AVALIAÇÃO DA IMDb
5,5/10
9,4 mil
SUA AVALIAÇÃO
Quatro irmãos encontram abrigo inesperado num lugar improvável. Esta comédia dramática comovente, baseada em fatos reais, tece uma história envolvente sobre família e conexões.Quatro irmãos encontram abrigo inesperado num lugar improvável. Esta comédia dramática comovente, baseada em fatos reais, tece uma história envolvente sobre família e conexões.Quatro irmãos encontram abrigo inesperado num lugar improvável. Esta comédia dramática comovente, baseada em fatos reais, tece uma história envolvente sobre família e conexões.
Ari Graynor
- Carol
- (narração)
Ashley Rae Spillers
- Barbara
- (narração)
Avaliações em destaque
I'd watch anything with Ben Stiller in it, at least for a little while, and the little while here was pretty short. To tell the truth, I thought that this was a sure shot for our aging beloved Ben: an aloof businessman learning to love and become a father, as his sister died leaving him four preteen children.
And the kid actors are spot-on on how children behave after such a loss, becoming belligerent, full of angst, and looking for relief by being wild and unruly.
So it has all ingredients to become a tearjerker Christmas drama, but it wants to be an 'uncomfortable' comedy like Meet the Parents, or at least want to be sold as such. And that doesn't fly. Too much mourning and death for such a light-headed comedy it wanted to be. It doesn't fit.
It is set in farm, so it is also a fish out of.water situation for businessman Ben, from where half the 'jokes' come from; all the lazy tropes you already saw a thousand times: Does businessman Ben step on poop as soon as he leaves the car? Yes. Does Ben wake up with animals in his bed? Yes. Is Ben provoked by the kids to kill a chicken for supper? Yes.
And by then I turned off the movie, so take this review with a grain of salt, but whatever happens later in the movie, is already tainted by the tired writing by the numbers and the financial choice to tone down real life drama to fit into a feelgood comedy:
'I guess it is true what mom said about you,' says the older angst sad kid out of the blue in their first interaction.
'What is that?' Clueless Ben asks.
'That you can't love...'
'That is... stupid'
Indeed. Stupid writing. And also so on the nose that bleeds.
It is 2024, when we have access to all sorts of libraries of entertainment, including classics that done these same themes over and over, and you may ask yourself why you are wasting your Christmas time with this movie instead of those. Perhaps because this movie can make you happy that you don't have to deal with four sad hyperactive kids who lost their parents that you would never be able to replace.
Good photography, though.
And the kid actors are spot-on on how children behave after such a loss, becoming belligerent, full of angst, and looking for relief by being wild and unruly.
So it has all ingredients to become a tearjerker Christmas drama, but it wants to be an 'uncomfortable' comedy like Meet the Parents, or at least want to be sold as such. And that doesn't fly. Too much mourning and death for such a light-headed comedy it wanted to be. It doesn't fit.
It is set in farm, so it is also a fish out of.water situation for businessman Ben, from where half the 'jokes' come from; all the lazy tropes you already saw a thousand times: Does businessman Ben step on poop as soon as he leaves the car? Yes. Does Ben wake up with animals in his bed? Yes. Is Ben provoked by the kids to kill a chicken for supper? Yes.
And by then I turned off the movie, so take this review with a grain of salt, but whatever happens later in the movie, is already tainted by the tired writing by the numbers and the financial choice to tone down real life drama to fit into a feelgood comedy:
'I guess it is true what mom said about you,' says the older angst sad kid out of the blue in their first interaction.
'What is that?' Clueless Ben asks.
'That you can't love...'
'That is... stupid'
Indeed. Stupid writing. And also so on the nose that bleeds.
It is 2024, when we have access to all sorts of libraries of entertainment, including classics that done these same themes over and over, and you may ask yourself why you are wasting your Christmas time with this movie instead of those. Perhaps because this movie can make you happy that you don't have to deal with four sad hyperactive kids who lost their parents that you would never be able to replace.
