Elvira luta contra sua linda meia-irmã em um reino onde a beleza reina suprema. Ela recorre a medidas extremas para cativar o príncipe, em meio a uma competição implacável pela perfeição fís... Ler tudoElvira luta contra sua linda meia-irmã em um reino onde a beleza reina suprema. Ela recorre a medidas extremas para cativar o príncipe, em meio a uma competição implacável pela perfeição física.Elvira luta contra sua linda meia-irmã em um reino onde a beleza reina suprema. Ela recorre a medidas extremas para cativar o príncipe, em meio a uma competição implacável pela perfeição física.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 6 indicações no total
Agnieszka Zulewska
- Agnes' Mother
- (as Agnieszka Żulewska)
Avaliações em destaque
The movie looks beautiful! Actresses are all amazing, especially both sisters and step-mother. I think Agnes (Cinderella) was presented as a bit bland on purpose, because the whole movie was from the perspective of one of the "ugly" sisters. The movie is very close to dark comedy, with body horror elements and twist on an original, also dark, Cinderella story.
I love that nothing is presented as we would expect. "Ugly" sisters are not ugly or evil, especially younger sister who is very sweet and actually quite beautiful but presented as really too young for the Prince.
Prince is also not presented as nice royal and good-mannered person like in story, as you can see in the movie, it's a rather surprising and possibly more realistic view on young, very rich and very spoiled king's son.
Cinderella is barely on screen. Viewers still root for her because she did nothing wrong, but I love the additional little twist on her character too. Those who saw the movie will know. She is not naive little girl either.
Stepmom is not inherently evil, as presented in cartoon, she is just not-so-smart, greedy woman, who likes money and who saw her chance to get it in her older daughter. Another rather realistic presentation instead of "pure evil stepmother" stereotype in fairytales.
Now, actress who plays Elvira is amazing! She is joy to watch, she absolutely the center of the movie and we see pretty much everything from her perspective.
Alma, younger sister, is presented as sweet and smart child with a lot of compassion and love for Elvira which I love!
On the darker side, there is a lot of gore in getting Elvira to the beauty standard she craved so much. I admit a lot of scenes I had difficulties to watch. So, be prepared for Cinderella, body horror + dark comedy, from perspective of one of the "ugly" (none of them are ugly, hence quotes) sisters.
I love that nothing is presented as we would expect. "Ugly" sisters are not ugly or evil, especially younger sister who is very sweet and actually quite beautiful but presented as really too young for the Prince.
Prince is also not presented as nice royal and good-mannered person like in story, as you can see in the movie, it's a rather surprising and possibly more realistic view on young, very rich and very spoiled king's son.
Cinderella is barely on screen. Viewers still root for her because she did nothing wrong, but I love the additional little twist on her character too. Those who saw the movie will know. She is not naive little girl either.
Stepmom is not inherently evil, as presented in cartoon, she is just not-so-smart, greedy woman, who likes money and who saw her chance to get it in her older daughter. Another rather realistic presentation instead of "pure evil stepmother" stereotype in fairytales.
Now, actress who plays Elvira is amazing! She is joy to watch, she absolutely the center of the movie and we see pretty much everything from her perspective.
Alma, younger sister, is presented as sweet and smart child with a lot of compassion and love for Elvira which I love!
On the darker side, there is a lot of gore in getting Elvira to the beauty standard she craved so much. I admit a lot of scenes I had difficulties to watch. So, be prepared for Cinderella, body horror + dark comedy, from perspective of one of the "ugly" (none of them are ugly, hence quotes) sisters.
The Ugly Stepsister is A dark, twisted re telling of the Cinderella story..... with A LOT of added gore.
The film tells the story of Elvira, who is essentailly, the Ugly Stepsister of the classic fairytale, the movie ios from her point of view.
The movie opens with Elvira her mum and younger sister moving in with another family (just the dad and the 'pretty daughter')
Some stuff happens, there's financial worries and.... news comes that the Prince will be having a ball and there he will chose his bride... so every young girl in the area sets off on a mission to... be the lucky lady.
So it is the classic fairytale ...to an extent.
Both Elvira and her Stepsister are after the Princes 'love' (in fact the movie opens with Elvira reading the princes published poems, and she has regular daydream fanatasies about being swept of her feet by him)
But the movie is really about the lengths that Elvira (and her mum) will go to, in order to become 'beautiful' and therefore worthy of the Prince
Thats more or less the plot
The early hype around this has been focusing on the gore element... And while it is VERY gorey at times... I think focusing on that does the film a bit of a disservice....
Yes... Its gorey, but it's much more internal and more of a psychological horror....(in a good way)
(Actress) in the lead role is BRILLIANT. You can see the struggles shes goin through internally on her face.... Its s brilliant, genre topping performance.
The supporting cast, specifically the mum, are also top tier.
