Povodyr

Set in the 1930s, during the Holodomor, the film shows the struggle for survival and preservation of cultural heritage through the story of an American boy and a blind kobzar who becomes his mentor and guide in a world that is crumbling under the pressure of Soviet repression. The film skillfully conveys an atmosphere of fear, oppression, and hope at the same time, using poetic images of the Ukrainian land, music, and kobza songs. The actors' performances are extremely insightful, especially in the role of the blind musician, who symbolizes the strength of spirit and devotion to his land. Despite certain dramatic elements that may seem a bit excessive, The Guide impresses with its sincerity and deep immersion in historical memory. Eight out of ten for its emotionality, visual power, and the importance of a subject that reminds us of the indomitable Ukrainian spirit.

A testimony. this is the basic meaning of this admirable film. a blind man. a boy. Ukraine in the "30's. the geography of a world under dictatorship. and great cinematography. it is enough for describe a film escaping from the circle of worlds. because it is not exactly the film of a story. but a bitter remember. about a society. about a gray past. about a blind man. and a boy. in middle of embroidery of symbols.

The Guide is a nice Ukranian historical drama from 2014 directed by Oles Sanin. It is really well made and has some good performances. Cinematography is quite overexposed on many scenes, making the actual look of the movie kind of artificial with overly dramatic lights or forced lack of colors, specially on the first half. When it explores the rural landscapes, the heavy snow, fog and the open air scenes, the results is far more effective. Anton Sviatoslav Greene was a good cast for the little Ukranian-American boy character, the same for Aleksandr Kobzar as Comrade Vladimir. These are my favorite performances on The Guide. The Kobzar universe is quite interesting and the music they play and sing is really stunning, but the whole "fight" thing was completely unnecessary - despite that it was factual, the results on screen vary from bad to worst, and doesn't add anything to the plot, neither help them to avoid their fate. All this together with a script that is sometimes a bit confusing, specially for non Ukranian audiences, I rate it 7 out of 10. Worth watching anyway!

This film's background is the Soviet Ukraine in the 1930s. It is a story of a 10 year old boy who is separated from his American father after the father is assassinated by Soviet NKVD agents for possessing documentation that reveal the atrocities that were being committed by the ruling communist party in Russia/Soviet Union. Millions of people were perishing from the forced famine that the Soviet government enforced to collectivize the farming community. The plot revolves around the boy's attempt to survive in Ukraine and get back to his home in the United States. He is aided by a blind minstrel (Kobzar). The story is a heart wrenching view of life under the Russian/Soviet communist dictatorship. The scenery is beautiful, the plot is mesmerizing and the acting is superb. I give it 10 stars.

ZJ Kossak

The director is tremendously talented. The style is reminiscent of Andrei Tarkovsky's Stalker. Despite the sadness of some of the events, you are immersed in a world of supernatural beauty. The journeys through nature have a ethereal transcendent quality to them. The blindness of a leading character adds to this. The death toll of Stalin's famine was estimated at 7-10 million. This was one of the worst cases of genocide in human history. In this movie your soul feels the weight of this tragedy, but the movie does not dwell on this. It is setting, not the main narrative thrust. Hope and tender moments of compassion fill the screen. When this movie shows tragedy it is ultimately contrasted with a resistance of a human spirit that refuses to die. This movie is also a powerful reminder. The false promises of communism, which merely pretends to be a collectivist philosophy while actually operating more like a mafia, are juxtaposed with the real promises of compassion and love for ones neighbor. We are also shown communist propaganda tactics that mask true intentions and create confusion. Similar spin tactics accompany the war today. This is the film that Ukraine needed to make in response to what is happening to it right now. But it is so much more than that.