T2: Trainspotting

The return of Trainspotting to the screen such a weird bit of timing. The cast are almost all moved on to very successful careers in cinema and television, with a range of big and personal projects between them. Likewise the film sits in a period in the mid-90's where cinema seemed so vibrant with ideas and new directors (most of whom are now the new establishment); so returning to a place with that establishment didn't think it would work - particularly seeing so many big name actors trying to convince as broken shells. It felt like it would be an exercise in looking back, rather than being a new film in and of itself.

I thought this would be a negative, but actually this is what the film does, but it is a strength not a weakness. The film reconnects with the characters, who are all in their different places, some having moved more than others. Regardless though, they are all looking back. Some of them look back with fondness when their violence was at its peak, others feel regret for what little they have to show for life - some putting that on themselves, others putting it into blame on others for closing off options. This sense of hitting a certain age and looking back is universal I think, and it works well here. The base plot is not as good, but this element of nostalgia (fond and regretful) mixes across the film well and carries it through.

It also allows the film to do what it does in terms of style. It references the original film a lot, but thanks to this theme, it doesn't feel like it is trying to replicate it or ride on its coattails, but rather it is a touchpoint for the characters, the cast, the crew, and the viewer. Doing this strengthens that theme. Of course, it also repeats the energy of the original film, with the director/cinematographer very much pushing the style and design. This doesn't work quite as well when sometimes there is not quite the substance to carry it off.

How it would work for younger viewers, or those who have never seen the first film, I don't know. But for me it had the style and energy it needed to keep it all moving, but what worked most was that it took that feeling of a backwards looking film, and made that a strength that ran through the 4th wall from the characters out to the production and to the viewer. It is not a match for the original film but it works very well as a companion piece.

An immensely challenging sequel to produce; Danny Boyle's reprisal was never going to satisfy old fans and newcomers alike.

After twenty years, there would be obvious ambiguity in how to go about writing and directing this cult-classics' sequel. 2017 is brimming with sequels of both original movies and installments to well-established series; thus this may be a recurring issue in the near future. T2 Trainspotting is very clearly a movie made for the fans of the original, for people who loved the first film but haven't watched it in years, and have fond memories of it. This film preys upon the fact that some people will be so wound up in their own nostalgia that they won't give this film the independence from the original it needed.

T2 struggles to declare itself a story of its own; literal scenes from the original Trainspotting are shown to portray a reflection on the past repeating itself; but all that this shows is an unwillingness to write a completely original plot. It is likely Danny Boyle did this to appease fans, as going in a completely different direction would then annoy those who are devoted to the first film.

The story has a great premise; the Mark Renton (Ewan McGregor) returns to Scotland and meets with the lovable Spud (Ewen Bremner) and best-pal Simon (Jonny Lee Miller) once again - much to their initial disgust. Not long after, the return of Begbie (Robert Carlyle) fills the plot with more drama than a soap opera. The events that take place are mostly for comedic purpose, under the premise that the audience already know the characters (fair to assume, but not taking into account standalone viewers). A specific scene in which Simon and Mark are forced to perform a song in a loyalist pub had me laughing out loud in the cinema; so often the attempts at making the film light- hearted were received with a good response.

That being said, one of the things about the original is that it wasn't light hearted in the slightest. The characters were the only thing lovable about the film, not what happened to them necessarily, whereas T2 swaps this around - the environments were far more ostentatious in this film, bright neon lighting and fewer disgusting and dull backdrops make for a more optimistic view in this film - quite the opposite of what the original was about. It seems in trying to appease the fans of the original and placing the same characters in a repetitive-yet more flamboyant setting has managed to stray from the roots of what made Trainspotting great.

T2 could have been set anywhere provided the main characters still acted in the way that they do, and that's a shame - every piece of Trainspotting was necessary to put together the plot that was made.

Despite all of this - T2 is a good film. It's not a great film, but it certainly isn't awful either. Its' greatest failing is that it can't decide whether to create an entirely new story - which would abandon the roots of the original - or to re-hash Trainspotting - which would be total cowardice. The film does the worst of both worlds, in that it doesn't have a great deal of original thought but it also doesn't capture what the first film did.

On its own merits, T2 is a funny film; and it is enjoyable to watch. I didn't leave the theatre as disappointed as I would have anticipated, and the film didn't fail to put a smile on my face during. Despite the 20 year gap, the actors clearly haven't lost track of their alter-ego's nature - the performances were great and the chemistry that the actors had was immense, with a gleaming nod to Robert Carlyle.

I can still say I recommend T2, its not like the original in terms of quality or theme, but I would be lying if I said I didn't enjoy myself. I can make an odd comparison to another sequel, Aliens, in that both T2 and Aliens are very enjoyable, but both films also spoil the point of their predecessor in a sense.

Sequels long after its original is always risky business. Especially one that I did not think needed it. But director Danny Boyle is back with a follow-up to one of the most influential British films of all-time.