Good photography, though.
Nutcrackers (2024) aims to deliver holiday magic but falls far short of expectations, resulting in an experience that feels almost meaningless. The plot meanders without a clear purpose, and the script suffers from poor writing, filled with clichés and lifeless dialogue. This, paired with its overly slow pacing, makes it difficult to stay engaged.
The visuals are uninspired, with bland set designs and lackluster cinematography that fail to capture the festive spirit. The characters are shallow and underdeveloped, offering little for viewers to connect with emotionally. Even moments that aim for humor or charm feel forced and ineffective.
While Nutcrackers might appeal to someone who simply wants to pass the time with a holiday-themed movie, it ultimately fails to provide any memorable or enjoyable moments. It's a disappointing entry in the holiday movie lineup, lacking the warmth and joy that make the genre special.
The visuals are uninspired, with bland set designs and lackluster cinematography that fail to capture the festive spirit. The characters are shallow and underdeveloped, offering little for viewers to connect with emotionally. Even moments that aim for humor or charm feel forced and ineffective.
While Nutcrackers might appeal to someone who simply wants to pass the time with a holiday-themed movie, it ultimately fails to provide any memorable or enjoyable moments. It's a disappointing entry in the holiday movie lineup, lacking the warmth and joy that make the genre special.
Atilla Salih Yücer... My good man, you know I hold you in high regard, but master, what manner of atrocious film is this?
David Gordon Green... Alas, what has become of you? Why have you lost your spirit? Each time I say, "Perhaps he will recover with this film," but your career takes an even worse turn... You, the very man who presented us with two such films as Prince Avalanche (2013) and Joe (2013) in the same period...
Ben Stiller... You need to earn your keep as well, of course, you are quite right...
Hulu... I always used to say, "I do hope the Disney+ side takes a leaf out of Hulu's book," but Hulu has become quite like the Disney Channel.
David Gordon Green... Alas, what has become of you? Why have you lost your spirit? Each time I say, "Perhaps he will recover with this film," but your career takes an even worse turn... You, the very man who presented us with two such films as Prince Avalanche (2013) and Joe (2013) in the same period...
Ben Stiller... You need to earn your keep as well, of course, you are quite right...
Hulu... I always used to say, "I do hope the Disney+ side takes a leaf out of Hulu's book," but Hulu has become quite like the Disney Channel.
25 minutes in and I quit. Here I am writing this instead, which is much more fun than going on with this undecided and pointless movie.
What's the cinematic fascination with weird kids? I don't get it. I just don't get it. What now, Ben Stiller will "become capable of love" and start doing nonsensical stuff with those four by the end? Why?
Brought up by weird parents, or maybe not brought up at all, this gang of siblings (played by a gang of siblings) has ZERO charm in my eyes. I'd prefer watching The Sound of Music. Now, those kids there do make sense in some way. What's this, really? Royal Tennenbaums? Much as I don't like it, that one had some sharp style to it. This one, no. A group of annoying kids exist in their own dead end realm, only to annoy who is essentially a passable uncle. There are ways to depict annoying people in a cinamatic fashion without actually annoying the viewer, but no, this film is set to annoy us. To what avail?
I was hopeful about Linda Carellini's presence, thinkig some flare between her and Stiller could make up for all the pointless bore. Doesn't look like such a thing can cut it after this point. Given I cannot get my 25 minutes back, we'll call it even by me trashing the movie a bit on here.
Is Ben Stiller trying to "go beyond comedy" or something? If so, this is not the way. This kind of dull script is not hospitable to his qualities as an actor. The premise did not look unfruitful, but the execution definitely is. This is the first time I'm deciding to pause on a Stiller movie. C'mon, man, even if you're gonna quit comedy, do it for the sake of something worth the trouble.
No one needs to see the resolution to some overhyped drama after two hours of being subjected to pointless actions of weird kids. Good Will Hunting exists already as a well-executed example to such emotional agitation. If I were that uncle, I'd be out before the first night and never look back. Let the government take care of troubled orphans.
