Rosario

The movie couldve been really good but the 1st and major issue is its dark, like pitch dark. I have no idea why filmmakers continue to use this annoying tactic. Its creepier if you can see the stuff not just lightly outlined shapes in dim lighting. Seems like every cheap basic horror trick was used for the movie instead of really digging into this occult practice which is both fascinating and very frightening. I saw it because i had very dark experiences with this type of religion due to an ex i dated. I know its real and i also know the power of suggestion. I feel like all they tried doing is throw a bunch of latina girl boss empowerment at the spooky religion and called it a day. Its too bad they wasted a great opportunity.

This film really drags man. That's about the summary of this entire feature, it's a film tackling a very tired and cliche realm of horror, whilst also a film that's throwing some cultural patronage - which it doesn't fail at, however when it comes to most horror aspects, it falls flat. This film offers some little eye openers here and there, nothing spectacular, moreorless predictable circumstances you'll see from miles away. Some poorly timed jumpscares, bad audio and extremely predictable scenarios sprinkled among a plot that drags, this wasn't the worst thing I've ever seen, but if you're gonna take time to see it in theaters like I did, congratulations. You've got great patience. Some people will appreciate this film, but at the very least, it tried - it's extremely basic in every regard all in all.

For audiences looking for a fresh take on the possession subgenre, Felipe Vargas's "Rosario" might not fully deliver. The film, starring Emeraude Toubia as the titular Wall Street stockbroker, delves into a culturally rich backdrop as Rosario uncovers her family's dark secrets after her grandmother's death. While the premise offers intriguing possibilities with its focus on generational rituals and occult artifacts, the execution often leaves something to be desired.

Much of the film's horror relies on scenes shrouded in darkness, which, while sometimes effective in creating atmosphere, can also obscure details and limit the visual impact of its supernatural occurrences. "Rosario" treads familiar ground within the possession narrative, and while it doesn't necessarily detract from the story, it also doesn't introduce much that feels new or groundbreaking.

Ultimately, "Rosario" is a watchable film, but it's unlikely to leave a lasting impression. It's the kind of movie you might enjoy once, but it's quickly forgotten amidst the vast landscape of horror offerings.

In this flick, we follow Rosario Fuentes, a Wall Street stockbroker. After the sudden death of her grandmother, she feels obligated to watch over the body until her father and the medics arrive. While sorting through her grandmother's belongings, she discovers a hidden chamber filled with occult artifacts tied to dark rituals. Soon, terrifying visions and supernatural occurrences begin to haunt her, forcing Rosario to confront her family's buried secrets.

The premise itself is interesting but familiar, and not easy to pull off. The movie heavily relies on Emeraude Toubia as Rosario, as she occupies most of the screen time while dealing with the supernatural events. She does a decent job portraying her character, even though Rosario herself is rather unlikeable and makes several stupid and illogical decisions that only complicate her situation further.

The supporting cast plays minor roles, and the film even features David Dastmalchian which I didn't know going in. His appearance was a pleasant surprise, but his role is small and doesn't give him much screen time.

Unfortunately, the movie is very darkly lit, and many scenes require close attention to understand what's happening visually. It features some decent effects and a few unsettling moments, though nothing particularly new or shocking for genre fans. The backstory that unfolds is interesting, but at times confusing, and the film suffers from pacing issues despite its relatively short runtime.

Overall, it's a decent flick with a tense atmosphere, but it leans too heavily on jump scares and is visually too dark. That makes it rather forgettable aside from a few standout scenes. Rosario had some potential, but the story and execution had too many flaws for the movie to truly work.

[5.1/10]

Rosario is a frustratingly good movie. I say that because, on almost every technical level, it's solid. The production value is high. The cinematography is stylish and moody, perfectly complementing the eerie tone the director clearly worked hard to build. The acting? Strong across the board. The atmosphere? Genuinely creepy at times-unsettling in the best way. I want to like this movie more than I do. I should like it more than I do.

But I can't. Because of Rosario herself.

The main character, Rosario, is-put bluntly-an idiot. And I don't mean the typical horror movie brand of "bad decision-making" we've come to expect from side characters. I mean she's the lead, and her defining trait seems to be astonishing stupidity. We're told she's a savvy Wall Street investor, but nothing she says or does reflects that. In fact, almost every awful thing that happens to her throughout the movie is a direct result of her own thoughtless, reckless, or laughably naïve decisions.

At first, I tried to give her the benefit of the doubt. Maybe she was in over her head. Maybe her arrogance would be part of a character arc. But no-she just keeps making choices so bafflingly dumb that I stopped rooting for her entirely. And once you lose investment in your protagonist, the whole movie starts to lose its grip.

It's a shame, because there's real talent behind the camera. The filmmakers clearly know how to craft tension, build mood, and shoot a good-looking film. The script, unfortunately, doesn't give the lead much intelligence or agency-and watching her stumble from one boneheaded decision to the next becomes less suspenseful and more comical as things go on.

Rosario is a well-directed, well-acted horror film that's undone by a main character so devoid of basic intelligence or self-preservation instincts that it breaks the immersion. If you're okay watching a beautiful, creepy movie with a protagonist who constantly deserves what's coming to her, you might enjoy it more than I did.