unfunny this is, they have more laughs in an episode of Mrs Browns Boys.
They throw every stereotype at you, filling the show with too many characters to give a decent story arc or much to do. The problem we have with some of modern sitcoms these days is the writer are to afraid to write something funny in case it offends someone. It's time for sitcoms to be funny once more.
To give you an idea of how unfunny this is, they have more laughs in an episode of Mrs Browns Boys.
What has gone wrong with comedy these days ??
This has got to be one of the worst comedy shows that I have ever seen.
The acting is awful, the script is mostly nonsensical and the whole concept of these "recruits" would even be considered for the police force is totally idiotic.
It does remind me (in a very small way) of the police academy movies, but this is nowhere nearly as good.
There does not seem to be one redeeming character in the whole show, none of the recruits seem to be worthy of becoming a police officer, and the training officers all seem like they are rejects that have been transferred from other parts of the force to keep them quiet and out of the way.
All in all, this is a show that I hope never gets a second series.
This has got to be one of the worst comedy shows that I have ever seen.
The acting is awful, the script is mostly nonsensical and the whole concept of these "recruits" would even be considered for the police force is totally idiotic.
It does remind me (in a very small way) of the police academy movies, but this is nowhere nearly as good.
There does not seem to be one redeeming character in the whole show, none of the recruits seem to be worthy of becoming a police officer, and the training officers all seem like they are rejects that have been transferred from other parts of the force to keep them quiet and out of the way.
All in all, this is a show that I hope never gets a second series.
Você sabia?
- CuriosidadesFilmed in a very similar style to the hugely popular Green Wing (2004) which also starred Mark Heap and was also directed by Victoria Pile.
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