An Ice Palace Romance

An Ice Palace Romance simply did not end up being as likeable as I initially thought. I loved the characters initially, including Lori's coworker, who was light and funny. He really looked and gestured similarly to Mario Cantone, from Sex and the City. I also loved their chemistry as friends/coworkers, so that made me initially think the whole movie would be fun. Instead, Lori quickly morphs into the 'nose for news' journalist that left her heart in Chicago and became an itinerant snob in her hometown.

It was difficult to like Lori, because she seemed to think that she was beyond criticism or reproach; she was resistant to the male lead, Mark (Marcus Rosner), for an extraordinary length of time, and I failed to see why he wanted to be with her so badly. Maybe it was her taking a liking to his daughter, which WAS a good aspect to the movie. However, that seemed flimsy, and it only became more grating as she eventually pulled an unthinkable move on him.

The good aspects of this movie included the realistic actors that played the side roles. I loved seeing people of all shapes and sizes and features.

There were mysterious details that I may have missed. Why was there a need to have a camera person following Lori always? That seems exorbitantly unrealistic, and they didn't really develop the friendship at all. (They meet, shoot something together, and suddenly are like old friends.) The architect and camera-person are adorable, and that storyline just didn't launch at all.

I also enjoyed seeing the familiar actress playing the Mayor, but she was a complete weirdo in that scene where she asks Lori "Are you sure that is all you are here to do ?(work)" (sic) - i saw serious snark in that facial expression, but wasn't sure why/what made the Mayor suddenly want to put Lori in her place. She also seemed stuck on herself, along with Lori.

The basic gist: the characters had so much promise, but the majority were either unused or seemingly elitist for no apparent reason. Mark was a great character, as well as the young girl who played his daughter. I appreciated her skating talent, and the fact that she could clearly skate in real life.

Celeste Desjardins ruins this entire movie with the constant fake smiling and botox face all the way through the film accompanied by the fake voice. She can barely move any of her face.......

At 27 why does she need botox or is she really 37 or 47 and faking her age too? Just don't get it...... such a pretty talented girl does not need all this fakery.........

Shannon McDonough was fun and real as the local photographer sussing out all the false motives for a new money-making plan.

Julia Dyan as the sister had potential. The stereotypical gay best-friend was just plain annoying.

Please just bring us some lovely skating instead of this fiasco!

This movie is an excellent remedy for insomnia. Based on the setting in an ice rink and the typical Hallmark plot of a young woman going back to her hometown, I wasn't expecting much from this movie. It was really boring for the first 30 minutes. Hardly anything happens other than the lead female heading to her hometown and finding out the local town single dad is into her. But the lead actors have about as much chemistry as wallpaper paste. The lead actor looks bored. The workaholic boss is loud and demanding. So many cliches. The acting is stiff and the lead actress recites her lines like she's reading from a teleprompter. The hilarious part is how the townspeople are supposed to be impressed by her figure skating skills. The lead actress (if it's even really her) can barely twirl in a circle on skates and the audience is supposed to believe she won skating awards as a teenager? The reality is that figure skating is a time-consuming and expensive sport. The casting directors could have cast some real skaters as body doubles or extras to make the skating scenes more believable. And of course, the premise of the single dad falling for the single woman from the city is so overplayed. Hallmark isn't exactly known for being original but these same plots are so trite. Save your sanity and watch something else.

Another "big city girl returns home" story from Hallmark - only to find it is where she belongs. I sure wish they would come up with different storylines. This one has been done to death. The leads are OK. There was some compatibility between the two. The skating daughter was cute. Lori decides to help coach her - even though she gave up skating long ago. Although, I have never heard of an up-and-coming skate champion giving it up because she fell. Ummmm ... I've watched the Olympics ... many skaters fall on the world stage and pick themselves up and continue. They don't just quit. Seemed pretty unrealistic to me. AND PLEASE! Stop with the flamboyant gay men! I know a lot of gay men - the majority do not behave like this. HALLMARK - in your quest to be "all-inclusive" you are defining this ALL WRONG. I'm certainly OK with gays being included in your stories - I am over you depicting them ALL as flamboyant. It's ridiculous. You should know this - you cast a lot of gay men in straight, romantic roles (Jonathan Bennett, Luke McFarlane, Peter Porte - to name three). Give it a rest!

This movie wasn't exactly a cinematic masterpiece, but oh, the model of the new ultra-modern building at the architectural firm truly stole the show. The quaint town, in a desperate bid to revamp their cozy downtown, decided to go full dystopian. They commissioned a high-rise that was the epitome of bleak - a gray, windowless monolith that could easily be mistaken for a gigantic parking garage.

The town planners, in their infinite wisdom, decided that the roof of this dreary edifice would be the town's new social hotspot. Because obviously, when you think of lively gatherings, a parking garage rooftop springs to mind.

And then, as if this architectural wonder wasn't already a marvel, the planners added another 10 stories of 'residential space' above. These living quarters were so laughably small, residents could barely fit inside. One might stand there, sandwiched between the walls, staring out into the void, thinking, "Why do I live here? My 'apartment' can't even fit a bed, and I have to limbo dance just to get through the door."

In this movie, the building model wasn't just a structure; it was a bold statement on the absurdity of modern urban planning, a tongue-in-cheek nod to the lengths we go to in the name of progress.