The Crow Girl
- Série de TV
- 2025–
- 50 min
A inspetora-chefe de polícia Jeanette Kilburn e a psicoterapeuta Sophia Craven unem forças para investigar o assassinato de jovens homens. A investigação as leva a um mundo perigoso de abuso... Ler tudoA inspetora-chefe de polícia Jeanette Kilburn e a psicoterapeuta Sophia Craven unem forças para investigar o assassinato de jovens homens. A investigação as leva a um mundo perigoso de abusos históricos e assassinatos.A inspetora-chefe de polícia Jeanette Kilburn e a psicoterapeuta Sophia Craven unem forças para investigar o assassinato de jovens homens. A investigação as leva a um mundo perigoso de abusos históricos e assassinatos.
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Avaliações em destaque
Complicated in an unintelligent confused way that played like the writers made it up as they went along, then suddenly realised they needed an ending. An ending unsupported by the previous chaotic episodes trying to make several different stories into one and failing to tell any completely.
Filled with frustrating slow scenes of characters badly acting struggles with inner demons which any responsible adult would be able to dismiss in a breath.
Disappointing and obvious,boring at times, shallow drama belonging on daytime TV if anywhere.
The very annoying thing about this kind of show is like the dentist, you have to suffer to get to the result or ending, just bad but gripping enough to make me want to see what Happens next.
Filled with frustrating slow scenes of characters badly acting struggles with inner demons which any responsible adult would be able to dismiss in a breath.
Disappointing and obvious,boring at times, shallow drama belonging on daytime TV if anywhere.
The very annoying thing about this kind of show is like the dentist, you have to suffer to get to the result or ending, just bad but gripping enough to make me want to see what Happens next.
I watched 2 episodes and that was enough for me. It moves at glacial speed and isn't focused. Like an American police drama you get a lot of family drama thrown in which is distracting and worthless plus a demanding boss. I really don't care about DCI Kilburn's home situation. Why is a detective inspector the bagman for a detective chief inspector, normally a DCI has a sergeant. It's what I always enjoyed about the series "Vera", she rarely brought in any family stuff and her bosses let her do her job.
This is from a novel by Erik Axl Sund which is the pen name of two Swedish writers. Some Scandinavian novels should be dramatized like "The Killing" and "The Bridge", but I would have left "The Crow Girl" on the shelf.
Nice that it's set in Bristol and not London. I hated Dougray Scott in "Crime", but he's good in this series. I liked Eve Myles in "Torchwood".
This is from a novel by Erik Axl Sund which is the pen name of two Swedish writers. Some Scandinavian novels should be dramatized like "The Killing" and "The Bridge", but I would have left "The Crow Girl" on the shelf.
Nice that it's set in Bristol and not London. I hated Dougray Scott in "Crime", but he's good in this series. I liked Eve Myles in "Torchwood".
This one is an exception for me. Usually, if I see a show or movie, that starts in a way, that suggests that we should know something about what's already happening (no matter how small those things are) and does not start with some flashback like "You must be wondering how I got here", and it's not a sequel - I drop those. Intention is clear: they want to show a "busy world", but more often than not that's just covering up bad writing, since neither the world nor the characters get a natural introduction. It may work in extremely rare cases, I guess, but I can't think of a good one.
The Crow Girl does it right, though. It feels completely natural, as if we are walking in on the characters going on about their days. The interactions that we see also do introduce the characters to us properly and, again, naturally. The introductions do not feel forced, and they are meaningful, starting to explore the relationships right from the start. This generally keeps up through the whole season, too, although quality does drop somewhat sometimes, but still the feeling of "natural" is preserved for the most part, which is really important for a crime series, especially when it's trying to be psychological, as well.
Until the ending happens. I won't spoil it, but the plot twist was shown in a way, that is only possible with because it's a visual medium. It's just the camera showing us 1 thing, when in reality it was another one. It felt like I was lied to, even though the twist itself does kind of make sense. I really wonder how this was handled in a book (probably just omitting descriptions at certain points), and I can get it, that it might have been difficult to do certain shots differently, but in general just obscuring the view would have worked much better, than this. Because of this, I can't give it more than 6/10.
The Crow Girl does it right, though. It feels completely natural, as if we are walking in on the characters going on about their days. The interactions that we see also do introduce the characters to us properly and, again, naturally. The introductions do not feel forced, and they are meaningful, starting to explore the relationships right from the start. This generally keeps up through the whole season, too, although quality does drop somewhat sometimes, but still the feeling of "natural" is preserved for the most part, which is really important for a crime series, especially when it's trying to be psychological, as well.
Until the ending happens. I won't spoil it, but the plot twist was shown in a way, that is only possible with because it's a visual medium. It's just the camera showing us 1 thing, when in reality it was another one. It felt like I was lied to, even though the twist itself does kind of make sense. I really wonder how this was handled in a book (probably just omitting descriptions at certain points), and I can get it, that it might have been difficult to do certain shots differently, but in general just obscuring the view would have worked much better, than this. Because of this, I can't give it more than 6/10.
I'm ok with a slow burn start as the characters aee introduced and the initial mystery is laid out . I'm ok with twists and turns as characters react to events and reveal their strengths, weaknesses and secrets.
I'm not ok with characters who do stupid things for plot reasons, especially in the last episode, which is an absolute mess and undermines much of the work done getting us there.
The Big reveal is largely telegraphed, but is one of the few things that makes any sense.
And of course the dreaded To Be Continued appeared as the screen faded to black.
I wont be holding my breath for season 2.
I'm not ok with characters who do stupid things for plot reasons, especially in the last episode, which is an absolute mess and undermines much of the work done getting us there.
The Big reveal is largely telegraphed, but is one of the few things that makes any sense.
And of course the dreaded To Be Continued appeared as the screen faded to black.
I wont be holding my breath for season 2.
Thanks so much Slash for bringing this to the screen. Great cast, great swirling plot, superb blend of contemporary issues and man's inhumanity to man!
Love it when you suss some of the plot lines and get blindsided by others. Wife and I were so absorbed by the plot that we watched the lot over 2 nights. In fact it so drew us in that we almost didn't notice the soundtrack. Must have blended in so well. Will go back and listen out for it.
I'm sure some will criticise elements of the show but we loved the clever devices used.
There were elements of Silent Witness and Vera which is meant as praise indeed. If the next series builds on this wonderful beginning we will be in Paradise City!
Love it when you suss some of the plot lines and get blindsided by others. Wife and I were so absorbed by the plot that we watched the lot over 2 nights. In fact it so drew us in that we almost didn't notice the soundtrack. Must have blended in so well. Will go back and listen out for it.
I'm sure some will criticise elements of the show but we loved the clever devices used.
There were elements of Silent Witness and Vera which is meant as praise indeed. If the next series builds on this wonderful beginning we will be in Paradise City!
Você sabia?
- CuriosidadesBased on a Swedish crime novel, 'Kråkflickan' by Eriksson Aklander Sundquist, with setting transposed to the UK. In 'Coffee with Slash' on Ola Englund's Youtube Channel 'Ola Englund', May 3rd 2024, Slash mentions he obtained the rights to the novel, and then sold them on to Buccaneer, who are producing this show, with Slash stating he is now working on composing and performing the score.
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