John

John" (2023) is a thought-provoking action film that takes a unique approach to storytelling. Set against the backdrop of Hollywood, LA, it delves into the struggles of LGBTQ sex workers, drawing inspiration from Italian neorealism and the French New Wave. The movie artfully blends action sequences with a poignant narrative, creating a compelling and emotional experience for viewers.

The film's exploration of the lives of sex workers within the LGBTQ community is both sensitive and raw, shedding light on a seldom-told side of society. The characters are richly developed, and the cast's performances are remarkable, bringing depth and authenticity to their roles.

Masterfully combines elements of classic cinema with a modern sensibility, resulting in a visually striking movie. The cinematography captures the essence of LA's gritty streets and vibrant nightlife, providing a vivid and immersive backdrop for the story.

The action sequences in "John" are thrilling and well-executed, showcasing impressive choreography and intense moments. These sequences serve not only as entertainment but also as a metaphorical expression of the characters' struggles and determination.

While the film's artistic influences are apparent, "John" manages to create a distinct identity of its own, offering a fresh take on LGBTQ issues and social realities. It invites viewers to reflect on the challenges faced by marginalized communities while delivering a gripping cinematic experience.

In conclusion, "John" (2023) is an action movie that goes beyond the genre's conventions, using its unique storytelling style to shed light on important societal issues. It's a must-see for those who appreciate thought-provoking cinema with a mix of action and social commentary.

"John" (2023) is a bold departure from the conventional action movie genre, as it delves into the gritty and heart-wrenching lives of LGBTQ sex workers in the bustling streets of Hollywood, LA. Drawing inspiration from Italian neorealism and the French New Wave, this film captures the raw and unfiltered essence of their daily struggles.

The movie's narrative is a stark departure from the typical action film, offering a refreshing and poignant exploration of the human condition. It delves deep into the lives of its characters, allowing us to empathize with their challenges and triumphs.

Good.

John Review "John," the brainchild of writer-director Han Minh Le, is poised to make its festival debut this year. Backed by producer Joseph Hieu, known for the Sundance Film Festival's award-winning "The Accidental Getaway Driver", the film dives deep into the tumultuous life of a young Latino sex worker.

The film's 90-minute run lays bare every aspect of John's struggle; from the poor neighborhood he lives in to the condoms and medicine he has to steal to keep his lifestyle afloat, at times getting too close for comfort. But that's a part of Le Han's directorial vision, who's devoted to giving his audience a one-of-a-kind experience, that's both raw and authentic.

Nonetheless, there's hope to be had in the fact that even someone like John, who isn't as resourceful, has people looking out for him. Peaches, a black trans prostitute who is by far the most interesting character in the film looks out for him on the regular, offering him companionship and financial help. Celine Jackson, the actor who plays the character knocks it out of the park with her performance and comes off as a seasoned veteran. There's also Miguel, an older experienced hustler who guides John through the dynamics of their profession. Though not as impactful as his counterpart, Seth Hafley does an adequate job.

Not only does the film explore in detail what's life like for sex workers, as it constantly portrays the threats of addiction, homelessness, and HIV but it also touches upon the stigma of being queer in a society that's becoming increasingly intolerant. Sebastian Perez does a great job of portraying the isolation and loneliness of his character and the film's cinematography and camerawork only make it more powerful.

The film's standout aspect is the director's surprising choice to shoot it via an iPhone. Not only is the quality uncompromised but Han Le takes full advantage of the medium, resulting in shots that would be very difficult to pull off with an elaborate camera setup. Ultimately, the decision lends greatly to the director's vision of delivering a very personal look into the lives of the film's characters.

All in all, "John" is a powerful and thought-provoking film that leaves an indelible mark by delving into uncomfortable realities.

I have to confess that I had been tempted to switch off at a couple of points early in the film. I really don't like opera or classical music accompanying a movie. It always strikes me as pretentious. And, as I'm going deaf, I had the subtitles on which irritated me when they flashed up saying "Operatic music playing" when it was actually Vivaldi's Four Seasons. Minor quibbles though as the action drew me in.

I was particularly struck by the camaraderie amongst the rent boys. And the supporting cast was convincing enough to make me wonder if they actually were streetwalkers. Peaches, despite her sharp edges was also a sympathetic character.

John was a bundle of contradictions, in turn kindly (to the congressman) and a thieving scumbag (with the poorer guy in the car). But no eighteen year old should have to carry his burdens, especially the final one.

This, despite some lighter moments, was a depressing film. Totally worth watching though.

I can see what they were trying to do with this film, it just did not work.

I can appreciate the attempts to touch upon French new wave but it really does miss the mark.

This is a well worn and weary tale of street prostitution, attempting to blend realism with drama.

But the script is so disjointed and overlong. Whilst it tries to touch upon the different stories of various characters, be they prostitutes or their renters, it rests on cliche and feels too forced.

Whilst I can appreciate the rough edges of the acting (and their are some lovely performances) you need a strong lead, which this film fails at delivering. The lead actor is a one trick pony, utterly failing to portray any complexity or depth to a role which requires it.

It also suffers from some confusion on its style in acting. On the one hand it wants to portray realistic and raw, but then throws in some completely contrived sections.

I understand there are people who will love this, maybe I just think we have moved on from this style - relevant more for a different time in film.

But it is not a total loss for me, hence the 4 stars. Whilst meandering and dull at points, it has some bright moments which makes it worth a watch.