AVALIAÇÃO DA IMDb
7,5/10
2,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking... Ler tudoAn embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 10 vitórias e 17 indicações no total
Moira Lang
- Prof. Moira
- (as Moira)
Avaliações em destaque
Personally, I would like to edit this film into a much shorter version simply because some scenes are understood and don't need to be repeated.
Apart from that, this is a very powerful film with a very powerful message/premise.
I have never see a film who's main character's journey is so unpredictable yet so inevitable.
Slowly slowly, it all adds up in the end.
I believe this director's usual work is longer that 4 hours. I don't think I could go through that again, but I hope that the director finds a way to reach a larger audience with the same powerful messages in a shorter space of time (maybe 2 1/2 hours?).
Apart from that, this is a very powerful film with a very powerful message/premise.
I have never see a film who's main character's journey is so unpredictable yet so inevitable.
Slowly slowly, it all adds up in the end.
I believe this director's usual work is longer that 4 hours. I don't think I could go through that again, but I hope that the director finds a way to reach a larger audience with the same powerful messages in a shorter space of time (maybe 2 1/2 hours?).
An absolute masterpiece from Philippines, inspired by Fyodor Dostoevsky's "Crime & Punishment" but told through real events & political / social problems of the director's country
This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring this is the human condition in it's most naturalistic state
Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours a masterpiece that will take some time to wipe form your memory
http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz
This is the first 4 hour movie that didn't even feel that length, perfectly paced, beautifully shot, deep & reflective, gripping & awe inspiring this is the human condition in it's most naturalistic state
Can't wait to see another one of this brilliant film makers films which have running times up to 11 hours a masterpiece that will take some time to wipe form your memory
http://samuellbronko.tumblr.com/post/117757930882/norte-the-end-of- history-2013-lav-diaz
Diaz has an enormous sensibility when it comes to portraying the mood and emotions of his characters through his use of time and setting. There are plenty of scenes where you just get a feeling of tender humanity, of quiet loneliness and bare compassion. It's an experience anyone who appreciates slow and meditative films will appreciate.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
Finally, a movie from my country that's in the same tier as "Parasite", "The Godfather", and all the other masterfully crafted movies out there.
I finally have faith in what my country makes now.
I finally have faith in what my country makes now.
Lav Diaz is famous (or infamous) for long runtimes. This one isn't too long (for Diaz's standards) but it is quite long and stretchy. If it was cut down to say, a 3-hour runtime, the story would still be effectively told. Nonetheless, the film still managed to hold my attention. Throw me a movie with a countryside view, a laid-back province environment, a village by the sea, and a green scenery, and I will surely glue my eyes on it.
The movie revolves around the lives of 3 central characters, played by versatile and veteran supporting casts. These central characters I'm referring to are 1) Fabian- a genius turned lunatic 2) Joaquin- a family man indicted for a crime he never committed and 3) Elisa- the perfect example of a strong woman.
It's so hard to choose which of the three characters most affected us, or who most most realistically depicts how sad and cruel society is. Their lives are so colorful that in the turn of events, one can only ponder on how cruel can fate be.
I would give a special shout out to Sid Lucero, who plays Fabian in the movie. Fabian is an interesting character. He was a former law student whose intellect could have made him bar topnotcher. He likes talking about philosophy, conspiracies, politics, history--smart man. But I guess what he had in intellect, he lacked in rational thinking. He ran out of his mind because he was probably eaten by guilt. He was someone who can't control his emotions. And this led him to do crazy things. And this, ladies and gentleman, was very well acted by no less than Sid Lucero. I can't even think of someone else doing the role than him. Then again, Sid Lucero has already proved his versatility and craftsmanship that it's no longer a question.
At first I didn't know what's the relation between Norte and the movie. I found out later on that the film was shot in the northern most part of the island of Luzon in the Philippines. Thus, the "North". As to the "end of history" part, well, it could be both literal and metaphorical.
The movie has serious and deep themes which spices up the whole movie. There's murder, poverty, guilt, judgement, incest, hope, faith, longing, remorse...name it. All of these are depicted in the three lives connected to each other by fate.
The no. 1 strength this movie has to offer is the brilliant performances from the actors. They brought the whole story, which is already great by itself, even greater.
The movie revolves around the lives of 3 central characters, played by versatile and veteran supporting casts. These central characters I'm referring to are 1) Fabian- a genius turned lunatic 2) Joaquin- a family man indicted for a crime he never committed and 3) Elisa- the perfect example of a strong woman.
It's so hard to choose which of the three characters most affected us, or who most most realistically depicts how sad and cruel society is. Their lives are so colorful that in the turn of events, one can only ponder on how cruel can fate be.
I would give a special shout out to Sid Lucero, who plays Fabian in the movie. Fabian is an interesting character. He was a former law student whose intellect could have made him bar topnotcher. He likes talking about philosophy, conspiracies, politics, history--smart man. But I guess what he had in intellect, he lacked in rational thinking. He ran out of his mind because he was probably eaten by guilt. He was someone who can't control his emotions. And this led him to do crazy things. And this, ladies and gentleman, was very well acted by no less than Sid Lucero. I can't even think of someone else doing the role than him. Then again, Sid Lucero has already proved his versatility and craftsmanship that it's no longer a question.
At first I didn't know what's the relation between Norte and the movie. I found out later on that the film was shot in the northern most part of the island of Luzon in the Philippines. Thus, the "North". As to the "end of history" part, well, it could be both literal and metaphorical.
The movie has serious and deep themes which spices up the whole movie. There's murder, poverty, guilt, judgement, incest, hope, faith, longing, remorse...name it. All of these are depicted in the three lives connected to each other by fate.
The no. 1 strength this movie has to offer is the brilliant performances from the actors. They brought the whole story, which is already great by itself, even greater.
Você sabia?
- CuriosidadesRanked 9 (tied with Um Estranho no Lago (2013)) in the ten best films of 2013 by the film magazine Sights & Sounds.
- ConexõesFeatured in The Story of Film: A New Generation (2021)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Norte, the End of History?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Norte, the End of History
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 10.457
- Fim de semana de estreia nos EUA e Canadá
- US$ 2.164
- 22 de jun. de 2014
- Faturamento bruto mundial
- US$ 10.457
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente