Douglas Is Cancelled

This show is a strange animal, but also somewhat entertaining, thanks in no small part to its brevity. The plot moves quickly and mercilessly, similar to the way the public internet court can pass judgement on someone like Douglas. As with everything written by Steven Moffat, the dialogues take center stage: they are snappy and spirited, often relying on quick repartees to drive the narrative.

The lead cast is excellent across the board, and I could listen to Karen Gillan's soft Scottish accent all day long. Where the show slumps however, is when the secondary players get any screen time. It's hard to believe that Moffat is the creator of such pointless characters as Douglas' unbearable daughter, or his clueless manager, or Nick the comedy writer, whose lifeless sense of humor is certainly meant to be ironic in and of itself, but really only ends up being discordant.

All in all, it's an interesting project and it's topical enough to generate discussions worth having in this day and age. I just wish Moffat had been more judicious when choosing his characters and a little braver when detailing the actual cancelling.

Famed and loved TV presenter Douglas Bellowes makes a comment at a wedding, a comment that is deemed sexist. The comment is witnessed by a fellow guest, who posts the incident on Twitter, a media frenzy begins, and Douglas faces cancellation.

Stick with it, I struggled to get through episodes one and two, in episode three however, a switch is flicked, and it transforms into a tense, thought provoking story of control and abuse.

I was expecting a comedy drama, and early on there are snippets of humour, but all of that vanishes in episode three, the tone changes, as does the whole feel. Moffat makes you think, question and try to apportion blame to the various parties, you question who is guilty of what, who's the real villain.

Steven Moffat went for tried and tested, cast members he successfully worked with on Doctor Who, and none of them disappoint, wonderful to see Karen Gillan and Alex Kingston reunited. Hugh Bonneville and Ben Miles are fantastic too.

Please don't quit at episode two, stick with it, I assure you at episode three it will reward you.

8/10.

I apologise for my title, I couldn't think of anything world shattering, so moving on ... The performances were superb, lines delivered sharply, dialog flowed naturally, the chemistry between the relevant characters came across as natural.

I don't want to write any spoilers so: E1, sharp and funny, I thought it was setting the tone for all that would follow.

E2, pace and humour fizzled out a little and I started to wonder if all the best bits were in E1.

E3, everything went dark, to say a number of scenes left me feeling very uncomfortable would be the understatement of the year, at one point I wasn't sure if I wanted to keep watching but was hooked by the amazing acting and script.

E4, twists, turns and alternate perspectives and a 10* rated ending.

I can only say that if you feel it's not worth sticking with in E2, keep going, your heading for a roller coaster of emotion.

I nearly turned off a couple of times near the start (and I see that many other viewers did, their loss) but ended up bingeing all four episodes in the early hours. I have great respect for writer Stephen Moffat and it was a great cast. I confess to being a Dr Who fan and this reunion of Karen Gillan and Alex Kingston in the main female roles and as powerful characters from kept me glued to my screen (other Whovians from and in smaller roles also featured). The third episode is scary, and skin crawling, but wait .... the fourth is the key. Keep watching. There's always a twist at the end. Yes, I know that's Russell T Davies, but honestly, do keep watching or you'll always be wondering. 100 stars to Karen Gillan in this.

Watched this series in one sitting and it's one of the best. The storyline is stylishly crafted and all brought together in the last 10 minutes to a totally satisfying ending which resonates with the strange times we live in.

Because of Hugh Bonneville's presence comparison with 2012 and W1A are inevitable but this is a straight and serious drama with relatively few injections of humour and those that are tend to be caustic.

The casting is superb as is the script and production and Karen Gillan and Ben Miles shine through in particular but in very different ways. We need more productions like this so well done ITV.

I'll definitely watch it again.