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5,4/10
4,6 mil
SUA AVALIAÇÃO
Klara vai morrer hoje, a menos que mate o marido. O Calendar Killer deu.lhe essa escolha impossível. Quando Jules começa seu turno na linha de apoio de segurança para mulheres solitárias a c... Ler tudoKlara vai morrer hoje, a menos que mate o marido. O Calendar Killer deu.lhe essa escolha impossível. Quando Jules começa seu turno na linha de apoio de segurança para mulheres solitárias a caminho de casa, a ligação de Klara chega até ele.Klara vai morrer hoje, a menos que mate o marido. O Calendar Killer deu.lhe essa escolha impossível. Quando Jules começa seu turno na linha de apoio de segurança para mulheres solitárias a caminho de casa, a ligação de Klara chega até ele.
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This is a German movie which I started watching in the dubbed English like many dubbed movies the accents and choice of words diminishes the whole character of the movie. The weird posh accents just seemed to robotic, so I watched in German with translation. It was much better
"The Calendar Killer" delivers a tense and chilling thriller that effectively explores the psychological impact of domestic abuse. The film masterfully builds suspense, leaving the audience constantly on edge as Klara's paranoia escalates. The performances are strong, particularly Luise Heyer as Klara, who portrays her character's fear and desperation with raw intensity.
However, the film's reliance on familiar thriller tropes and predictable twists can diminish its impact. The pacing occasionally falters, and some plot points feel contrived. While the exploration of domestic abuse adds a layer of depth, it sometimes overshadows the suspense elements.
Overall, "The Calendar Killer" is a gripping watch with a compelling premise, but it struggles to fully break free from genre conventions. It's a solid thriller that will keep viewers engaged, but may leave some wanting more originality and depth.
"The Calendar Killer" delivers a tense and chilling thriller that effectively explores the psychological impact of domestic abuse. The film masterfully builds suspense, leaving the audience constantly on edge as Klara's paranoia escalates. The performances are strong, particularly Luise Heyer as Klara, who portrays her character's fear and desperation with raw intensity.
However, the film's reliance on familiar thriller tropes and predictable twists can diminish its impact. The pacing occasionally falters, and some plot points feel contrived. While the exploration of domestic abuse adds a layer of depth, it sometimes overshadows the suspense elements.
Overall, "The Calendar Killer" is a gripping watch with a compelling premise, but it struggles to fully break free from genre conventions. It's a solid thriller that will keep viewers engaged, but may leave some wanting more originality and depth.
(2024) The Calendar Killer/ Sebastian Fitzeks Der Heimweg
(In German with English subtitles)
PSYCHOLOGICAL THRILLER
At the intro from the news media about the "Calendar Killer" for the reason he has been given that name is because he jots the exact day each victim is going to be killed. The difference is viewers do not know who "The Calendar killer" is nor know what he looks like, until the very end. The next scene has Jules (Sabin Tambrea) in charge of his own call in hotline for women called "Walk Me Home Hotline" and giving some helpful and useful advice to a lady who phoned in regarding a group of men. And as a result of some advice, she managed to wait around long enough to get on to her bus. Jules next caller is Klara (Luise Heyer) who she is on a midlife crisis claiming she was on the domain of the killer himself until she found a way to escape. And for the next hour or so, we know more about the lives of both Klara and Jules. From Klara and her so called important abusive husband, Martin (Friedrich Mücke) and how Jules motivated to have his own "walk me home" service operator, that has something to do with the loss of his wife while he was working as a 911 operator.
The revelation that lead up to the Calendar killer makes no sense as viewers are completely oblivious about his connection and his previous victims whomever that might be.
At the intro from the news media about the "Calendar Killer" for the reason he has been given that name is because he jots the exact day each victim is going to be killed. The difference is viewers do not know who "The Calendar killer" is nor know what he looks like, until the very end. The next scene has Jules (Sabin Tambrea) in charge of his own call in hotline for women called "Walk Me Home Hotline" and giving some helpful and useful advice to a lady who phoned in regarding a group of men. And as a result of some advice, she managed to wait around long enough to get on to her bus. Jules next caller is Klara (Luise Heyer) who she is on a midlife crisis claiming she was on the domain of the killer himself until she found a way to escape. And for the next hour or so, we know more about the lives of both Klara and Jules. From Klara and her so called important abusive husband, Martin (Friedrich Mücke) and how Jules motivated to have his own "walk me home" service operator, that has something to do with the loss of his wife while he was working as a 911 operator.
The revelation that lead up to the Calendar killer makes no sense as viewers are completely oblivious about his connection and his previous victims whomever that might be.
It's a pretty boring drama thriller in which an ostensible good samaritan is drawn into a domestic tragedy, but all is not what it seems. And all is not what it seems because of an accretion of confluences, contrivances and just plain dumb coincidences that strand the lackluster plot somewhere between incompetent and incoherent. I'm sure the people behind this dross thought they had something important to say about domestic violence. They didn't. Their feeble attempt to squeeze some profundity out of this trainwreck only makes it more insulting. And even putting the hammy sanctimony aside, this dumb diversion still fails as a thriller, mystery or drama.
I love a psychological movie.
This is a good one.
However this is more about a victim of domestic abuse.
I'm trying not to give away spoilers, I hope I don't.
I wouldn't say it's a serial killer movie, it just states that there is one a few times but It doesn't mention other victim's.
It's mainly focused on one potential victim's story, she is running from a serial killer and her abusive husband.
The helpline worker gets her to speak her struggles and connects to her.
This is a great story, good acting, well shot.
It wasn't until most of the way through that i suspected what was happening.
Definitely a thumbs up.
This is a good one.
However this is more about a victim of domestic abuse.
I'm trying not to give away spoilers, I hope I don't.
I wouldn't say it's a serial killer movie, it just states that there is one a few times but It doesn't mention other victim's.
It's mainly focused on one potential victim's story, she is running from a serial killer and her abusive husband.
The helpline worker gets her to speak her struggles and connects to her.
This is a great story, good acting, well shot.
It wasn't until most of the way through that i suspected what was happening.
Definitely a thumbs up.
A good German film directed by Adolfo J. Kolmerer that tells the story of a woman (Klara) victim of domestic and sexual violence who receives a message from the famous calendar killer who warns her that on December 6 she or her husband will die. In all this, Klara remains in touch with a hotline for women who return home alone. The film deals with very sensitive issues ranging from domestic violence to suicide and often talk about it is not easy but in this case the message of the film (although there are things that I think are absurd) is understood loud and clear. This important message is often suppressed by this story of the killer that until 5 minutes from the end does not serve much, I think the film would have made sense even without the story of the calendar killer also because, Again, until 5 minutes from the end it goes into the background but at the same time in the end this killer is the "key" of this film but not as a character but as a psychological concept, is as if it represents the subconscious or at least the less reasonable part of the reason of the victims of violence who may seek revenge. The message but in general the concept of the film is really very deep not only for the characters and scenes but more than anything else for the concepts that are behind it and that fully represent the world we live in where we need a telephone line to go home our. Unfortunately the world is not a safe one and if you want to see naked and raw violence watch this film because it will make you think long.
Você sabia?
- Erros de gravaçãoWhen Klara is in the elevator, her husband asked for her phone, when she escapes, she uses a phone to call Jules.
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El asesino del calendario
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 37 min(97 min)
- Cor
- Mixagem de som
- Proporção
- 16:9 HD
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