What's the cinematic fascination with weird kids? I don't get it. I just don't get it. What now, Ben Stiller will "become capable of love" and start doing nonsensical stuff with those four by the end? Why?
Brought up by weird parents, or maybe not brought up at all, this gang of siblings (played by a gang of siblings) has ZERO charm in my eyes. I'd prefer watching The Sound of Music. Now, those kids there do make sense in some way. What's this, really? Royal Tennenbaums? Much as I don't like it, that one had some sharp style to it. This one, no. A group of annoying kids exist in their own dead end realm, only to annoy who is essentially a passable uncle. There are ways to depict annoying people in a cinamatic fashion without actually annoying the viewer, but no, this film is set to annoy us. To what avail?
I was hopeful about Linda Carellini's presence, thinkig some flare between her and Stiller could make up for all the pointless bore. Doesn't look like such a thing can cut it after this point. Given I cannot get my 25 minutes back, we'll call it even by me trashing the movie a bit on here.
Is Ben Stiller trying to "go beyond comedy" or something? If so, this is not the way. This kind of dull script is not hospitable to his qualities as an actor. The premise did not look unfruitful, but the execution definitely is. This is the first time I'm deciding to pause on a Stiller movie. C'mon, man, even if you're gonna quit comedy, do it for the sake of something worth the trouble.
No one needs to see the resolution to some overhyped drama after two hours of being subjected to pointless actions of weird kids. Good Will Hunting exists already as a well-executed example to such emotional agitation. If I were that uncle, I'd be out before the first night and never look back. Let the government take care of troubled orphans.
Yikes
A big Chicago hot shot named Michael (Mike) must return to smaller life when his sister passes away and leaves 4 kids parentless. He is going back to try and sort the foster parent situation, as things are on hold he must spend the weekend with Justice, Junior, Simon and Samuel. The boys who prove to be a lot will also be an extra heave in trying to find them a new home. The question is will Mikes personal life take importance over the relocation of his nephews.
It's a really good idea for a movie but it feels like nothing clicked, the kids are grieving but acting like feral animals at one minute and an hour later are perfectly fine, this happens a lot in the movie.
There are some heartfelt scenes and the acting isn't an issue, I just feel the movie wasn't Christmas themed bar the last 20 minutes. It was long and boring at times unfortunately, I don't recommend, maybe watch a classic instead, 4/10.
A big Chicago hot shot named Michael (Mike) must return to smaller life when his sister passes away and leaves 4 kids parentless. He is going back to try and sort the foster parent situation, as things are on hold he must spend the weekend with Justice, Junior, Simon and Samuel. The boys who prove to be a lot will also be an extra heave in trying to find them a new home. The question is will Mikes personal life take importance over the relocation of his nephews.
It's a really good idea for a movie but it feels like nothing clicked, the kids are grieving but acting like feral animals at one minute and an hour later are perfectly fine, this happens a lot in the movie.
There are some heartfelt scenes and the acting isn't an issue, I just feel the movie wasn't Christmas themed bar the last 20 minutes. It was long and boring at times unfortunately, I don't recommend, maybe watch a classic instead, 4/10.
Você sabia?
- CuriosidadesBen Stiller's first starring role in seven years.
- Erros de gravaçãoMichael Ben Stiller looks up the Corvette online and says it's a 1958, when he goes in the grocery store, the owner acknowledges that it's a 1958, however, it only has single headlight so it's a 1957, or maybe a 1956, 1958 Corvette's have dual headlights.
- Citações
Mike Maxwell: Act like normal children, I'm trying to find you a good home.
- ConexõesReferenced in Film Junk Podcast: Episode 971: Nutcrackers (2024)
- Trilhas sonorasWilmington Feed for All You Need
Written and Performed by Mike Mitschele & Rick Randall
Courtesy of Hot Goat Music
Principais escolhas
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Detalhes
- Tempo de duração1 hora 44 minutos
- Cor
- Proporção
- 2.35 : 1
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