A Fanfarra

I was moved by this film in many ways (even though I saw it dubbed over in German in a German cinema), but one quality stood out to me: the care that had been given to really portraying music in the making: The rehearsal scenes of both the orchestras seemed very real to me, no-one was mimicking to play an instrument, they could all really play and apparently seemed to do so. For real! This is quite exceptional, for it isn't easy to find people who can both act and play an instrument.

The composing scene, with the 'composer' working with pencil and paper on the piano, was the only scene that musically struck me as a bit unrealistic, for it would be hard to find a composer under 50 that doesn't use a computer to write the notes.

It was also really moving to see how even the most different styles in music can travel straight to the heart and have an important function in peoples lives.

For the rest I found the story moving, original and well performed.

A moving rendition of the bond between two brothers at opposite ends of the social spectrum, of what a life's achievement means, and of the consequences of single decisions by parents on a child's destiny.

The screenplay manages to blend funny dialogues, unexpected situations, and serious moments. What could have been "only" a sad drama escapes that trap. With a great supporting cast, B Lavernhe and P Lottin succeed in bringing to life the bond and tension between a renowned director and an amateur brass band member E Courcol's, M Tomersy's, O Bonduel's, I Muscari and K Amara's storytelling and the quality of acting combine to make it one the great movies I've seen this year.

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

This film does not waste time to get into the story and felt a bit rushed but it didn't matter as you do get to know the characters and their motivations in the end. I would say the film is still a bit choppy here and there but it had a lot of emotion and genuinely touching scenes.

By the time the last scene of the film reaches crescendo I could not hold tears. This film is a reminder to us all to remember to show people you care. We all feel that.

On the last note, I can't remember when I saw a French film in the cinema. What a treat. It's very very refreshing to see actors looking like real people with lines on their faces and the odd misaligned teeth. Bravo!

Director Emmanuel Courcol masterfully crafts a bittersweet comedy that flows effortlessly, much like the music at its core. The plot is simple: two brothers, separated at birth, reunite as adults. One is a celebrated orchestra conductor, while the other is a chef. For one, music represents a thriving career; for the other, it is a hard-earned passion, kept alive within a scrappy village band in northern France. Despite their contrasting lives, their shared love for music forges an unbreakable bond.

The music, with its universal language, unites and breaks down barriers between individuals. In the same vein, the film conveys a poignant message of empathy, solidarity, and brotherhood-a message that feels more vital than ever today.