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Famed and loved TV presenter Douglas Bellowes makes a comment at a wedding, a comment that is deemed sexist. The comment is witnessed by a fellow guest, who posts the incident on Twitter, a media frenzy begins, and Douglas faces cancellation.

Stick with it, I struggled to get through episodes one and two, in episode three however, a switch is flicked, and it transforms into a tense, thought provoking story of control and abuse.

I was expecting a comedy drama, and early on there are snippets of humour, but all of that vanishes in episode three, the tone changes, as does the whole feel. Moffat makes you think, question and try to apportion blame to the various parties, you question who is guilty of what, who's the real villain.

Steven Moffat went for tried and tested, cast members he successfully worked with on Doctor Who, and none of them disappoint, wonderful to see Karen Gillan and Alex Kingston reunited. Hugh Bonneville and Ben Miles are fantastic too.

Please don't quit at episode two, stick with it, I assure you at episode three it will reward you.

8/10.

It starts off slowly and you wonder where it is all going. But I am so glad I stuck with it as it builds to a phenomenal climax.

The cast are fantastic with Hugh Bonneville, Ben Miles and Alex Kingston And really shows off Hugh Bonnevilles's slightly befuddled expressions and Miles being a predatory nightmare.

Karen Gillan is outstanding in a challenging role. You never know how to take her until the very end. A hugely difficult role and perfectly executed.

I absolutely hated her at the beginning and my sympathies were all in the wrong places. And then everything starts to shift and I wound up actually crying. An absolutely stellar performance from all the cast. The writing and direction were excellent.. Douglas and Madeline are brilliant and well worth any awards for their performances.

8/10 Britbox.

A hugely enjoyable series although it did start off a little silly. The jokes did hit and were funny but they just seemed at odds with the story & didn't seem to fit the situation. However episodes 3 & 4 are absolute belters.

The entire cast are great with Hugh Bonneville, Ben Miles and Alex Kingston all playing their parts extremely well with Miles particularly being superbly creepy.

But head and shoulders above this exceptional cast stands Karen Gillan. A still beloved Dr Who assistant She has since provided the Marvel Universe with one of its best character arcs with Nebula, while writing and directing her own films. But IMO Douglas is Cancelled is easily the best work of her career so far, she is absolutely formidable in the final 2 episodes.

Giving a phenomenally brilliant performance. She makes you laugh, makes you cry, makes you hate her and then makes you love her and it's the sort of award worthy performance that makes watching this drama worth your time all on its own.

A very timely story with a timeless lead performance, Douglas is Cancelled is worth checking out.

I nearly turned off a couple of times near the start (and I see that many other viewers did, their loss) but ended up bingeing all four episodes in the early hours. I have great respect for writer Stephen Moffat and it was a great cast. I confess to being a Dr Who fan and this reunion of Karen Gillan and Alex Kingston in the main female roles and as powerful characters from kept me glued to my screen (other Whovians from and in smaller roles also featured). The third episode is scary, and skin crawling, but wait .... the fourth is the key. Keep watching. There's always a twist at the end. Yes, I know that's Russell T Davies, but honestly, do keep watching or you'll always be wondering. 100 stars to Karen Gillan in this.

This show is a strange animal, but also somewhat entertaining, thanks in no small part to its brevity. The plot moves quickly and mercilessly, similar to the way the public internet court can pass judgement on someone like Douglas. As with everything written by Steven Moffat, the dialogues take center stage: they are snappy and spirited, often relying on quick repartees to drive the narrative.

The lead cast is excellent across the board, and I could listen to Karen Gillan's soft Scottish accent all day long. Where the show slumps however, is when the secondary players get any screen time. It's hard to believe that Moffat is the creator of such pointless characters as Douglas' unbearable daughter, or his clueless manager, or Nick the comedy writer, whose lifeless sense of humor is certainly meant to be ironic in and of itself, but really only ends up being discordant.

All in all, it's an interesting project and it's topical enough to generate discussions worth having in this day and age. I just wish Moffat had been more judicious when choosing his characters and a little braver when detailing the actual cancelling.

One of the best mini series I've watched in a long while. The acting by everyone is absolutely top notch probably because the writing and direction is of an extremely high standard. Not to mention the editing which often goes without the praise it deserves. The emotional delivery of quick fire line after line demonstrates the quality of this show throughout. I'd usually call out the lead actors for their brilliance, but in this case everyone played an important and valuable role, however small, in making this an enjoyable watch to the very end, and watching to the end is so worth it, trust me. Highly recommended.

The whole first episodes are a drag, and they are played like a farce. 3/10. I nearly turned it off. And then the last two episodes are great drama and written far better. 9/10. They should have done it as a two or three episode miniseries instead. Some characters are so overdrawn they feel out of place. And for a series that is (in the end) so squarely in women's corner, why write the wife's character basically as a stereotypical nagging jealous wife? It adds nothing to the point the series makes. There are some baffling decisions in this, so it's quite flawed, all in all, but it was a joy to see Gillan being able to show what she's capable of as an actor.

I apologise for my title, I couldn't think of anything world shattering, so moving on ... The performances were superb, lines delivered sharply, dialog flowed naturally, the chemistry between the relevant characters came across as natural.

I don't want to write any spoilers so: E1, sharp and funny, I thought it was setting the tone for all that would follow.

E2, pace and humour fizzled out a little and I started to wonder if all the best bits were in E1.

E3, everything went dark, to say a number of scenes left me feeling very uncomfortable would be the understatement of the year, at one point I wasn't sure if I wanted to keep watching but was hooked by the amazing acting and script.

E4, twists, turns and alternate perspectives and a 10* rated ending.

I can only say that if you feel it's not worth sticking with in E2, keep going, your heading for a roller coaster of emotion.