I had only seen Trainspotting for the first time several years ago. I remember being quite impressed by it, despite me never going nuts for drug-related films. I was more interested by the style of film- making and well developed characters. It also contain one of the most distressing scenes I have seen in any film.

21 years later, and now we see where the lads are now. I saw the trailer to see if it's going to be worth it, and I was surprised how good it looked. Some of the dialogue I was hearing sounded like we were instantly back in this mad environment. With the trailer doing plenty to get me intrigued, I had pretty solid hopes for a worth sequel.

Amazingly, I felt it managed to all come together. For something that I'm sure Boyle holds very dearly to his heart, you would expect him to never go near this work again. Especially when he has never done a sequel before. But we are now here, and I think everyone did a grand job. I did not get the sense that the makers made this for an easy box office return. I felt it was there to be an actual follow-up to the events from 1996, which is fantastic to see. The tone is definitely being aimed at the people who grew up with the original. With that in mind, it will be interesting to see how it works to the generation that are of the age the cast were in the original, and see if it can relate to a broad age range.

The gang are back, and all four of them were great in their performances. Honestly, it was like they had never left. Ewan McGregor holds the film well as Renton, has many strong moments and you can tell he is enjoying getting back in the saddle. Roberty Carlyle continues to be as hilarious as Begbie was back in the day. Ewen Bremner as Spud shines the most for me, was given great development and became such a pivotal part of this sequel. I was really surprised to see Johnny Lee Miller give a great performance, as it is only recently that he has got back into movie acting after being busy with a TV series.

Another thing some sections of the audience like to see with sequels, is the level of nostalgia. The use of that and memory was cleverly done. It felt like it meant something, instead of just making us think "I'd rather be watching the original".

I have only very minor negatives. There were moments that felt a bit scattered at times and did not feel that well connected to the main story.

I was not expecting this to be so enjoyable. Boyle and his done have done a great job by keeping this a down-to-earth story and making feel like it deserves a second installment. I think what the films big strengths are, is what made the original so successful. The characters are still as memorable as ever, the writing is sharp and funny when needed, the visuals are engrossing and impactful, and the soundtrack is strong. They also managed to make the film worth seeing for people who haven't even seen the original, which was impressive to see.

When you think about it, a lot of Danny Boyle's work is about friendship, and this one is no different. I will continue to be excited for his next project, after making what will probably one of the big surprises of 2017. What a start to the year!

Rating: 8/10

It was pleasurably nostalgic to see these characters again. They are so well written and so convincingly brought to life by the amazing cast that they almost feel a part of you.

I awaited the release of T2 with immense anticipation and desperately wanted to see this film. But, despite a significant amount of bias on my part, my honest take was that the premise felt a little forced and contrived.

It was always going to lack the grit, energy, authenticity, depth of meaning and crackerjack dialogue of the original. Part of me feels they should have left the 1996 masterpiece to sit singularly, where it belongs, as the greatest British film of all time.

But then again I can't fault them for attempting to resurrect the story, as Irvine Welsh did. The acting performances aren't as raw, heartfelt or believable as the first and that youthful energy is certainly missing. But it's the screenplay that disappoints in my opinion - it's a little loose, vague and disconnected. I'd even go as far as to describe it as ordinary and unremarkable.

In all fairness, I think these issues were pretty much unavoidable. Following Trainspotting was an impossible task. The film suffers from the universal truth that life becomes more humdrum the older you get, meaning that creating a dynamic storyline was inevitably more challenging.

Even if the original film isn't as dear to you as it is to me, if you watched them back to back it would be pretty obvious that T2 is a failure, sadly.

It's not often I go to the cinema to watch a day-one screening, but my love of Irvine Welsh and the previous Trainspotting film meant I just could not resist.

This film is a wonderful show of friendship and Begbie's psycho temper which encapsulates left over stories from the first book and large portions of 'Porno' the following book.

I'm pleased to announce that all characters still have that beautiful chemistry featured in the original and work to provide scenes of pure comedy genius and others of emotion and absolute anger. The film really lives and breathes nostalgia of its predecessor, as well as showing how, even if we all change on the outside, we are still the same on the insides. We all make the same choices in life over and over.

My only complaint with this film is that it didn't feel as slick as the first film. This is probably because of the vast improvements in cinematography which you'd expect considering there's an over 20 year age gap. Transitional shots mean you're waiting that little bit longer, but you are probably looking at some of the best views Scotland has to offer in that time.

To sum up, I'd have to say this film is essential viewing for anybody who's seen the first film or read the books. There are so many references which you'll pick up on, leaving you with a wry and joyous smile throughout. For anyone else, you need to watch the original film first (and understand Scottish for anyone reading not in the UK), but I assure you that this film will not disappoint. It's textbook Danny Boyle packed full of nostalgia