Thandel

"Thandel" delivers a poignant narrative rooted in true events, much like "Mathe Mungaru," with both films sharing strikingly similar perspectives that resonate deeply with audiences. The movie strikes an emotional chord while incorporating elements of action, offering a balanced mix of sentiment and intensity.

Naga Chaitanya's performance stands out as one of the film's strongest aspects. His portrayal of the lead character is engaging, capturing both the emotional depth and action-driven elements with remarkable authenticity. The actor fully immerses himself in the role, giving a 100% commitment to the performance.

However, it's Sai Pallavi who truly owns the screen. Her portrayal is nothing short of legendary, further cementing her status as one of the industry's most talented actresses. Sai Pallavi is, without a doubt, the highlight of the movie, bringing an emotional gravity to each scene, making her presence feel like the heartbeat of the film. She elevates "Thandel" in every way, ensuring that viewers remain glued to the screen.

On the music front, Devi Sri Prasad's score is decent, though it doesn't entirely stand out in comparison to his previous works. The soundtrack serves its purpose but doesn't elevate the emotional experience as one might expect.

Overall, "Thandel" is a one-time watch for those seeking a movie filled with sentiment and action. While the music may not leave a lasting impression, the strong performances from Naga Chaitanya and especially Sai Pallavi make it worthwhile.

Rating: 3/5 stars.

Hearing a lot of reviews I happened to watch this movie. It was good in parts. As it was based on a real incident, those parts were good. The visual effects were definitely good. Music and cinematography was also good. Naga chaitanya and other actors deliver a great performance while Sai Pallavi's acting was top notch. However the things that didn't work well for me was certain jail scenes were disturbing, why it has to be shown that way whenever Indian movie makers take movies about Pakistan. Why can't they make movies like Bajrang bhaijaan?., also the climax of the movie was too clichéd and predictable.. Good movie but definetly not that great.

Well made movie of Chandu mondeti and excelled by Saipallavi. And worth mentioning are story- Kartheek, photography of Shamdat and music Devi sri prasad. Screenplay is too good. Applause to Geetha arts for making this movie. Sai pallavi is outstanding and carries the movie on her shoulder. Nagchaitanya is average and as always the hero buzz created to success of the movie to him which is hype created for his sagging career. Nani or Sarvanand would have delivered better performance. Saipallavi yet again proves how she elevates a movie with her performance or choice of her roles. Worth watching for her !

A love story that pulls at the strings of your heart. The lead pair of Naga Chaitanya & Sai Pallavi get into the skins of their respective characters with such finesse. A word for Naga Chaitanya - his transformation into Thandel Raju can easily be a case study for other actors who wish to play such layered & complex characters. This is quite simply his best performance by far in his career. DSP's songs & BGM elevate the movie by leaps & bounds, coming at the right places and in the right format. Director Chandoo dis hos best in turning this real-life story into a magnificent celluloid creation with the right amount of drama and emotion. Overall, for movie lovers across the world, Thandel is a must-watch. Period.

Beyond a point you cannot rely on Sai Pallavi to rescue a movie every time. This is a true story which has been dramatised for superior cinematic viewing, however the duration of the movie has lasted longer than necessary with certain repetitive sequences around the emotional scenes thereby diluting the impact of the natural chemistry between the lead actors. It's like making a larger Dosa with the same cup of batter. Must watch but not more than once. DSP's thematic tune is lilting and positively haunting. Casting is excellent. I wish there was a more outdoor shoot, especially on the coastlines, instead of showing the same fishing harbour five times.