The Crow Girl

Dark and gripping, Crow Girl is a murder mystery series that masterfully blends grim themes with sharp, intelligent writing. I think the show captures the city of Bristol's eerie charm as a perfect backdrop for a tale of betrayal, corruption, and deeply flawed characters. The writing is razor-sharp, full of unexpected twists that never felt forced. The show delves deep into the psyches of its leads, crafting complex, often harrowing arcs that resonate long after each episode ends. Equal parts chilling and captivating, Crow Girl is a must-watch for fans of atmospheric crime dramas. Couldn't recommend it more.

I watched 2 episodes and that was enough for me. It moves at glacial speed and isn't focused. Like an American police drama you get a lot of family drama thrown in which is distracting and worthless plus a demanding boss. I really don't care about DCI Kilburn's home situation. Why is a detective inspector the bagman for a detective chief inspector, normally a DCI has a sergeant. It's what I always enjoyed about the series "Vera", she rarely brought in any family stuff and her bosses let her do her job.

This is from a novel by Erik Axl Sund which is the pen name of two Swedish writers. Some Scandinavian novels should be dramatized like "The Killing" and "The Bridge", but I would have left "The Crow Girl" on the shelf.

Nice that it's set in Bristol and not London. I hated Dougray Scott in "Crime", but he's good in this series. I liked Eve Myles in "Torchwood".

What do you get if you take Eve Myles's Faith from Keeping Faith and Dougray Scott's DI Ray Lennox from Crime and send them to Bristol? You get The Crow Girl!

Maybe I am too cynical these days and Police shows have to have the smart talking main character detective who plays fast and loose, they put their work above all else including their family, then there needs to be the incompetent police sidekicks who have to be told to do everything, and the stern boss who berates the main character but relents when they see that the unconventional methods are working, so if you're into that then take a peek at this.

To be fair the wife liked it, I found it frustrating in the first episode but then it did get quite creepy in terms of the subject matter.

Ultimately it's OK in the grand scheme, you could do worse, like watching a Harlan Coban adaptation.

I'm ok with a slow burn start as the characters aee introduced and the initial mystery is laid out . I'm ok with twists and turns as characters react to events and reveal their strengths, weaknesses and secrets.

I'm not ok with characters who do stupid things for plot reasons, especially in the last episode, which is an absolute mess and undermines much of the work done getting us there.

The Big reveal is largely telegraphed, but is one of the few things that makes any sense.

And of course the dreaded To Be Continued appeared as the screen faded to black.

I wont be holding my breath for season 2.

Thanks so much Slash for bringing this to the screen. Great cast, great swirling plot, superb blend of contemporary issues and man's inhumanity to man!

Love it when you suss some of the plot lines and get blindsided by others. Wife and I were so absorbed by the plot that we watched the lot over 2 nights. In fact it so drew us in that we almost didn't notice the soundtrack. Must have blended in so well. Will go back and listen out for it.

I'm sure some will criticise elements of the show but we loved the clever devices used.

There were elements of Silent Witness and Vera which is meant as praise indeed. If the next series builds on this wonderful beginning we will be in Paradise City!