I'm going to assume it was a low budget... But it didn't look or FEEL low budget.
The period costumes look great, the makeup snd physical effects dont look cheap....
The Cinematography (especially the fantasy sequences) and more specifically the sound design, it doesn't look OR sound lime a cheap movie.
So it seems they've spent their money wisely.
Score has stranger things vibes, interesting juxtaposition to the period drama setting
Then there's almost a spaghetti western vibe to the score... so, when it works, it works really well, but it did feel a little disjointed at times
It's written and directed by a woman, and I think that's partly what gives this such a unique feel at times. There's elements to the movie about the female gaze, that, lets face it, would probably have been handled differently if directed by a man
The pressure, young women in particular are put under to look a certain way...
The methods used in the movie might be more barbaric than today's.... But the underlying societal issue is the same.
The moral, the theme... while at times can feel a little on the nose (pun intended) is still, sadly relevant in today's society.
There's a line in the movie that stuck out to me "you're changing the outside to fit what you know is on the inside... Its what's inside that counts"
In an effort to make herself beautiful on the outside she becomes ugly on the inside.... (then ugly on the outside)
Now, even though I've kinda down played the goriness.... Its definitely an 18 rated movie
But none of the sex, nudity or violence feels gratuitous.... It all serves the story and the characters, it's not gore for the sake of gore (lookin at you Terrifier!)
Oh, and there is a an ed credits scene so stick around for that
7/10 for the ugly step sister.
I was very pleasenlty surprised by this. I went in expecting a fairly mindless gore fest, what i got was a well thought out, well paced psychological body horror (with a fair amount of gore) that Cronenberg fans would be proud of.
Would make a good double bill with THE SUBSTANCE
Thanks to shudder and strike media for giving me an early look at this, it's in select uk cinemas as of April 25th and I believe it's already in US cinemas.
Thats us folks, I'll catch you ijnthe next video
✌🏻
The film tells the story of Elvira, who is essentailly, the Ugly Stepsister of the classic fairytale, the movie ios from her point of view.
The movie opens with Elvira her mum and younger sister moving in with another family (just the dad and the 'pretty daughter')
Some stuff happens, there's financial worries and.... news comes that the Prince will be having a ball and there he will chose his bride... so every young girl in the area sets off on a mission to... be the lucky lady.
So it is the classic fairytale ...to an extent.
Both Elvira and her Stepsister are after the Princes 'love' (in fact the movie opens with Elvira reading the princes published poems, and she has regular daydream fanatasies about being swept of her feet by him)
But the movie is really about the lengths that Elvira (and her mum) will go to, in order to become 'beautiful' and therefore worthy of the Prince
Thats more or less the plot
The early hype around this has been focusing on the gore element... And while it is VERY gorey at times... I think focusing on that does the film a bit of a disservice....
Yes... Its gorey, but it's much more internal and more of a psychological horror....(in a good way)
(Actress) in the lead role is BRILLIANT. You can see the struggles shes goin through internally on her face.... Its s brilliant, genre topping performance.
The supporting cast, specifically the mum, are also top tier.
I'm going to assume it was a low budget... But it didn't look or FEEL low budget.
The period costumes look great, the makeup snd physical effects dont look cheap....
The Cinematography (especially the fantasy sequences) and more specifically the sound design, it doesn't look OR sound lime a cheap movie.
So it seems they've spent their money wisely.
Score has stranger things vibes, interesting juxtaposition to the period drama setting
Then there's almost a spaghetti western vibe to the score... so, when it works, it works really well, but it did feel a little disjointed at times
It's written and directed by a woman, and I think that's partly what gives this such a unique feel at times. There's elements to the movie about the female gaze, that, lets face it, would probably have been handled differently if directed by a man
The pressure, young women in particular are put under to look a certain way...
The methods used in the movie might be more barbaric than today's.... But the underlying societal issue is the same.
The moral, the theme... while at times can feel a little on the nose (pun intended) is still, sadly relevant in today's society.
There's a line in the movie that stuck out to me "you're changing the outside to fit what you know is on the inside... Its what's inside that counts"
In an effort to make herself beautiful on the outside she becomes ugly on the inside.... (then ugly on the outside)
Now, even though I've kinda down played the goriness.... Its definitely an 18 rated movie
But none of the sex, nudity or violence feels gratuitous.... It all serves the story and the characters, it's not gore for the sake of gore (lookin at you Terrifier!)
Oh, and there is a an ed credits scene so stick around for that
7/10 for the ugly step sister.
I was very pleasenlty surprised by this. I went in expecting a fairly mindless gore fest, what i got was a well thought out, well paced psychological body horror (with a fair amount of gore) that Cronenberg fans would be proud of.
Would make a good double bill with THE SUBSTANCE
Thanks to shudder and strike media for giving me an early look at this, it's in select uk cinemas as of April 25th and I believe it's already in US cinemas.
Thats us folks, I'll catch you ijnthe next video
✌🏻
A twisted take on Cinderella, The Ugly Stepsister is a Norwegian body horror flick that will creep you out through it's take on beauty standards and the level of extremity one can go to fit well.
The director, Emilie Blichfeldt did the same with 'The Ugly Stepsister' this year, with what was done in 2024 by Coralie Fargeat with 'The Substance', by showcasing the lengths one go to stay relevant. While it is far from perfect and the characters don't stand out much, apart from the lead; The Ugly Stepsister has abundant gore, amazing BGM and splendid performance by Lea Myren as Elvira that elevates the movie.
The director doesn't even hold back on frontal nudity of the characters in couple of scenes, and the third act of this body horror is equally disgusting to watch as well as emotionally draining; but for the advanced horror fans, this might be a treat.
My Rating : 3.5/5.
The director, Emilie Blichfeldt did the same with 'The Ugly Stepsister' this year, with what was done in 2024 by Coralie Fargeat with 'The Substance', by showcasing the lengths one go to stay relevant. While it is far from perfect and the characters don't stand out much, apart from the lead; The Ugly Stepsister has abundant gore, amazing BGM and splendid performance by Lea Myren as Elvira that elevates the movie.
The director doesn't even hold back on frontal nudity of the characters in couple of scenes, and the third act of this body horror is equally disgusting to watch as well as emotionally draining; but for the advanced horror fans, this might be a treat.
My Rating : 3.5/5.
I have consistently held a profound admiration for ideas and concepts that appear straightforward at first, yet upon deeper investigation, uncover a fascinating and profound complexity. Similar to the themes and notions presented in this film, which impressed me with its visual artistry, although some scenes are daring, these are typical in Scandinavian films, so this detail shouldn't catch you off guard. Reimagining a timeless fairy tale like "Cinderella" from the point of the spiteful, unattractive stepsister is sheer brilliance and a remarkable masterpiece. This concept might appear straightforward to certain individuals, yet in truth, it is truly brilliant. In this case, "Agnes," or more accurately "Cinderella," is no longer the naive angel we recognize. She treats her stepsister (Elvira) quite harshly and delights in premarital relations with the stable boy, while presenting herself as a virgin to the prince soon after. In addition to the classic tales and long-standing stereotypes from traditional Disney stories, the stepsister is now depicted not as a haughty, wicked girl, but instead as a shy, uncertain girl, even about her own self.
This creative advancement, along with numerous others, certainly enhanced the film's artistic richness and set it apart from other popular films with similar narratives. Certainly, the originator of this nightmarish concept is the imaginative Norwegian author and filmmaker, Emilie Blichfeldt, who has presented us with a bleak portrayal of both beauty and ugliness. This image goes beyond being merely an amusing film, uplifting us as spectators, without resorting to a shallow narrative, a clichéd drama, or an ineffective comedy. The creative director delivered a stark, socially pertinent message, a grim and intense enhancement to the "body horror" genre, while also incorporating some subtle elements of dark humor effectively. I genuinely enjoyed the film, and when I selected it for my evening viewing, I didn't anticipate it would elevate my experience as much as it did in tandem with him during the viewing. I am familiar with Scandinavian cinema, recognizing its sophistication, and I'm also acutely aware of its remarkable boldness in explicit scenes. An outstanding movie in every aspect, including directing, performances, visuals, costumes, writing, and soundtrack. The music at the start of the movie amazed me, indicating that I was impressed early on, to such an extent that I watched the film again after it finished to hear it once more. - It's by the incredible Australian artist Molly Lewis, renowned for her whistling skills. She now lives in Los Angeles.
Hold on. Here's a point, At the film's outset, during the opening credits and theme music, the camera smoothly glides over the dinner table, paired with the captivating music. It moves over the deceased father's head on the table, as though he's lying there with his head on it, but his eyes are open, gazing at us.
This is "an artwork of supreme beauty and magnificence." Oh my goodness, what imagination! Alternatively, the movie is packed with various other delights. A fantastic movie with a superb mark.
An extremely enjoyable combination.
This creative advancement, along with numerous others, certainly enhanced the film's artistic richness and set it apart from other popular films with similar narratives. Certainly, the originator of this nightmarish concept is the imaginative Norwegian author and filmmaker, Emilie Blichfeldt, who has presented us with a bleak portrayal of both beauty and ugliness. This image goes beyond being merely an amusing film, uplifting us as spectators, without resorting to a shallow narrative, a clichéd drama, or an ineffective comedy. The creative director delivered a stark, socially pertinent message, a grim and intense enhancement to the "body horror" genre, while also incorporating some subtle elements of dark humor effectively. I genuinely enjoyed the film, and when I selected it for my evening viewing, I didn't anticipate it would elevate my experience as much as it did in tandem with him during the viewing. I am familiar with Scandinavian cinema, recognizing its sophistication, and I'm also acutely aware of its remarkable boldness in explicit scenes. An outstanding movie in every aspect, including directing, performances, visuals, costumes, writing, and soundtrack. The music at the start of the movie amazed me, indicating that I was impressed early on, to such an extent that I watched the film again after it finished to hear it once more. - It's by the incredible Australian artist Molly Lewis, renowned for her whistling skills. She now lives in Los Angeles.
