A História de Souleymane

What can i say. This movie holds you the whole way through. The story of Souleymane is a familiar one but told with such heart and soul you are with him all the way. The reality for asylum seekers everywhere is an unrelenting one. Through his eyes we feel his despair and hope for the change he wants. The performances are flawless from everyone involved and the stress we feel for his journey is very real. What a writing and acting achievement. Much of the story is filmed in the 9th and i felt it gave a voice to the plight of the asylum seekers looking for work, hope for a life here and the respect they deserve. Incredible movie. I never give a 10/10 but I couldn't see a flaw.

Souleymane's Story is a gripping and deeply human tale that sheds light on the struggles of asylum seekers in modern Paris. Directed by Boris Lojkine, the film follows Souleymane, a food delivery cyclist racing against time to prepare for a critical interview that could determine his future. In just 91 minutes, the narrative delivers an unflinching portrayal of survival, hope, and the emotional toll of uncertainty.

Abou Sangaré's performance is a revelation, capturing the vulnerability and determination of a young man caught between the harsh realities of his daily life and the weight of his dreams. The supporting cast, including Nina Meurisse, adds depth to the story, highlighting the fragile human connections Souleymane forms along the way.

Lojkine's direction is understated yet powerful, using the streets of Paris as both a backdrop and a character in itself. The cinematography immerses the viewer in the city's contrasting beauty and hostility, mirroring Souleymane's inner turmoil. The film's pacing is tight, and its realism leaves a lasting impact, compelling viewers to confront the humanity behind headlines and statistics.

Rating: 8/10 - A heartfelt and necessary exploration of resilience in the face of systemic challenges.

What a sad way to see my natal city!

Only kidding, I enjoyed every moment of this 'story' but my enjoyment was only about this battler who brought tears in many viewers eyes.

I did not mind to see the hardship one goes trough to try to make a decent living.

Although I do understand the fine balance governments have to juggle with to be human but not invaded. I wish no one would have to go through such difficulties. But one can't dismiss reality It is interesting to learn that many actors weren't proffessionals and so could give authenticity to such a story.

I realise after watching this film we all go home and face many other situations and soon may forget about all the Souleymen. Then some may not...

Really really good movie. Both thrilling as a movie and super well documented on what subsaharan migrants are facing in France (and more generally in Europe) when trying to survive and get asylum.

Very much recommended. Not a moment felt fake and this movies shines a light on these immigration questions that are at the heart of politics discourse these days is super interesting.

Abou Sangare, the lead actor, is fascinating, despite having no acting history, it seems.

I felt that one of the great strengths of the movies is how everybody's point of view feels relatable.

I hope this becomes recommended viewing in schools.

Saw this at the Ghent 2024 filmfestival. Filmed from so close by that it is awkward to sit through all the mishaps that our main character must go through. (This is not meant as a complaint against the filmmakers.) It seems like everyone and everything is against him. We know that there is no conspiracy against him, but his way of earning money is semi-illegal (he is not allowed to work, not yet) hence needs to do it via sub-contracting, so he carries all the risks and earns relatively little money. The camera closely following him on his delivery route, gives a compelling impression of what he must go through. Not only do his deliveries take more time than planned, it also endangers his timely arrival at the bus stop where he is transported to the shelter for the night, where he can sleep, shower and wash his clothes.

Then there is Barry, the so-called social worker, who is not very helpful either, being more interested in money than following up on his promises. He gives lots of pointers what to include in the story, pushing him to memorize as many details as possible. He says all this is required to prove the authenticity of the story why he left his country. All of that would ultimately provide a permit to stay and work in France. However, Barry does not invest enough time in proper preparations. He also insists on getting paid before he passes some necessary papers on. And what is worse, during the final interview we learn that this preparation falls flat: the very same story, including lots of details he had to learn by heart, was presented literally three times in the same week, so clearly not genuine.

The final interview runs its course in two phases. Firstly, the prepared story is told and recorded, after which it comes out that the story is certainly not his personal story. (They heard it before, even three times that week, with the exact same details.) Secondly, he gets the chance to correct and augment, and we hear the real story behind his flight, which is also added to his record. We do not hear the end result of it, however.