A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.A poderosa advogada Marley enfrenta seu caso mais pessoal até o momento, quando tem a tarefa de descobrir a verdade por trás do assassinato do marido de sua melhor amiga Fela.
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STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.
For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.
The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.
Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **
Marley Wells (Kat Graham) is a high flying attorney, with a loving husband, Tony (Tyler Perry, also starring?!!) and her best friend, Fela (Meagan Tandy.) However, when Fela's partner, Kevin (RonReaco Lee) is slain in a police stop, by new recruit Officer Caleb (Jimi Stanton), under the supervision of family friend Shannon (Shannon LaNier), Wells's life is thrown into a whirlwind of disarray, with a devastating truth where everything may not be as it seems.
For the fourth time in the space of a year (including his two and a half hour unseen farrago Divorce in the Black), writer/director Tyler Perry has another passion project on the go that he can't wait for us all to see. Featuring a no name cast, including, it seems, the man himself, here he has a stab at a suspense thriller with a social justice slant thrown in ('cos that's still an in thing), but if at first he didn't succeed, trying, trying and trying again really hasn't worked for him.
The theme of black men being shot dead in police stops still holds a great deal of passion for many, and so it's still a fairly inspired premise on which to base a new film, but here it's delivered in such a ham fisted, heavy handed manner that it has no effect. There is the slightest hint of genuine suspense and mystery to the story, but it's quickly drowned out by descending into a preposterous, drawn out ending that pollutes the rest of the project.
Missieur Perry would do well to consider the likes of Uwe Boll, and even the 'legendary' Ed Wood, and consider his present trajectory in their direction before he gets carried away again. **
Tyler once said he writes his scripts in a week and from this film.. we can see. There were so many plot holes, and although the plot twists were good it just left me with more questions. After the movie, I had to rewind to the beginning to see if I was just stupid or if he really just did not take enough time to write a full and complete story. I love supporting black people but Tyler what the hell?? I shouldn't need a thorough explanation video after watching a Tyler Perry movie... The scene where the white woman says she doesn't want to talk to the attorney anymore and she just turns around and the camera is still on her will be ingrained in my brain forever. We need you to spend more time writing Tyler, I just don't understand.
Okay, the film isn't Oscar worthy, but it's also not 3 hrs long. Yes, the acting wasn't the best, and some parts were very well over acted, but the plot twists more than made up for its deficiencies. It's "free" on Prime and worth the watch, so enjoy the movie. It's just over 90 minutes long.
I think it also did well addressing current social issues with a positive message, like we can all do better. Thank you Tyler Perry for addressing issues that most filmmakers don't.
While I appreciate the comments to help me gauge a movie, some 5's are on the cusp of becoming a good to a very good movie.
I think it also did well addressing current social issues with a positive message, like we can all do better. Thank you Tyler Perry for addressing issues that most filmmakers don't.
While I appreciate the comments to help me gauge a movie, some 5's are on the cusp of becoming a good to a very good movie.
This is a misfire on nearly every front. It trivializes serious issues like police shootings for shallow plot twists, offering no real insight. The storyline is convoluted and implausible, with poorly developed characters acting without logic. The direction feels lazy, the dialogue is clunky, and recycled scenes (like the boat climax from Acrimony) add to the déjà vu. Visually, it looks like outdated TV. Instead of evolving, Perry leans on tired tropes and shock value.
I honestly don't know why people bother with the same regurgitated style of movies he produces. It's now packed with more agenda than before.
He's made his money from the gullible black church community and should move on! Don't watch it but hey, everyone to their own.
I honestly don't know why people bother with the same regurgitated style of movies he produces. It's now packed with more agenda than before.
He's made his money from the gullible black church community and should move on! Don't watch it but hey, everyone to their own.
Super slow moving unbelievable, literally impossible, plot, so NOT great crime, couldn't happen in a million years, like a high schooler's 1st attempt at a crime novel, with a ton of gaping holes, great actors and actresses but the script drags on and it looks like the actors themselves are having trouble figuring out which part of the plot they are in, the reactions don't always match the storyline. The last 2 minutes did have one great scene where the summary of how we should as a society face police shootings was a great line. So, wait for the movie to be free and watch the last 2 minutes; you will get the point I'm sure Tyler Perry had in mind. Following the storyline also makes the viewer have to struggle to put it together, because it's a puzzle of plots that don't quite fit, like struggling to put together a puzzle and realizing it's a collage of mismatched images with several plots, not interconnected, a puzzle with several images within one. LIke a story written by several different people who didn't know for sure what the other writers were going to write.
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- Trilhas sonorasBack at It Again
Performed by LÒNIS feat. Julisa
Written by Jennifer Hanson, Nick Brophy, Lisa Wilson
Published by JUJUFRUIT/Peermusic III, Ltd. o/b/o itself, Miss Marvelle Music, and Songs of Sanchez
Courtesy of Peer-Southern Productions, Inc.
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