Hold on. Here's a point, At the film's outset, during the opening credits and theme music, the camera smoothly glides over the dinner table, paired with the captivating music. It moves over the deceased father's head on the table, as though he's lying there with his head on it, but his eyes are open, gazing at us.
This is "an artwork of supreme beauty and magnificence." Oh my goodness, what imagination! Alternatively, the movie is packed with various other delights. A fantastic movie with a superb mark.
An extremely enjoyable combination.
Sometimes you just need to break out of the usual - that's exactly what we decided when we planned a movie night and picked The Ugly Stepsister. We'd been watching way too many normal movies lately, so this weird little gem popped up in our recommendations and we figured, "Why not dive into horror for once?" And wow... what a ride.
It's a Cinderella story - but not the one you grew up with. This version flips everything on its head and shows things from a darker, bloodier perspective. For some of us, it even ruined the original fairytale a bit (sorry Disney), but honestly, that's part of what made it so fun. The creativity behind it was wild.
Winny appreciated that it wasn't in English - finally, a foreign-language film retelling a classic fairytale for adults, and doing it justice. Willow was all in for the body horror (he lives for that twisted stuff), and he was curious from the start to see what happens when innocence meets horror. Mimikyu adored the dances, the acting, and the lead character, even though she had to hide behind her hands once things got really dark. Amy and Tails were both totally hooked despite never having seen the original Cinderella - watching it with friends made it even better. And Sweet? He couldn't stop talking about how gross and unappetizing they managed to make the food look - which he loved, weirdly.
Also, the gore? Brutally brilliant. Eyelid sewing? Chopped toes like carrots? Had us all in stitches. There's even that perfect blend of male and female gaze moments, without being awkward - bold shots, symbolic visuals (yes, including that now-iconic phallic one), and some weirdly artistic moments involving... yeah, we'll let you find that out.
Throw in the stunning costumes, some fan-worthy accessories (someone couldn't stop gushing over the harp scene), and a soundtrack that fits the unsettling tone perfectly, and you've got a film that's as stylish as it is disturbing.
Definitely not your average fairytale. 8/10 from all of us - disturbing, weirdly beautiful, and totally unforgettable.
It's a Cinderella story - but not the one you grew up with. This version flips everything on its head and shows things from a darker, bloodier perspective. For some of us, it even ruined the original fairytale a bit (sorry Disney), but honestly, that's part of what made it so fun. The creativity behind it was wild.
Winny appreciated that it wasn't in English - finally, a foreign-language film retelling a classic fairytale for adults, and doing it justice. Willow was all in for the body horror (he lives for that twisted stuff), and he was curious from the start to see what happens when innocence meets horror. Mimikyu adored the dances, the acting, and the lead character, even though she had to hide behind her hands once things got really dark. Amy and Tails were both totally hooked despite never having seen the original Cinderella - watching it with friends made it even better. And Sweet? He couldn't stop talking about how gross and unappetizing they managed to make the food look - which he loved, weirdly.
Also, the gore? Brutally brilliant. Eyelid sewing? Chopped toes like carrots? Had us all in stitches. There's even that perfect blend of male and female gaze moments, without being awkward - bold shots, symbolic visuals (yes, including that now-iconic phallic one), and some weirdly artistic moments involving... yeah, we'll let you find that out.
Throw in the stunning costumes, some fan-worthy accessories (someone couldn't stop gushing over the harp scene), and a soundtrack that fits the unsettling tone perfectly, and you've got a film that's as stylish as it is disturbing.
Definitely not your average fairytale. 8/10 from all of us - disturbing, weirdly beautiful, and totally unforgettable.
Você sabia?
- CuriosidadesThere is an end credits scene at the very end of the credits
- Cenas durante ou pós-créditosThe rotten corpse of the stepfather is shown after the credits.
- ConexõesReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Trilhas sonorasPiano Sonata No. 14 (Moonlight Sonata)
Composed by Ludwig van Beethoven
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- La hermanastra fea
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 308.555
- Fim de semana de estreia nos EUA e Canadá
- US$ 174.930
- 20 de abr. de 2025
- Faturamento bruto mundial
- US$ 1.194.797
- Tempo de duração1 hora 49 minutos
- Cor
- Mixagem de som
- Proporção
- 1.66 : 1
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