I am a Moffat-devotee however I had not watched this series until now firstly because trying to watch television on itvx is like trying to catch sunbeams with a butterfly-net and secondly because nothing interests me less than cancel culture not least because I don't really believe it exists however I am pleased to confirm it's awful title to be a total misnomer. This is not a story about the woke mob run amuck, and certainly not a horror story about some poor sod being cancelled for being overheard to make a drunken, sexist joke, this a gripping humanist drama set showing the stark contrast between the surface level optics of rule-by-mob virtue signaling versus what we really should care about, our responsibilities to our fellow humans and why we care about anyone else in the first place. As much as it seems ridiculous to say on a review for a series with such a sensationalist title and description as this does: this is the apotheosis of drama. The first episode was boring, the second thrilling and the third and fourth are poignant think-y feel-y stories about the human experience.

Watched this series in one sitting and it's one of the best. The storyline is stylishly crafted and all brought together in the last 10 minutes to a totally satisfying ending which resonates with the strange times we live in.

Because of Hugh Bonneville's presence comparison with 2012 and W1A are inevitable but this is a straight and serious drama with relatively few injections of humour and those that are tend to be caustic.

The casting is superb as is the script and production and Karen Gillan and Ben Miles shine through in particular but in very different ways. We need more productions like this so well done ITV.

I'll definitely watch it again.

Watch all four episodes to fully appreciate the stellar acting here of Karen Gillan as the joint anchor of a TV show with Hugh Bonneville. All the cast are excellent, especially Ben Miles as the sleazy producer who interviews Madeleine (Gillan) in his hotel bedroom, but in the end Karen just floored me with her screen presence. I've been watching her in the Jumanji movies for two or three years, plus a few other films and I'd picked this Scottish actress as one of the ones to watch, but this performance is beyond what I had anticipated from her.

We don't know for sure until the very end, just what her motives are for behaving as she does, but when it comes, it's a real humdinger.

Funny to begin with and lots of rapid fire quips until it starts to turn sinister. Alex Kingston provides ample support to Hugh as his wife, who doesn't quite trust him.

One of the more compelling TV drama series I've seen recently, really excellent, down not only to the actors but also the writing. Recommended.

Whatever **** you have to wade through; it's worth it is a line near the end of s1e4. Unfortunately, it is not.

It's well written with some great characters but there is little humour here and nothing in the way of drama.

It has some good moments but it is just inconsistent.

Obviously, there are likely to be comparisons to the lives of real life middle aged white male tv presenters that have made the news in recent times in this world of cancel culture but it has been said it us just a drama which was written prior to these events. The main actor being named Hugh is just unfortunate.

It's probably a great in house comedy for those in the business but it's an alien world to many of us.

You won't miss anything if you miss this.

Assume it will be cancelled after one series.

ITV has been in the lead over the BBC in the drama department for a few years now, and Douglas is Cancelled is another feather in their cap.

Like Sir Bates VS Post Office this takes on some very topical (if not historical) issues which feel very relatable.

The premise is a simple one - television presenter Douglas has been overheard making a sexist joke at a relatives wedding. The nature of this goes viral, dividing his fans, co-workers and the country alike. Should he be cancelled in a world where everyone finds absolutely anything offensive?

The cast here are all superb especially Hugh Bonneville and Karen Gillian as the two TV presenters, rounded out by a great supporting cast which includes Alex Kingston and always pitch perfect Ben Miles.

The show tackles a number of immediate and contemporary issues, not least of which is trial by social media, which is becoming a bigger and bigger problem these days, just ask Jay Slaters parents.

While this is Sunday night packaged entertainment that never gets on the wrong side of dark drama, its skillful and well made television.

This story grabs you from the off and feels extremely relatable from the get go. I'll be doing a deep dive on it on my Podcast tomorrow, but in the mean time, this comes with my strong recommedation.

Take on those big issue topics ITV, you do it so well.

Don't give up. It starts weird, but the last episode is one of the best I have seen in ages. And the casts performance is simply stellar.

Why it is categorized as a comedy I do not know. Probably to throw you off like the weird beginning. It is literally not funny and Mr. Moffat makes it quite clear for everyone why the topic adressed here really shouldn't be funny.

As a Dr. Who fan I knew if Kate Gillan and Steven Moffat are part of the series, it would be entertaining to watch. Seriously, never expected it to be this good.

Still can't believe I almost passed on this awesome mini series ...

I wasn't initially impressed, but stuck with it because the actors are good, the storyline credible and, over the run of the series, quite compelling. It has various interesting twists and turns and one is drawn in to see it through - who are the good guys and who the villains?! Even as it moves to a close, it's not always entirely clear who is really manipulating whom - but all the main players are consummate in their performances, especially Bonneville, Gillan and Miles.

It's worth a second series - if only to see how the storyline might progress, given Moffat is an accomplished writer and there's a fair dose of reality right through.

A well made and well acted TV series, provocative and deep, it starts with irony and snarky humour and then goes to explore a much more serious territory with satisfying results. In my opinion, this is "An Inspector Calls" for the modern audience. It was great to watch it in company and to discuss the themes, the characters and our personal experiences.

To those who are yet to watch it - prepare for your willpower to be challenged as, once started, it is very difficult to resist watching the next episode, the temptation to watch them all in one go was very strong, each episode ending on a cliffhanger.

The first two episodes are painfully boring. The exaggerated role of Douglas' daughter is simply irritating, and it's very difficult to warm to Madeline's character.

However, everything changes in episode 3 which is a frustrating and painful watch. I found myself incredulous for the lack of actions by both of the two main characters.

Come episode 4 and I had myself changing sides with every change of speaker! There are moments when you think no-one is guilty of wrong doing, then others where you think they all are!

You make your own judgement. But get through those first two episodes because the second half is so worth it.