The Moon - Sobrevivente

If you are looking for a a scientifically sound film based upon the principles of modern space travel and exploration this is not the film for you. If you are looking for a super fun, sci-fi adventure with dramatic undertones this is for you. The Korean space agency is looking to land a man on the moon, and redeem its prior lethal and failed mission in this futuristic adventure. Circumstances have a lone young astronaut stranded and the film involves the attempts to rescue him. The characters are engaging. The story is fun. The effects are visually exciting to behold. This is just a fun time from great Korean filmmakers.

Positives:

This movie deserves credit for its technical approach to the space science fiction genre, reminiscent of films like Gravity. It explores the complexities of spacecraft launches and lunar landings, albeit in a simplified and audience-friendly manner. The VFX and CGI are top-notch, successfully creating a visually immersive experience. These high production values ensure the film connects with a broader audience, even those not deeply familiar with space technology.

The imaginative depiction of futuristic space advancements-such as drones, live video broadcasts, and lunar gateways-is both fascinating and ambitious. While the technology showcased is far from reality, the speculative vision is commendable and could inspire upcoming innovations in space exploration.

Negatives:

However, the movie stumbles due to its overly dramatic screenplay. The plot is predictable, offering hints early on that "everything is going to be fine in the end." This lack of suspense undermines the tension and emotional investment that are critical for a gripping sci-fi narrative.

The film's pacing is another drawback. It moves too quickly, without allowing for "plot breaks" or moments of reflection. The relentless storytelling leaves no room for viewers to immerse themselves in the narrative fully. The background score, while extraterrestrial and sonically pleasing, is overbearing and constant, leaving little breathing space for quieter, introspective scenes.

The emotional elements feel forced and formulaic, as the movie leans heavily on familiar tropes found in other space mission films. This approach detracts from the unique technical aspects and makes the story feel repetitive and uninspired.

Final Verdict:

This film stands out as a good space sci-fi movie from Korean cinema, showcasing impressive visuals and imaginative concepts. However, its predictable narrative, rushed pacing, and overemphasis on drama prevent it from reaching the heights of genre-defining classics.

While it is worth a watch for its technical brilliance and futuristic imagination, there is a longing for a more nuanced and original approach in future entries from this genre.

The story revolves around Korea's second attempt at reaching the moon (in 2029) after a previous failed attempt.

This time, things don't go well either.. and one (incompetent?) man is left stranded and has to survive using the Moon resources until he is rescued. Solar flares, sudden meteor showers and many more can be expected. This is what Jay from RedLetterMedia would probably call "disaster porn".

I expected more of this film due to the quality levels of production and visuals. And seeing SO many 9 and 10 score reviews from accounts that have not reviewed anything else says a lot about it.

Personally, I found it completely devoid of charm, personality and lacking in engagement. Sure, lots of "things" happen and tension is almost always high (as with all space missions), but the slow pacing and dull developments make the 2-hour runtime almost a chore. Barely anyone stands out and there's no one to latch on to. Doesn't help that there's a lot of "Government involvement" that interferes as an extra layer of tedium, and the interpersonal interactions are very generic.

It's okay if you like space movies, but I was really bored the entire time.

As an American and a huge fan of Hollywood action films, it would take a lot for me to rate this a ten. Armageddon(1998) and Apollo 13 (1995), this is not. However, the potential is there but doesn't become realized until the 2nd third of the movie. It becomes more intense. You begin to care about the characters. The final 3rd hammers it home and you're not so concerned about its start anymore. The action, the acting, and the suspense are great. You're on the edge of your seat. You cry. You cheer. Once you finish the movie, however, you become upset about the weak use of dynamic Korean actors like Kim Rae-won, Lee Yi-kyung, and Lee Sung-min. Then you wonder why the beginning was just so so. Budget issues? Perhaps. Even though Do Kyungsoo is the star, making others have a stronger presence would not take away from the star. No one took from Bruce Willis' spotlight, but the entire cast of characters in Armageddon shone brightly because it was so well-written. Finally, the music score needed a little work. Ijs.

A captivating drama awaits you, where tears will be shed throughout the entire movie. The story revolves around personal struggles, with almost every character experiencing their own emotional turmoil. However, be prepared for some characters who indulge in "crocodile tears" to provoke the viewers' emotions. This movie is not merely a film, but rather resembles a Korean funeral, where sorrowful cries resonate. After an hour of intense emotional rollercoaster, it is advisable to shield impressionable children from the screens, as their faces might be stained with tears for the entire week. However, like everything in life, moderation is key. While the cinematography is praiseworthy with skilled cameramen expertly maneuvering the camera to capture essential and even unessential moments, there were instances where their efforts became rather irritating.