Minha Doce Terra Amarga

Anyone who reads international news reports, knows that Iraqi Kurdistan is now in the centre of major geopolitical developments. Kurdish fighters, called peshmerga, are trying to repel the radical Islamic State, with the assistance of the US.

It's interesting background information, because 'My Sweet Pepper Land' is a film about a peshmerga fighter. The film is set in the period after the war against Saddam Hussein. The Iraqi Kurds have created their own, autonomous region and are trying to rebuild law and order. Former peshmerga fighter Baran takes part in that effort, not so much because of idealistic reasons, but to get away from his mother who is desperate to arrange a marriage for her son. He gets a job as the new police officer in a remote village near the Turkish border.

On his way to the village, which can only be reached on foot or on horseback because of a destroyed bridge, he meets another new government official: Govend, the pretty school teacher. She is also trying to escape an arranged marriage, set up by her father.

But the villagers are not keen on education for their children, nor on law enforcement. They rather rely on protection from a local criminal, who arranges illegal smuggling activities in the remote, mountainous area. Soon, both Baran and Govend clash with this man. Against all odds, they stubbornly defend what they think is right.

The director was clearly influenced by the classic westerns. He cleverly inserts western elements in this Kurdish setting. The horses, the hats, the long, fur-lined coats, the guns everyone is carrying - it makes Kurdistan look like the American wild west. The story itself is of course a classic western theme: a lone man fights for justice in a hostile environment, and at the same time provides protection for the local beauty.

The mix of Kurdish and western elements make this a nice and enjoyable film. It also provides insight in the Kurdish culture and history. The opening scene for example is at the same time hilarious and tragic: it shows how officials from the new Kurdish government clumsily try to hang a criminal. The man is standing on a ballot box with the rope around his neck.

One last remark: the soundtrack partly consists of beautiful music played by school teacher Govend on a very distinct musical instrument. You're inclined to think that this is a traditional Kurdish instrument, but actually it is a Hang, a Swiss invention from 2001.

I loved this very real "western"... "the good and the bad", a courageous movie that tells us the REAL LIFE in those very far countries. I realized, with drops, that people always have this type of extreme life. I was telling me "it was the similar in Nevada" 200 years ago... Have to be seen by all...

What's the Kurdish word for 'spaghetti?' "My Sweet Pepper Land" is a classic Spaghetti Western set in a remote corner of Iraqi Kurdistan. Upright stalwart hero, distressed damsel, band of lawless ruffians to be dispatched, and, as an interesting twist, a group of well armed feminist freedom fighters who don't like anybody very much. It's a culturally interesting story, flawed by several gratuitous episodes of cruelty to animals being passed off as entertainment-- kind of wrecked the film for us. The high point was the female lead, Golshifteh Farhani (as Govend) playing a melodious Kurdish-6 pan drum. Along with the other music, that made for a much better than average soundtrack.

Although classed as a Comedy (it has its moments) at the 2014 Palm Springs International Film Festival, it isn't.

The idea and story are good. The landscape tells a lot itself. Movie starts very promising, especially when the old mum is presenting potential brides :) The role of woman is also depicted very well. She was empowered by her family and made her own choice to work where she feels needed.

Movie overall is beautiful and is worth to watch. But the tools used to reveal the characters are too western. I did not meet my expectations of seeing anything about brave Kurds, about their moral codex, love and war. To me, director failed to find a equilibrium between grotesque (first part of movie) and Kurds' traditions.

A very nice film, with many good qualities.

First of all the cast: the pretty (and talented) Golshifteh Farahani and the less known but equally intriguing Korkmaz Arslan, together with several convincing actors in supporting roles. Interestingly, neither Farahani nor Aslan are Kurds (she is Iranian and he is Turkish…).

Then we have the undisputed talent of Mr Hiner Saleem (who really is Kurd), whose filmography already has gained him a well deserved fan base.

Finally, you'll see Kurdistan. The ugly, cold Kurdistan with its stony hills and gaunt landscapes. Poor, superstitious and dangerously undeveloped, with its violent attitude and undersized rides. And you won't be able to help but like it.